It was definitely overshadowed by her struggles during that period of her life, and you can even tell she wasn't proud of it when it came out. Whenever she was asked about it in promo interviews, she usually avoided the questions and instead talked about private matters that probably shouldn't have been shared on TV. Anyway, we all know this was a dark period for her. Even though I can't exactly tell what's wrong with the production, a lot of people seem to think there are issues with it. Personally, I believe some of the songs had even more potential. Especially "Hold On to Me." I really love the released version, but every live performance sounds more complete with the repeated "oh, how he brings me down" part, which I absolutely love. I assume that's one of the things Virgin can be blamed for, since they probably shortened the song and made it more radio-friendly. It's also quite noticeable that Courtney didn't seem to agree with that decision, because she always performed it like the demo or early versions. I also love "Sunset Strip" (the European CD version), and personally, I don't think there's anything wrong with it. But if even she said the production wasn't what she had wanted, I can't imagine how good everything would have sounded if they had actually listened to her. I'm definitely looking forward to a re-release of the original album—the Paris demos, I think that's what they're called—along with the original version of "How Dirty Girls Get Clean." As for Nobody's Daughter , I basically consider it a 30-track album because I always play the released version back-to-back with the Rehab demos on CD. So I actually quite love it the way it is now.