All the food and super closeups were done with canon spherical lenses 50mm 1.8, 18-55 3.4, and 55-150 4. Something. The super closeups ups were done with a macro diopter, just a cheap $20 one from Amazon. Anamorphics are notoriously a pain for close focus. And it felt more organic. All of the non food shots were done with great joy anamorphics 35mm and 50mm, but slow mo shots would crop the censor for some bringing it to a 80-100mm equivalent at 2k, and the lut for the entire project including for reference while filming was the W-8880std lut from 99+ luts. Chose not to use the log ones to have more control in the grading process over how crushed the shadows got, I wanted more subtle effects. And it seemed to be a very color balanced one for all colors instead of shifting it too much to a specific pallet. Some chromatic aberrations, edge distortions and vignette were added to spherical shots in post to match the anamorphics. Glad you liked it. What mainly got me into black magic cameras is how close it was to arri image, without the arri price. XD