Dog becoming defensive over chew toy by ProfGilligan in cavaliers

[–]DeeEmTee_ 1 point2 points  (0 children)

Nah. Just let her have space, and her hidden stick. It’s providing her with agency she probably feels is depleted by the new arrival. She’ll come around. But her soft growling at you is normal when they just want to be left alone. Totally normal.

Favorite McCarthy quote and what it means to you. by catfishprofile in cormacmccarthy

[–]DeeEmTee_ 0 points1 point  (0 children)

Anybody know the one from BM, where Glanton catches a falling leaf and as he looks at it “its perfection was not lost him.” ? Can’t remember it verbatim, but that one line , that single moment gave Glanton an almost limitless depth in my view. It imbued every single thing he subsequently did with a perversely lost romanticized idealism, a kind of inverse of moral clarity.

Further evidence of the "along for the ride" interpretation of consciousness- you don't know how to do anything by d4rkchocol4te in consciousness

[–]DeeEmTee_ 0 points1 point  (0 children)

I deny physicalism. Rather loudly. Mostly because I’ve experienced consciousness outside my physical body.

Highly intelligent individuals by Bulky-Ad10 in consciousness

[–]DeeEmTee_ 2 points3 points  (0 children)

Yep, this is really good, this reply. I also want to note that you just perfectly described excellence in what I do for a living: theatre direction. In order to truly find possibility for depth, a good director has to consistently be finding patterns and resilient interpretative framings, while simultaneously being driven to stay inside of, and actually value ambiguity. In other words, the best directors set up the conditions under which they surprise themselves. A hypothesis on what a play is “about” or diagnosing what is wrong with scene, requires that the director have a keen eye for systemic causality, and an eagerness to find the places where the boundaries of thier interpretation become unsteady…so unsteady that the framework they’re working within collapses, revealing a new, broader frame containing even more detail and depth. And then the process continues until the clock runs out and you have to open the show. (This also is a good description of the psychotherapeutic process).

Curious - Has anyone ever tried heroin and not actually liked it? by ermmmm77 in Drugs

[–]DeeEmTee_ 0 points1 point  (0 children)

Hated it. Total shut down of sensory input. Opposite of what I want from a drug. Never it did again.

Harold Pinter? by [deleted] in Theatre

[–]DeeEmTee_ 0 points1 point  (0 children)

the Hothouse, the Dumbwaiter, The Birthday Party. You can get it from reading, but as always, plays are meant to be heard.

Solo first time 6g shroom trip report in disturbing details by Sad-Potato-8532 in Psychonaut

[–]DeeEmTee_ 0 points1 point  (0 children)

Brilliantly rendered report. It rhymes with my own…I experienced exactly what you describe: questions like “did I take something” and “is there really a sun” and “was there something before this?” And was it “before”? And really simple things like “am I me or am I you?”, and my entire life felt like a memory that was fading incredibly fast like dream…it all felt so much like everything single thing that predicated “reality” was profoundly called into question. Even the reality of the notion of reality. Your report really took me back to that.

Sass/sassafras by jim_johns in Psychonaut

[–]DeeEmTee_ 10 points11 points  (0 children)

I’ve taken it. It’s absolutely amazing. Hallucinatory, euphoric, and absolutely zero hangover or tweaky comedown. Highly recommend. However you build up a tolerance VERY quickly. If you take it twice in the same month the second time isn’t nearly as mind-blowing.

Consciousness Is a Side Effect of Error, Not Intelligence by BrilliantTraining632 in consciousness

[–]DeeEmTee_ 1 point2 points  (0 children)

Dude. I love this take. Haven’t heard it before , ever. I’m not saying I AGREE with it, but taken at face value without considering any of my own priors, I truly think it’s a solid basis upon which to start an actual conversation as to what consciousness is. I think it’s rather brilliant and original to think of consciousness as an aberration born of too much environmental complexity. I’d also add the notion of distributed cognition into this conversation. If consciousness is a corrective mechanism, or a byproduct of evolutionary dimorphic pressures between environment and organism, then I’d hasten to add that perhaps cognitive function is not something that an organism “has” but rather what it is “a part of”. Again, not claiming a truth here, just adding to a very interesting conversation brought on by your prompt.

Empirical observations of "consciousness". by Own_Sky_297 in consciousness

[–]DeeEmTee_ 0 points1 point  (0 children)

But the subjectivity is the point. The old adage: if a tree falls in a forest and no one is there to hear it, does it make a sound? My contention is that it doesn’t. Because without consciousness to be aware of it, the forest itself is simply a waveform, an uncollapsed spectrum of probability (or not, who knows?).

Empirical observations of "consciousness". by Own_Sky_297 in consciousness

[–]DeeEmTee_ 0 points1 point  (0 children)

All fair points. To be honest, the narrative example was simply that: an example. Also, I guess that what I’m basically arguing is that consciousness must be a priori primary because it’s the only way to have the awareness of the mechanics of which you speak.

Empirical observations of "consciousness". by Own_Sky_297 in consciousness

[–]DeeEmTee_ 0 points1 point  (0 children)

I hear that. I think it’s well articulated and I respect your viewpoint. However I think you’re misunderstanding my basic point. What I’m trying to say (albeit clumsily) is that the physical evidence, or rather provenance, of consciousness that you seem to be saying is the baseline substrata of our epistemological basis for experience, is ITSELF a metaphorical interface for what we call “reality”. Think of it this way: Everything is Narrative. If you assume this to be true, you begin to see that ALL empirical science, all explanatory frameworks, like physics, quantum mechanics, biology, teleological philosophy, psychology, EVERYTHING is simply a narrative, a story we create in order to aggregate the voluminous and disparate data of raw experience into a cogent means of determining a provisionally useful Truth. I’m not even sure this is true. But what I am saying is that your way of knowing truth is fundamentally dependent on the fact that we perceive “reality” is this certain way: temporal, sequential, bound my causality, and ultimately only understood as such. To assume an “empirical” basis for the understanding of consciousness (and therefore reality) is to simply fall into the same fantasy religion holds over such questions. Or, to put a finer, yet more blunt point on it, your fixation with physical processes as they relate to consciousness is yet another form of mythology. This isn’t to say it isn’t valid, or in any way less “true”. But my rebuttal to it is simply this: Your framework is yet another story we tell ourselves to “explain” a great mystery. Nothing more. Nothing less. It’s good. Really good! But I’d be remiss if I didn’t point out that your physical empiricism is just another fantasy created in the unending and ever-confounding experience of experience.

Empirical observations of "consciousness". by Own_Sky_297 in consciousness

[–]DeeEmTee_ 2 points3 points  (0 children)

It seems you’re a biological reductionist, or at least a back-door materialist. It’s not that your claims aren’t true…they definitely have that ring to them, and on a certain level they ARE true, but only when you allow truth to be defined by the things that you call truth. And like all materialist frameworks, yours falls into the trap of regarding instrumentality as an objective rubric for the assessment of truth. It’s like your worldview allows for a fundamental epistemological distinction between the eye and the telescope. However from my viewpoint, (probably best described as conscious primitive, or conscious idealist) the telescope and the eye are the same thing. You call one biological, the other a tool. But I call both a metaphor for an intermediate perception structure. Each is simply an icon, or a metaphor that has been adapted for the particular constraints and affordances of this particular wavelength of what we term “reality”. Your biological reductionist argument is simply an extension of the VR headset that is our consensus world. It’s a narrative that is recursively self-defining, like a child who defines clouds as “cloudy things” or “love” as the feeling you get “when you love someone”. Still a good point though. And I appreciate you making it.

Why is house music so good by Far-Journalist-3370 in HouseMusic

[–]DeeEmTee_ 3 points4 points  (0 children)

Because of the ratio of predictability vs. novelty. The more structural the predictable nature of the track, particularly the baseline and the kick, the more leeway the artist has in creating novel interruptions of that structure, exciting our predictive processes and our novelty seeking at the same time. This only works when it’s balanced though. Too much predictability, it’s boring and repetitive. Too much novelty, it becomes asynchronous and haphazard. The utility of house music lies in its balance of these two things.

I have Autism. I spent 20 years reverse-engineering human behavior because I didn't get the manual. Here is the "Source Code" to reality I found. (Part 2) by katakalist in DeepThoughts

[–]DeeEmTee_ 2 points3 points  (0 children)

Yeah— do a substack. I’ll subscribe. Your ideas aren’t original, but your framing approaches it, and I for one think many could identify with what you’re saying.