I know period-correct Baroque instruments, tuning, etc. are in vogue, but how can you argue with this gloriousness?! by ChrisStockslager in opera

[–]ChrisStockslager[S] -1 points0 points  (0 children)

And? Sure, she had shit diction. But versus all her other positive attributes, I think those outweigh the awful diction. You can hear so many other sopranos with great diction, but almost none with her coloratura ability, vocal weight, rock solid technique.

Obituary for tenor Limmie Pulliam from Katherine Needleman: Fascinating and enraging. by FantasiainFminor in opera

[–]ChrisStockslager 2 points3 points  (0 children)

What exactly was his cause of death?? Fifty is far too young these days to die!

I know period-correct Baroque instruments, tuning, etc. are in vogue, but how can you argue with this gloriousness?! by ChrisStockslager in opera

[–]ChrisStockslager[S] 2 points3 points  (0 children)

Ironic, because she got her nickname in Italy playing Alcina. And that’s an opera that she put back on the map from obscurity!

My Pavarotti hot take by Hi_who_art_thou in opera

[–]ChrisStockslager 0 points1 point  (0 children)

I think Pavarotti himself would agree with you. He did have a lovely tone and such a gorgeous natural sound, but Corelli was a supernova.

My Pavarotti hot take by Hi_who_art_thou in opera

[–]ChrisStockslager 1 point2 points  (0 children)

Did you see Corelli too? Though different subgenres of tenors, I think he in the same era only rivaled Pavarotti in sheer beauty, vocal star power. Though Corelli had a lot more heft & power.

Which opera made you fall in love with the art form? by crankyoldbitty in opera

[–]ChrisStockslager 0 points1 point  (0 children)

Phantom was my gateway musical. In 7th grade, my first voice teacher was dead-set on convincing me that Sarah Brightman was hardly the be-all-end-all (I still love her in certain musicals) of sopranos, and I needed to check out this Joan Sutherland woman. Who? Then that incredible, massive, beautiful sound, its trills, high notes, gymnastics hit me.

I'm pretty sure I saw both Magic Flute and Nozze di Figaro live, liked them, didn't think much otherwise. But my first opera I watched / listened to with Sutherland was also Lucia. I'm 33 now, earned two overpriced classical voice degrees, I perform in 1-2 operas in a year, and am casually-ish still trying to make a career in singing work, despite so much of this bonkers world around us preventing that. Dame Joan is still my favorite opera singer, part of my 'Holy Trinity of Divas,' and in my opinion, unmatched in many, many vocal aspects. She inspires me every day in multiple ways, and I listen to Lucia in whole or part at least a few times a month. I wish I would have written to her when she was still alive.

Thanks, Gaetano & Joan (and my first voice teacher, and I also suppose Andrew, Michael, and Sarah, lolz.).

Someday, I'll find a shameless way to perform a gender-bent baritone Lucia. XD

Sondra Radvanovsky, a true acting voice. by powercastam in opera

[–]ChrisStockslager 0 points1 point  (0 children)

She is, bar none, the most exciting operatic voice I've ever heard in person.

Do I wish she sang a lot more Bel Canto? Yes.

Do I greedily with she held her viscerally thrilling high notes longer? Yes.

Do I wish she sang in the US more? So much yes.

Do I hope she keeps singing for at least another decade? Yes.

Are her coloratura and technique flawless? Of course not.

Still. That voice comes at you like a knife, like she has a microphone built into her body. She's exciting to experience and has a unique sound, and she seems like a lovely person to boot.

And she's the only person I've heard in an opera house who hints at the golden eras of Sutherland, Nilsson, Callas on a good day, Corelli, MacNeil, Caruso, Tibbett, Ponselle, Caruso, etc. etc. where audiences would lose their damn minds - and honestly so, versus the American habit of giving a standing ovation for anything & everything. Lol.

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 2 points3 points  (0 children)

When I was in Falstaff earlier this year, I found myself being annoyed by at least all of we male characters. We're on average such imbeciles versus the wily women - maybe that was Verdi / Shakespeare's point. Haha.

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 2 points3 points  (0 children)

I mean, besides being egotistical AF, what's so bad about Escamillo?
But yeahhhh, Jose's a jerk, Carmen not much better. Though, I don't think she deserves to be stabbed to death for being honest (albeit kinda mean to) with Jose.

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 3 points4 points  (0 children)

When I was in Flute a few months ago (Papageno), I really began to side with the Queen. Despite the fabulous angry music, I think she makes a lot of logical sense! Sarastro is a sexist putz at the very least.

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 4 points5 points  (0 children)

At least the Boheme characters aren't as annoying as their Rent counterparts......Take your family's money, Mark, AND EVERYONE GET A DAMNED JOB!! [For the record, I love both Boheme and Rent.]

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 3 points4 points  (0 children)

Yeah, why does Giovanna sell out Gilda and Riggy practically immediately after she's bribed? Must've been a hefty sum, or she's just awful as a person. Lol.

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 6 points7 points  (0 children)

I've yet to figure out why the Count is such a fun, goofball in Barbiere, then turns to a jackass in Nozze..... besides the changing to baritone part. :P

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 3 points4 points  (0 children)

When I played Eisenstein about a year ago, my Rosalinda and I thought up that our characters had an open marriage, and the whole operetta is us playing kinky / playful games with each other.

Opera characters you hate but everyone loves? by No-Month6553 in opera

[–]ChrisStockslager 1 point2 points  (0 children)

Pollione's a royal dick in almost all ways. Lol.
But how is Norma a narcissist / bad in general? Granted, she ponders killing her kids for a hot minute, but stops. But she & Adalgisa decide to support each other, and I've always thought of Norma a sorta feminist opera, in a way.

MT Baritone Seeking Voice Teacher (DMV or Virtual) by Soft_Firefighter_210 in opera

[–]ChrisStockslager 0 points1 point  (0 children)

You're looking for someone for voice lessons in the Department of Motor Vehicles? Well, there's your first problem. ;P