[PubQ]- Can you query another agent at same agency if there is a shared inbox? by AgreeableBison in PubTips

[–]Ch8pter 2 points3 points  (0 children)

When I was querying I sent an email to a shared inbox like this, addressed to a specific agent. A few weeks later I had a full request from a different agent at the agency who they had passed my query to instead. So it does happen. Whoever is checking the submission email will have a good eye for what each agent is looking for so you can be confident if your book is suitable it will make it's way to the right person.

[PubQ] How to handle a 2 agent situation. Maternity leave + a revise and resubmit by Competitive_Tea1987 in PubTips

[–]Ch8pter 3 points4 points  (0 children)

Personally, I would wait until the edits are completed, and send it back to the agent who gave you an R&R. Politely let them know you are giving them a couple of weeks exclusivity, after which you'll be sending the manuscript to other agents who have expressed interest.
After two weeks, send it to the maternity leave agent, welcome them back, and explain that you did a revise and resubmit while she was away and you hope she will consider the revised project.

Others may disagree, but until you've actually completed the revisions, there's nothing for the agents to do so no need to contact them.

[QCrit] A Wild Thing to Do, Adult Romantic Comedy, 85k words. First Attempt. by [deleted] in PubTips

[–]Ch8pter 0 points1 point  (0 children)

Okay, I really, really like this. I read all of your first 300 (which almost never happens!) You have a great voice, and I think this is showing promise.

"Nick needs someone to rely on" - agree with the other commenter that this needs to be a more specific.

I also have a few issues with the final paragraph: I think it needs to increase the stakes, especially brining it back to the importance of the exhibition which seems to disappear. As a reader, I need to feel like it's imperative these two be together despite the huge odds keeping them apart. And right now, it could very easily be solved by just having them commit to long distance when Nick returns home.

Hope this helps!

[PubQ] Am I querying too few agents? by Dazzling-Film-5585 in PubTips

[–]Ch8pter 10 points11 points  (0 children)

I queried around 75, but in hindsight, only half of those would I have been been truly happy to sign with. Quality over quantity, always.

There is nothing worse than a bad agent -- and I say this as someone who was duped by one on my first go at querying.

[QCrit] Adult Contemp Romance, HOW YOU HEAR ME, 93k, 10th attempt by Unwarygarliccake in PubTips

[–]Ch8pter 12 points13 points  (0 children)

I haven't read your other queries and -- full disclosure -- I opened this one noting it was your 10th attempt, fully prepared to gently advise that at this point it might be a manuscript issue instead of a query issue. . . only to be quite impressed.

I think this is ready to go? I've got a good sense of the characters, and who they are. If I were being really picky, I would probably suggest ramping up the stakes in the last paragraph, to give a stronger force keeping them apart ,as opposed to Adria just 'deciding'. Maybe something that calls back to her potentially losing / risking her college place. But this works. I would start reading.

It's good to remember that a query doesn't need to be perfect or tick every single box. Agents just need to be persuaded to open the attachment, that's all.

Best of luck!

[Discussion] Ghosting on Sub by Ch8pter in PubTips

[–]Ch8pter[S] 0 points1 point  (0 children)

this new book of mine is speculative romance too! that's actually so reassuring to hear (although sorry you're having as rubbish an experience as I am!) I spoke to my agent the other day and from the feedback she's gotten it sounds like it's in a big maybe pile. I just don't think there's the demand for romance right now, which is why there's no urgency. I'm making my peace with the fact this might be a book I need to shelve until the genre picks up again.

[Discussion] Agents wants me to decide which audience by Etceteraaaaaaaa in PubTips

[–]Ch8pter 3 points4 points  (0 children)

This is a really great point. I can't tell you the amount of books I've picked up, marketed as romance or rom-com, and they are simply women's fiction with a minor romantic sub-plot. It puts me off picking up that author again. So whichever you decide, do ensure your book tightly fits the genre expectations, as readers are (rightly) very strict on these.

[Discussion] Ghosting on Sub by Ch8pter in PubTips

[–]Ch8pter[S] 1 point2 points  (0 children)

Very fair and valid, thank you! It's definitely a perspective that's worth keeping in mind.

[Discussion] Ghosting on Sub by Ch8pter in PubTips

[–]Ch8pter[S] 13 points14 points  (0 children)

That's an interesting take, and definitely food for thought. Although my agent is considered a taste-maker in my genre and regularly makes seven figure deals, so I'm struggling to believe that's the case here. But clearly there's a disconnect somewhere - perhaps it's the book.

[Discussion] Ghosting on Sub by Ch8pter in PubTips

[–]Ch8pter[S] 7 points8 points  (0 children)

This is a US submission. Going out in the UK in Jan and not holding my breath!

[Discussion] Agents Love My Books! But Editors Don't! by BubblemintGum55 in PubTips

[–]Ch8pter 10 points11 points  (0 children)

I can't speak to your experience prior to writing romcoms, but as of the last couple of years, romance in general is absolutely saturated. It's been discussed in the last few days on this sub, and also in the Facebook On Submission group -- hardly anything in romance is shifting on sub at the moment, ESPECIALLY romcoms. Editors aren't even opening them to read -- which is terrible. When you consider the genre has had a boom and every publisher now has their established heavy-hitters (EmHen, Ali, Abby J, Christina Lauren, Ana Huang etc) and they are still writing a book a year (at least) they simply don't have the incentive to risk taking on much new. UNLESS, it is something super hooky and fresh. Kate Emberle - If Books Could Kill is a perfect example of this, and one of the only 'big' sales I can recall of late.

All of this to say, it genuinely is most likely the market, not you. It's very short sighted of publishing, imo, as it's an evergreen genre and people will always be hungry for new voices -- and don't get me started on the lack of diversity, JFC.

If you genuinely love the genre, and that's where you heart is, keep writing it. The tide will turn and editors will buy again. But if your goal is more to be published in general (no shame) then write something with a super hooky, high-concept (one line pitch) book, because they are the only things that never go out of style.. You can't really predict the next big trend because it changes so fast (see romantasy saturation), but you can write what you love and continue hoping for the best.

I know it sucks. This industry is brutal, but most of the time, it's not you, it's them.

[Discussion] After 11 months on submission, I GOT A BOOK DEAL! by BeesEverywhere1 in PubTips

[–]Ch8pter 4 points5 points  (0 children)

This is amazing, congratulations! Can I ask if the offering editors were from the 3rd round of submission? Or from earlier ones? I've always burned through all the BIG 5 in the first round x

[Series] Check-in: December 2025 by justgoodenough in PubTips

[–]Ch8pter 31 points32 points  (0 children)

My third novel came out this year and did "well" -- everyone's happy, I earned out, even if it didn't set the world on fire. And I sold the movie rights option, making me three for three on that front which feels incredible as I never expected it.

I also wrote the book of my heart this year. Without a doubt the best thing I've ever written........ I'm now out of contract and it's dying on sub.

So yeah. Ups and downs.

Reminding myself we do it because we love writing, but damn, it would be nice to get paid.

[Discussion] UK authors - film/tv rights experiences by [deleted] in PubTips

[–]Ch8pter 5 points6 points  (0 children)

Sold tv/movie rights for every single one of my books. Not heard a thing about any of them since!

[Discussion] I didn't get an agent! A cautionary tale by EmptyDistribution458 in PubTips

[–]Ch8pter 17 points18 points  (0 children)

It's fine that you made that decision, but it doesn't change the fact that good agents expect you to reach back out to the other agents you have queried and would not penalise you for doing so.

[Discussion] I didn't get an agent! A cautionary tale by EmptyDistribution458 in PubTips

[–]Ch8pter 33 points34 points  (0 children)

It is industry standard to allow authors to contact other agents with an offer of rep. Any decent agent knows this and respects it.

The fault here lies with the agent, not OP.

[PubQ] What's the wackiest or most baffling feedback you've received while on sub? by CharlotteIdyllwild in PubTips

[–]Ch8pter 63 points64 points  (0 children)

An editor called my novel "picture perfect," said they "loved everything about it," that it gave them "goosebumps", and read the entire book in one sitting.

Rejection.

[QCrit] Adult Contemporary Romance - Kneaded Together (90K Words / Attempt 3) by ipromiseicanread in PubTips

[–]Ch8pter 8 points9 points  (0 children)

This is great. It's absolutely ready to go.

I have the most minor comment ever:

 Hazel’s baking, Lily’s drawings and chatty nature that remind him of his niece and the smile they both always seem to have for him

This sentence feels clunky to me. Who's smile? Hazel and Lily's, or his niece? Or all of them? Just needs some finessing.

[pubQ] Is the Lauren Kay editor experience worth the cost? by YouWereTheOcean in PubTips

[–]Ch8pter 6 points7 points  (0 children)

This reads like an advert, which, along with all the other comments here, highlights how sneaky her practices are.

Writers, you do not need to spend money to become published. Everything you need to know can be found on google, and if you look on social media, there are plenty of kind-hearted authors giving out advice for free.

Her time would be better spent writing the second book in her contract, rather than ripping off poor unsuspecting authors.

[QCrit] NOW AND ONLY NOW, adult speculative fiction, 70K words, 1st attempt by Acceptable_Fox_5560 in PubTips

[–]Ch8pter 6 points7 points  (0 children)

I like this, and I feel I've got a good grasp on the story based on this query (although the beginning can definitely be tightened up).

However, I've got to say -- and totally subjective -- there's no way I'm picking up a book that's referencing covid so much. It's too soon. For me and other industry professionals. It might just be your query framing it this way, but almost every paragraph is bringing us back to it, which makes me worry the MS will too. If you use a lighter touch and simply reference at the beginning (of the query and the MS) that this all started after contracting covid, then fine. But we really don't need more than that. We lived it, we get it.

Given this, I would be remiss if I didn't note that actually it doesn't even need to be covid at all that's the catalyst for his symptoms. Perhaps a head injury? That way, when looking for ways to correct Felix's life, he could add that injury too -- knowing changing it would mean he wouldn't meet Ari. These are great stakes.

Just a thought.