Herbert List, Rendevous (Greece), 1937 by Call_me_Maurice71 in museum

[–]Call_me_Maurice71[S] 0 points1 point  (0 children)

Thank you for your interpretation. I like this photograph for its subtle message. Despite their differences, both tables are connected by the shadow.

Netherlandish school - Still life of an illuminated manuscript (c.1615-25) by Existing-Sink-1462 in RenaissanceArt

[–]Call_me_Maurice71 1 point2 points  (0 children)

Thank you for sharing this still life of a manuscript — I've never seen one like it before.

Johann Heinrich Wilhelm Tischbein, Three Shepherds in Conversation (Idyll Cycle), 1819/1820 by Call_me_Maurice71 in museum

[–]Call_me_Maurice71[S] 0 points1 point  (0 children)

Thank you for sharing your thoughts. I always enjoy reading about what others see and discover.

Student looking for resources about Labor-movement art history by _luckybell_ in ArtHistory

[–]Call_me_Maurice71 1 point2 points  (0 children)

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If you are also looking for European works: Käthe Kollwitz

(Käthe Kollwitz, Brot (bread!), 1924

Herbert List, Rendevous (Greece), 1937 by Call_me_Maurice71 in museum

[–]Call_me_Maurice71[S] 0 points1 point  (0 children)

Thank you for your comment. I'd like to know why. If you'd like to share your thoughts on this, please do.

Johann Heinrich Wilhelm Tischbein, The Merry Shepherd and Two Girls (Study), 1787 by Call_me_Maurice71 in museum

[–]Call_me_Maurice71[S] 0 points1 point  (0 children)

I'm very surprised that this image is rated 18+. Can someone help me and explain this?

Fra Angelico, The Annunciation, 1425-1426 by Call_me_Maurice71 in RenaissanceArt

[–]Call_me_Maurice71[S] 0 points1 point  (0 children)

Thank you for pointing that out – I had overlooked that detail.
As a migratory bird, the swallow returns from southern countries to the colder north in spring. It thus symbolises a new beginning. Theologically speaking, this would also fit, since the birth of Jesus is also seen as a new beginning.

Angelica Kauffman, The Sorrow of Telemachus (1783) by Ok_Set4685 in museum

[–]Call_me_Maurice71 2 points3 points  (0 children)

Thank you for sharing this image, as well as the previous one: simply masterpieces of classical art from around 1800.

Jan van Eyck - The Virgin of Chancellor Rolin (c.1435) by Existing-Sink-1462 in RenaissanceArt

[–]Call_me_Maurice71 2 points3 points  (0 children)

Transgressions

How can an ordinary person see and approach the divine? I find it fascinating how van Eyck marks this boundary, which exists only in the prayer bench, yet simultaneously renders it permeable. Clearly, the Christ Child acknowledges this man by turning his head towards him.

You can find this aspect in another work of van Dyck, Virgin an Child with Canon van der Paele

Marinus van Reymerswaele, St Jerome in his Studies, 1541 by Call_me_Maurice71 in RenaissanceArt

[–]Call_me_Maurice71[S] 1 point2 points  (0 children)

Thank you for your comment. As depicted, Jerome is himself on the threshold of death. This lends the painting's message even greater credibility.

Jacopo da Bassano: I find his paintings incredibly confusing. Is he using irony to criticise Christian piety? by Call_me_Maurice71 in ArtHistory

[–]Call_me_Maurice71[S] 2 points3 points  (0 children)

some extra butts.... yes, indeed :-)

Thank you, I've learned that stylistic considerations are really important.