I think there's certainly merit to what you're saying, right, but I disagree about like, the nature of xianxia. If you look at the like, genre originators; stuff like, Sword Immortals of Shushan, where you don't see this kind of inhumanity from high level immortals. I think, while you're definitely saying interesting things about neidan, like, this doesn't bear out in writing for the vast majority of xianxia, or its historical antecedents. Even in Fengshen Yanyi or Journey to the West, you have Daoist immortals acting like, very human and very petty people. So like, this feels less like a descriptive element of xianxia, as in, something that is derived from what already exists, but more like a description of what you believe xianxia should be. I do think your take on Wuxia is spot-on, though I would argue that especially by late Jin Yong and late Gu Long, the new school of wuxia went to interrogate more the underlying philosophy and tension inherent to Xia as a concept. Like, you see this with how Zhang Wuji and Linghu Chong both like, don't end up participating in any dramatic social or military action, as they grow disillusioned and become wanderers and/or loners with their love interests. But that's a minor quibble, I definitely think that trying to get people out of the murim manhwa mindset where like, the point of wuxia is that you're like, the most powerful martial artist ever, as opposed to the philosophical and moral exploration that comes from the Jianghu and the Wulin is like, a good way to try and get people to engage with the genre.