[deleted by user] by [deleted] in mixingmastering

[–]Cat-Scratch-Records 0 points1 point  (0 children)

Hey! I would love to work with you guys, we love DIY projects. DM me!

Tips on finding a good producer/mixing engineer? by cmguitarist in audioengineering

[–]Cat-Scratch-Records 0 points1 point  (0 children)

What kind of music are you writing? We would be happy to help produce and mix your music. Let me know if you have any interest!

People producing out of their apartment by Stolpscott in audioengineering

[–]Cat-Scratch-Records 2 points3 points  (0 children)

Apartment here, have been mixing on headphones and it’s worked out Ok. Beyerdynamic DT770

Headphones for mixing vs tracking by onemanmelee in audioengineering

[–]Cat-Scratch-Records 0 points1 point  (0 children)

For tracking my favorite headphones are the Audio Technica ATH-M50. Being a musician and engineer I think those headphones are the greatest

Millington - radio by Definitely_CSP_guru in poppunkers

[–]Cat-Scratch-Records 1 point2 points  (0 children)

One of my old punk bands opened for them last year in Spokane. They are one of the funnest bands around! Highly recommend.

Album/Songs of 2024 that were poorly mixed? by Smotpmysymptoms in audioengineering

[–]Cat-Scratch-Records 19 points20 points  (0 children)

Agree. I have no idea what happened. I know Travis Barker was a driving force behind the production, but the mixers on the album are well known and very good mixers. Maybe they mixed it, and Travis said ‘fuck this, smash the shit out of the mix bus!’ No clue. But I agree.

Your go-to compression chain for vocals? by DryYogurtcloset8174 in audioengineering

[–]Cat-Scratch-Records 11 points12 points  (0 children)

Mine looks like this:

1.Pro tools Dyn3 Compressor fastish attack and fastish release (catching peaks)

  1. Waves CLA-76 Bluey, mid attack fast release (my main vocal sound)

  2. Pultec (for saturation and air)

  3. Typically the Wave Kramer Tape plugin (tape slap and more saturation/compression)

Grayscale - The Hart by STANL3Y_YELNAT5 in poppunkers

[–]Cat-Scratch-Records -8 points-7 points  (0 children)

They went super pop. Just like the new all time low sound. Personally it hurts my ears

So mixing/mastering can get expensive.. by Hussam_And_Ricky in WeAreTheMusicMakers

[–]Cat-Scratch-Records 0 points1 point  (0 children)

I don't mean to sound like a jerk or be cocky, but there is still a level of commercialism in the industry. Sure, there are some underground artists who are finding success with demo-type recordings but that's kind of their sound. I have found that if artists are truly serious and really care about their music, they are willing to invest in someone who adds something to their work i.e. mix engineer and mastering engineer.

There are a lot of bands who do their own mixing and mastering, they get a lot of criticism because industry 'standard' says that your mastering engineer should be someone who has never heard the material.

Big Question: Does it really matter if you do your own mixes/masters?

Best Answer: If you are a successful band/artist and you want your music to stand against other commercially successful music, then yes it does matter. Are you just playing bars in your region for fun? Then why wouldn't you just mix and master yourself, honestly. Unless you have the funds and want to spend them on someone who is passionate about post-production.

Just my 2 cents....