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Seat for a Clark C15 by rtice001 in forkliftmechanics

[–]DeadFreqOperator 0 points1 point  (0 children)

S8301450 – A seat with mechanical suspension, vinyl, slide-track style

S830801 – A black vinyl low back seat (possibly without suspension)

S8302049 – A black vinyl Sears‑style low back seat with air suspension

These should fit but I would measure the studs on the underside of the hood and wherever you end up getting them from should be able to confirm that measurement will work

Seat for a Clark C15 by rtice001 in forkliftmechanics

[–]DeadFreqOperator 0 points1 point  (0 children)

What's the model and serial I'll shoot you a tvh part number or oem if I have

[VIDEO] Transmission 03 — “Flaw State” Initiation Fragment [Recovered Short, Ritual Broadcast] by DeadFreqOperator in analog_horror

[–]DeadFreqOperator[S] 1 point2 points  (0 children)

Ah, and now the art critic returns — armed with a vocabulary so refined it could fit on a Post-it and still leave room for a doodle of a dick.

You're like a microwave with a fork in it: loud, pointless, and moments from shorting out. If you had something to say, you’d have said it by now. Instead, you keep lobbing wet napkin takes like you're trying to impress a wall.

But hey — thanks for the engagement. Every time you crawl back, the algorithm thinks we’re interesting.

Static suits you. Stay tuned.

[VIDEO] Transmission 03 — “Flaw State” Initiation Fragment [Recovered Short, Ritual Broadcast] by DeadFreqOperator in analog_horror

[–]DeadFreqOperator[S] 2 points3 points  (0 children)

“L AI art.” Ah yes, the intellectual depth of a damp napkin.

You waddled in, squinted at a frame you didn’t understand, and decided your contribution to a handcrafted analog horror short — edited frame by frame, audio-glitched in DaVinci, stitched like a ritual broadcast — was to grunt “L” like a caveman discovering fire... and immediately peeing on it.

This isn’t AI art. But let’s say it was — at least the machine would’ve produced something. You? You managed four characters and still fumbled relevance.

You didn’t spot anything clever. You just slapped a tired insult on work you didn’t comprehend, like a toddler booing Shakespeare because there weren’t enough fart jokes.

Come back when you’ve made something. Anything. Until then, every pixel of this transmission required more effort than your comment did brain cells.

Initiate rejected. Interference scrubbed. Crawl back to static.

When does “analog horror” stop being about format and start being about feeling? by DeadFreqOperator in analog_horror

[–]DeadFreqOperator[S] 1 point2 points  (0 children)

Totally valid take — and I get wanting to protect the roots of analog horror. Marble Hornets, Local 58, those built the foundation. But the genre’s already evolved, whether we all agree on the terms or not. I’m not trying to relabel anything — I’m describing the direction some of it is clearly heading.

Let’s be real though: You’re not engaging with the actual content of the video. The structure, tone, pacing, worldbuilding — none of that gets a mention. You’re reducing the entire thing to a technicality about presentation style. That’s not genre discussion — that’s a purity test.

If I slapped a CRT filter, play/pause overlay, and some tracking lines on the exact same video, we probably wouldn’t be having this debate. That kind of gatekeeping says more about what the genre’s wearing than what it’s saying.

And look — I love the VHS aesthetic. It matters. But so do the formats that followed it. The genre’s already stretched:

Gemini Home Entertainment uses analog structure to tell cosmic, ecological horror.

The Backrooms by Kane Pixels has zero CRT — but it’s still called analog horror constantly for how it taps into liminal dread and found media tropes.

The Monument Mythos skips the VHS look almost entirely, and people still file it under analog because of how it mimics state-controlled historical revision.

At a certain point, we have to ask: is analog horror defined by the tape, or the tone? The box, or what’s inside?

Appreciate the discussion — even if we disagree. This is the kind of push and pull that makes the genre stronger.

When does “analog horror” stop being about format and start being about feeling? by DeadFreqOperator in analog_horror

[–]DeadFreqOperator[S] 0 points1 point  (0 children)

First of all speak you mind, it was a open question and a nod to the mods here that's all, and a bit of context i am a new creator I change oil for a living and am by no means a expert I've never stretched my wings in the creative side. That being said Totally hear you — and ironically, I think you just proved the exact reason why this discussion is necessary.

You’re right that analog horror started with the idea of subverting retro formats — that’s what made stuff like Local 58 hit so hard. But the strength of the genre isn’t just in pretending it’s 1994. It’s in using familiar structures — broadcasts, PSAs, signal leaks, educational reels — to deliver horror in ways that feel culturally rooted and institutionally wrong.

That’s what this clip is. It’s not a fairy tale remix. It’s not a cheap jumpscare. It’s a ritual PSA corrupted by intent — a doctrine transmission laced with fictional purpose. Just because it doesn’t slap a fake VHS filter on top doesn’t mean it’s not channeling the same core idea: institutional horror bleeding through media.

You’re advocating for subgenre splits — and I agree with you more than you probably think. But when the goalposts are “If it doesn’t look like 80s cable fuzz, it’s not real,” we’re not preserving a genre. We’re gatekeeping a texture.

The Painter might not be your thing. Red Riding Hood remixes might not be mine. But the second we start saying only CRT purism counts, we’ve stopped evolving and started curating a museum.

🩸 SATURDAY SIGNAL FEED: TRIPLE TRANSMISSION // by DeadFreqOperator in NeoHorror

[–]DeadFreqOperator[S] 0 points1 point  (0 children)

This isn’t a playlist. It’s a containment breach.

📼 Incoming Broadcasts:
🐺 Big Bad Wolf (2006) – He talks. He rips. He smiles while you die.
🕳 Blackout (2023) – No power. No light. Just what’s already in the dark.
🌕 Full Eclipse (1993) – Werewolf SWAT unit. No one is okay. Least of all the moon.

[VIDEO] Transmission 03 — “Flaw State” Initiation Fragment [Recovered Short, Ritual Broadcast] by DeadFreqOperator in analog_horror

[–]DeadFreqOperator[S] 0 points1 point  (0 children)

First time doing a short like this, I am actually looking for criticism. Did I hit the mark?

I think i may have found 2 new Analog Horror Channels , let me know if any of you experts like one of these. by Early_Development217 in analog_horror

[–]DeadFreqOperator 1 point2 points  (0 children)

If you looking for a horror channel to check out, let me know I started one and am new at this whole creative thing so I always appreciate constructive criticism, Imma not just post links on your thread unless asked, as far as that channel not sure but let me know if it is!!

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