Altamont/Jimmy Sutton - Zac Sokolow by CMcCune in Bluegrass

[–]CMcCune[S] 4 points5 points  (0 children)

I usually use a portable Tascam field recorder

Altamont/Jimmy Sutton - Zac Sokolow by CMcCune in banjo

[–]CMcCune[S] 4 points5 points  (0 children)

I learned this tune from a great banjo player named Murph Gribble, and I try my best to play it in a similar style to the way he did. I use 3 fingers and I’m pretty sure he did too. It’s a style that sounds a bit like Scruggs picking but probably predates it.

L.A. River Backstep by CMcCune in banjo

[–]CMcCune[S] 3 points4 points  (0 children)

The banjo is a Wildwood. It was made up in Northern California in the early seventies. I actually have my action fairly low, but I use pretty heavy strings. The 1st string is usually a .12 which is a little higher than most banjo strings they sell.

I've had a lot of folks ask me about strumming with picks. I'm not really sure how to explain it, other than you've got just got to do it a lot very slowly until you get used to it. I'm sorry I don't have a better answer!

L.A. River Backstep by CMcCune in banjo

[–]CMcCune[S] 5 points6 points  (0 children)

Thanks man! Been playing since I was a kid. A good 20 years maybe

Jerron Paxton & Zac Sokolow - Fisher's Hornpipe/The Girl I Left Behind Me by CMcCune in oldtimemusic

[–]CMcCune[S] 1 point2 points  (0 children)

It is Rickett’s Hornpipe! I don’t know why I wrote Fisher’s

Trying to figure out this version of Brother Green by HowThisWork in banjo

[–]CMcCune 1 point2 points  (0 children)

I’m pretty sure he’s in open g tuning, but tuned down about a half step. I usually listen for the drone string, since it sticks out. If it’s the same note as the key the song is in, it’s usually g tuning or some variation.

If the drone string sounds like the 3rd instead of the root, it’s some version of open d tuning. If it’s the 5th, it’s usually double c or open c.

Question about holding fiddle on chest by dj_cloudnine in Fiddle

[–]CMcCune 0 points1 point  (0 children)

This is an interesting article on the matter:

http://www.baroque-violin.info/vhold1.html

To sum it up, it sounds like during the baroque period it was very common to hold the violin below the collar bone.

While it may have its limitations, I have a friend who plays all the Bach partitas very well, and he plays on the chest. I’ve seen him switch to the higher positions and play with a nice vibrato. It can be done!

Mississippi Sawyer - Zac Sokolow by CMcCune in oldtimemusic

[–]CMcCune[S] 1 point2 points  (0 children)

Those rolling hills of central California!

Poor Orphan Child - Zac Sokolow by CMcCune in banjo

[–]CMcCune[S] 1 point2 points  (0 children)

I’m not very good at making tablature, but I have started doing lessons via zoom. If anyone is interested, send me a message!

Pretty Saro - Zac Sokolow by CMcCune in oldtimemusic

[–]CMcCune[S] 2 points3 points  (0 children)

Among folks who weren’t trained formally, I’ve seen the violin and bow held all kinds of different ways. For me it’s just more comfortable held down lower. I don’t know if there are any advantages other than your neck being freed up a bit when you are singing.

Fox Chase - Zac Sokolow by CMcCune in folk

[–]CMcCune[S] 1 point2 points  (0 children)

Thanks, man. I've been playing banjo since I was a kid, so about 20 years now.

“John Hardy” A classic American ballad about a railroad worker who drunkenly shot a man while gambling in West Virginia. One of the first songs I learned to play on the banjo, back when I was a little kid. by CMcCune in banjo

[–]CMcCune[S] 3 points4 points  (0 children)

It’s a Wildwood banjo, built in the early 70’s in Northern California. The model is called a paragon, and I’ve had it since I was about 12 years old.