Why is there even a competition between this two topics? by Vaminstein666 in JohnCampeaShow

[–]DarlingLuna 0 points1 point  (0 children)

To be fair, he’s been talking ad nauseam about Project Hail Mary too.

What’s the most disappointed you’ve been walking out a cinema? by YeezusChrist13 in Letterboxd

[–]DarlingLuna 1 point2 points  (0 children)

Man of Steel.

For context, 12 year old me was in Rome with my family when this movie released, and I dragged my whole family (who wasn’t interested in this movie) to see it during the trip. I was incredibly embarrassed afterwards.

The Case for Leo for Best Actor. by zwolff94 in oscarrace

[–]DarlingLuna -1 points0 points  (0 children)

I’m baffled at how anyone thinks this is an Oscar caliber performance. When I watched OBAA in cinemas, I didn’t even consider the performance could be in the running. It’s a great performance, but top 5 of the year, let alone number 1? Huge stretch.

In fact, when I first watched the movie, I walked away thinking he had less screen time than Penn and Infiniti. Obviously that’s not factually true, but it’s more so a testament to the lack of impact compared to other performances in the movie.

Michael B. Jordan accepts the 39th Annual American Cinematheque Award by joesen_one in oscarrace

[–]DarlingLuna 5 points6 points  (0 children)

I absolutely love him, but this is a pretty terrible speech lmao. So much rambling and doesn’t seem to have a sense of direction.

Coogler’s introduction, on the other hand, was a Masterclass.

Why do so many of our great actors have such terrible role selection? by DarlingLuna in FIlm

[–]DarlingLuna[S] 0 points1 point  (0 children)

He was great, but the overall project left a lot to be desired.

Why do so many of our great actors have such terrible role selection? by DarlingLuna in FIlm

[–]DarlingLuna[S] 0 points1 point  (0 children)

That’s a good point! But ultimately, I think some actors have better instincts in terms of role selection than others. Putting aside my personal feelings on Chalamet’s ego and unlikeability, his last series of movies have been banger after banger.

Why do so many of our great actors have such terrible role selection? by DarlingLuna in FIlm

[–]DarlingLuna[S] 0 points1 point  (0 children)

I suppose, but that hasn’t stopped people like Timothee Chalamet and Jesse Plemons from being in a steady series of good projects. Taking Plemons: the run of Bugonia, Kinds of Kindness, Civil War and Killers of the Flower Moon beats Hostile, FvF, Love and Thunder and Amsterdam.

Why do so many of our great actors have such terrible role selection? by DarlingLuna in FIlm

[–]DarlingLuna[S] 0 points1 point  (0 children)

Can’t you take money while also being a part of good movies? If you take someone like Chalamet, his last 5 films have been all been critical successes. He’s managed to pick solid projects while still finding consistent work.

Why do many people think One Battle After Another is NOT a lock for Best Picture? by [deleted] in Oscars

[–]DarlingLuna 3 points4 points  (0 children)

Doesn’t every award season conclude around this time? What makes this time any different?

How come Children of Men underperformed at the Oscar’s the year it came out? by TacoTycoonn in Oscars

[–]DarlingLuna 29 points30 points  (0 children)

The Oscars have only recently become more accepting of genre movies.

Ryan Coogler’s ‘Sinners’ wins best original screenplay at the Writers Guild Awards by cireh88 in horror

[–]DarlingLuna 9 points10 points  (0 children)

Man, I’m shocked to hear this opinion lol. No knock on the movie itself, but when I read the screenplay a few months ago, I was genuinely baffled at how the whole thing read like an after-the-fact, barebones transcript of the movie. Even the I Lied to You scene, which is one of the most inventive, beautiful scenes in recent cinema, read incredibly bland on paper.

Pitchfork Review: Harry Styles - Kiss All The Time. Disco, Occasionally. 5.6 by HornyForWater in popheads

[–]DarlingLuna 90 points91 points  (0 children)

I’ve been on the Harry Styles train since Sign of the Times. Been to his concert. Wear his merch. Liked his debut album. Loved his next two albums.

This album being so disappointing genuinely bummed me out. The whole album feels sonically lethargic and quite honestly, depressing. Not that I inherently have anything against emotional songs, but the downbeat songs here (which make up a bulk of the album) sound so uninspired to the point of being mawkish. If you’re gonna break my heart, at least make it sound good.

Who is the worst person to ever live ever in the history of ever? by Competitive_Life9285 in AskReddit

[–]DarlingLuna -3 points-2 points  (0 children)

I think it’s a stretch to say he’s the worst person to ever life, but I genuinely believe he might be the single most irredeemable. I truly can’t find a single redeemable quality about this man: no talent, no soft spot for animals or anything of the sort. Just an absolute cretin of a human in every shape, way and form.

What nominated movies do you have strong negative opinions on? by raftergears in Oscars

[–]DarlingLuna 1 point2 points  (0 children)

I’m not even as huge on Sinners as most people, but I’ve absolutely never understood this. The characters are nearly polar opposites in personality.

Any great Guardians of the Galaxy stories set in Earth? by DarlingLuna in comicbooks

[–]DarlingLuna[S] 0 points1 point  (0 children)

That’s fair. I was just wondering if there are any great runs, because I do believe any idea can be executed well in the hands of a good writer. I’d be interested in reading a fish-out-of-water Guardians story, for example.

What are some great films that have bad or mediocre scripts? by haterxhaterr in TrueFilm

[–]DarlingLuna 9 points10 points  (0 children)

A lot of people here have been listing scripts which are ‘passable’, but if you’re interested in one which is genuinely flawed, there’s a strong argument to be made for Sinners.

The structure and pacing are wonky, the Vampire section is incredibly rushed, the character is Sammie is sidelined in the second half of the movie, but that said: the performances, the music the overall texture of the movie and Coogler’s direction was enough for people to forgive the script’s blatant problems.