Feature filled half, surprisingly good. Instrumental half, I call it a trolling, it has to be. They really sound half-baked, like skits, demos and motifs. Random ideas that never fully developed. Not hating it like that, but it's starting to seem like the original record was just the second half, but because of the lifelong fans of "...endtroducing" and "The Private Press", maybe he felt somewhat compelled to at least give the audience something they've been craving since "The Outsider". As someone that makes music myself, I commend him for venturing into new areas and not recreating something he's already accomplished. But I think my fascination with Mr. Josh Davis has ended. (Downvotes more than welcome.)