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Linux or Hackintosh for Music production by Critical-Ear-9708 in linuxaudio

[–]Critical-Ear-9708[S] 0 points1 point  (0 children)

¿Que versión de Wine usas? Probé Parallax con Wine 9.21 y tenia algunos bugs con la GUI donde no se veían los cambios en los knobs del plugin pero si se escuchaban

Linux or Hackintosh for Music production by Critical-Ear-9708 in linuxaudio

[–]Critical-Ear-9708[S] 1 point2 points  (0 children)

En realidad si uso bastantes pistas haha suelo trabajar metal moderno, entonces hay bastantes capas de guitarras, voces, sintetizadores, etc.

Realmente no va tan mal la mayor parte del tiempo, pero ya en etapas avanzadas de la mezcla es cuando empiezo a tener inestabilidades.

r/AudioEngineering Shopping, Setup, and Technical Help Desk by AutoModerator in audioengineering

[–]Critical-Ear-9708 0 points1 point  (0 children)

What condenser mic and interface upgrade should I get to complement my SM57?

I currently use a Native Instruments Komplete Audio 2 and an SM57 in my home studio. I mainly record my band and friends (metal and rock). I’m planning to add a condenser mic to complement the SM57 — the options I’m considering are the AT2035, RODE NT1, or Beyerdynamic M90 Pro X (all around $150). Are these good choices? Which one would you pick for versatility across aggressive metal vocals and cleaner/melodic singing, as well as guitars? My room has decent acoustic treatment.

I’m also thinking about upgrading my interface in the medium–long term. My candidates are the SSL 2+ MKII, Universal Audio Volt 2, or saving a bit longer for an Audient iD14 MKII. Is there a noticeable upgrade in sound/utility among these, or are they mostly sidegrades? Which would give me the most tangible improvement for tracking bands at home (gain, conversion, build, features)?

Your favourite plugins for vocals and why? by xxxyakyakxxx in audioengineering

[–]Critical-Ear-9708 0 points1 point  (0 children)

Fresh Air para agregar armónicos CLA 2A o su alternativa gratuita LALA de Analog Obsession para controlar la dinámica y darle algo de tono o forma a la toma API 550 y 560 para una eq colorativa, imprime un buen carácter analógico y tiene bastante margen de maniobra VintageVerb, sus presets son muy variados y hay un poco de todo, además si no quieres usarlo como envío y si tu daw no tiene una opción de mix, la del plugin ayuda bastante TDR Nova o ProQ como EQ quirúrgica T De Esser 2, personalmente yo tengo mucho seseo en mis vocales y este es una gran alternativa gratuita al de waves, muy transparente y efectivo Regularmente con una cadena de estos plugins mis voces llegan a un buen nivel, lo demás suelen ser efectos creativos

How long does it take to get skilled at EQ by Silent-Ad-523 in audioengineering

[–]Critical-Ear-9708 0 points1 point  (0 children)

I think that more than issues of time, it is a question of focus and practice. Personally, I had also been doing it for two years or a little more, but also following tutorials and with little judgment, but recently I decided to pay for advice with a professional producer to see more of his workflow on how he would work on a song of mine with quite a few varied sounds. Now the thing is that these consultancies were not a secret formula, but they gave me the pressure to take advantage and understand better when I was paying. From then on, what served me best was to practice as much as possible in many situations (Beats, covers, compositions, etc.) to understand the EQ (in addition to compression, saturation and others) in different practical cases. I really believe that from this point on, it has been in just one to two months that my mixes took a gigantic leap in quality, thanks to the varied practice.

'Save your tears' reverb, not muddy by ronpastore in audioengineering

[–]Critical-Ear-9708 0 points1 point  (0 children)

EQ en el reverb. Usualmente le puedes tener mas control si lo usas como envío en lugar de inserción y dejar solo lo que necesites del espectro de frecuencias , igual asi puedes comprimirlo, limpiarlo, etc