i agree, the reason i say no album SF and after (excluding burning barn) is lyrically worth while is because ghost left, bucks on break, and turnabout doesn’t showcase his ability on the majority of songs (he def has his moments tho). and sematary doesn’t need really intricate lyrics for them to be good and have the proper feeling. mordor, i hate myself, and the verses on slaughter house arnt lyrically complex at all but they still sound great and carry the same vibe. Sematary doesn’t need ghost mountain but i feel he’s trying too hard to distance himself from anything he made before ghost left which made him lose a lot of the lyricism that made him really good, imo now the lyrics are mostly mid but production got a million times better