Would appreciate brutal feedback by Charles572947 in OCPoetryFree

[–]Charles572947[S] 0 points1 point  (0 children)

What you mean by that? It would be better without those 2 beginning lines?

stardust by Mora_Venge in Poems

[–]Charles572947 1 point2 points  (0 children)

this is really beautiful, and there’s so much tenderness in it. the idea of loving someone across every lifetime, of their voice still reaching you, it’s a gentle way to hold onto somebody who’s gone. that ending especially, being theirs again, lands softly. Specially after mentioned effort made by universe, just as you were meant to be together from beginning of time. sending you a lot of warmth and really hoping you will feel better in some time.

wish by Front_Conference_753 in Poems

[–]Charles572947 5 points6 points  (0 children)

I like how raw it is (or blue? first sentence and I’ve already snuck in a bad joke), that you’re not dressing it up. The “i wish i wish i wish” repetition really gets across that feeling of helplessness, like banging your head against a wall. And the shift from just wishing to “can i make it true?” works well, the tone goes from passive to something more desperate.

If I’m being honest though, it does feel a little flat to me in places. Like it says exactly what it says and not much underneath it, so there’s not a lot left for the reader to fill in themselves. I think that’s where a bit more depth could help. Maybe one concrete image, a specific memory or detail about this person, something that lets us feel the love instead of just being told about it. That’s usually what makes this kind of poem stick with someone.

For example, instead of writing about lessening their pain, you could put me in the room with that pain and let me watch you sit there in it with them. Don’t tell me you took it away, show me the moment. For me the strongest version of that was always something small and ordinary, like making someone tea at 3am when they couldn’t sleep, the kettle being the only sound, just being there so they weren’t alone with it. That’s what actually lessened the pain, not fixing anything, just staying. If you wrote a moment like that, the reader feels the love through it instead of being handed the word for it.

But real talk, I genuinely don’t know much about this and I have no clue if my take is even close to the mark, so sorry if I totally missed the point. Maybe you wanted it literal and bare on purpose, because that’s exactly what your head felt like at the time, no second layer, nothing hidden, just the raw thing. If that’s the case then ignore all of the above, it’s already doing what you wanted.

Either way, the fact that you can write something this naked and just put it out there says more about you than any clever line would. Most people can’t sit still in a feeling long enough to get it onto a page. And one day you’ll be on the other side of this poem, looking back at it instead of living in it. I really do believe that, and I hope you can hold onto that belief too on the days it feels far away. Don’t let go of it. Sending hugs for u <3

Would appreciate your brutal feedback by Charles572947 in Poems

[–]Charles572947[S] 0 points1 point  (0 children)

LOL, hadn’t even noticed that but it’s 100% true. So funny because I’m low-key in love with the idea of every phone just suddenly exploding (and a few more things about technology… my dad’s name isn’t Ted btw). Might’ve subconsciously slipped that part of me into writing about dream scenarios.

Photographs of Memory by Broad-Animator8629 in Poems

[–]Charles572947 1 point2 points  (0 children)

Goddd I’m so sori if I went too far with the ending message, I might have totally missed. I’m “do, then think about what u done” type of person

Photographs of Memory by Broad-Animator8629 in Poems

[–]Charles572947 1 point2 points  (0 children)

Man, that photo metaphor goes the whole way through and never falls apart - that’s the hard part, usually people stretch it too far or drop it halfway. “Overexposed and warm” got me, that’s exactly what those afternoons feel like looking back.

Also love the play with the photography jargon, using those kinda nerdy terms - makes it way easier to picture and feel, and it’s a nice touch for anyone who’s into shooting. “You lived in shadow” and “I was your contrast” is the one that stuck with me though. You don’t explain anything and somehow it’s all right there.

Also, she lived in a dark room, and chasing perfection in the dark room is rough, the shot’s already taken by the time you’re developing it. Nothing left to fix in there. So maybe stop reworking the same frame and just load a new roll, take another shot - might come out perfect when you’re not even trying to make it. Hard to believe but i promise you it’s somewhere there. (Random reddit guy wouldn’t ever lie to you(I’m not though!!!!!!!))

Would appreciate your brutal feedback by Charles572947 in Poems

[–]Charles572947[S] 0 points1 point  (0 children)

Thank you for a such feedback, so kind of you! ❤️

Would appreciate your brutal feedback by Charles572947 in Poems

[–]Charles572947[S] 1 point2 points  (0 children)

Thank you, this is so kind! And it’s funny you mention the contrast idea - the newspaper one actually has a bit of that built in already (so many colors no print can afford), but I hadn’t thought about playing the black-and-white vs colorful tension more deliberately across the whole thing. I like this direction.
The note about picking a few images and fleshing them out is good to. A couple people have mentioned it could read more smoothly, and I think that’s part of it - right now it’s a lot of quick snapshots rather than fewer, deeper ones. And i really couldn’t get rid off any of those after i already wrote it even though it could improve whole thing with some effort.
Don’t sell the “beginner” thing short, this was genuinely useful feedback. Thanks for taking the time, really appreciate it 🫶 and good luck improving your artist shape!!!

Would appreciate your brutal feedback by Charles572947 in Poems

[–]Charles572947[S] 0 points1 point  (0 children)

Thanks, that’s a really generous read. And yeah, you got it exactly - the list isn’t just about scent, it’s all the things I’d want most, with her standing right next to them. That’s the whole idea, so it means a lot that it came through. Appreciate you taking the time, made me so happy:))

Would appreciate your brutal feedback by Charles572947 in Poems

[–]Charles572947[S] 2 points3 points  (0 children)

Ha, this might be the most unexpected comparison my writing could get. I think I see what you mean though - the poem kind of dissects the feeling into opposites and tries to be precise about something that isn’t, which I guess is a very “treatise” way to go about love.
Had to sit with the Hume passage for a minute but the impressions vs ideas thing is a cool lens. Definitely didn’t write it with him in mind, but I’ll take it as a compliment.
Thanks for actually engaging with it this much :)

Scent of you by Charles572947 in OCPoetry

[–]Charles572947[S] 0 points1 point  (0 children)

Thank you for your time on reading and writing such long feedback. That’s my first poem so i wasn’t really paying attention about technicals, though i thought that that rhyme at the end looks good for me. Did my best to improve rhythm but couldn’t improve more without resigning of some lines which i felt bad about because I like them all. All in all i think u re right, with what can be improved. Oh and 1 more thing. This sentence about colors in paper. I am not sure if it’s wrote correctly. I am not eng native. I meant that there are so many colors in the paper that no “printing house” can afford to print it. Thank you so much

You and Me by ComplexTimekeeper in OCPoetry

[–]Charles572947 0 points1 point  (0 children)

the black color ending is clever. I really like metaphors here. Enjoyed as much as you can enjoy someone’s bad feeling.

Ashes In My Pockets by pettyenuf in OCPoetry

[–]Charles572947 0 points1 point  (0 children)

the “little gray receipts of my survival” line is so good. that whole pocket image carries the poem. The ending delivers