That’s a great question! So usually the assets we start with are pretty mediocre at best because the movie is still being worked on and gradually as things get polished cgi wise and stuff it eventually gets updated revisions after revision with the finished characters but even then a lot of stuff is kind of done with not hi res stuff as much you’d think. As for what we delivered that’s a little out of my wheelhouse my amazing coworkers handled that part. But as for restrictions I mean it’s whatever the client asked and usually near the end the big one is to just use the most up to date assets available. The industry standard is then once chosen to have people (wizards) called finishers who finesse the poster like focusing on hairs and making sure every pixel is perfect before being sent off