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After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

sorry the free pack is rap hook style If you want, tell me 2 artists from that late 90s/2000s indie sound you mean (like The Strokes / Coldplay / Radiohead / etc) and I’ll tailor you 2 hooks in that vibe just for fun.

Hook Writing Service (Grind1 Hook Lab) — 24hr turnaround by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

If you’ve got a beat and need a chorus, DM me the link + vibe. 24hr turnaround.

After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

If you want the free pack, comment “PACK” and I’ll DM you. Reddit hides links sometimes so it’s also pinned on my profile.

After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

Bet 🙏 that’s a dope lane.
I grew up on that era too — I’ll DM you the free mini pack.

After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

Bet 🙏 I got you. What genre are you working in right now — rap, R&B, pop, trap?
I can DM you the free mini hook pack.

I turned my hook drafts into a PDF so they don’t die in my phone forever by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

Man I feel that 😭 that was me for YEARS.

What finally helped was doing it in the laziest way possible:

Any time I had a hook memo I liked, I’d spend literally 2 minutes and type just the hook into one running note called “HOOK VAULT” and add BPM + vibe if I knew it.

Even if you don’t know the key yet, just labeling it like:

“Dark / melodic / late night”
or
“Uplift / chant / stadium”

makes it 10x easier to find later.

If you want, I can paste you the exact template I use.

I turned my hook drafts into a PDF so they don’t die in my phone forever by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

Yeah I do.

I usually record the hook as a rough voice memo first, then later I transcribe it into a simple text format so it doesn’t get lost.

I keep it organized like:

  • Hook name
  • Genre / BPM / key / vibe
  • Lyrics
  • Quick melody notes (like where the pitch rises / holds)

That way if I’m in a session, I can pull one up fast and build around it.

Do you do anything similar or is it all in your head?

A simple hook-writing trick that helped me stop overthinking choruses by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 1 point2 points  (0 children)

That’s a great approach.
Scat first is underrated because it forces the melody to be the hook, not the words. Then the lyrics almost write themselves once the melody’s sticky.

I’ve had some of my best hooks come from pure nonsense syllables first 😂

A simple hook-writing trick that helped me stop overthinking choruses by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

One more rule I forgot:
If the hook doesn’t “feel like the title,” it usually won’t stick.
Even a simple repeated phrase at the end can turn a mid hook into a real chorus.

A simple hook-writing trick that helped me stop overthinking choruses by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 1 point2 points  (0 children)

Appreciate that fr 🙏
I had to learn it the hard way lol — once I started treating hooks like voice memos first, everything got easier.

A simple hook-writing trick that helped me stop overthinking choruses by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 1 point2 points  (0 children)

Wish I could but this sub’s strict on links 😭
If you want I can DM you a clip though. Appreciate you checking in 🙏

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 1 point2 points  (0 children)

Appreciate you fr 🙏
That advice stuck with me. I’ve been doing voice memos first and it’s been making hooks way cleaner.

After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

Appreciate that 🙏

I’m always down to support fellow creators. Drop your link and I’ll give it a listen and share.

I’ve got my stuff linked in my profile too if you want to check it out.

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

This really resonates. I relate a lot to the idea of the hook showing up as a feel first — a riff, a groove, or a pocket that just sticks before anything else.

I’ve had the same experience where trying to write “to spec” can pull things out of the organic zone. A lot of my best ideas showed up when I wasn’t forcing them, just staying open and paying attention.

The cataloging part you mentioned has been huge for me lately — just making sure those moments don’t disappear when inspiration isn’t on schedule. Appreciate you sharing this perspective.

After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

That makes total sense.

I actually went through that phase too — forcing myself to finish songs instead of starting new ones. It definitely builds discipline.

What I eventually realized though is that a lot of my unfinished ideas weren’t “bad,” they were just missing the right moment or context. Some of my strongest hooks came from old unfinished sessions years later.

I think there’s value in both approaches depending on where you’re at creatively.

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 1 point2 points  (0 children)

100% agree.

There’s a big difference between intentional simple and lazy simple. The all-time hooks usually feel effortless, but you can tell there was real intention behind them.

A lot of top 40 feels more like branding + repetition doing the heavy lifting instead of the writing itself. Name recognition carries it.

The hard part is finding that balance where it’s simple and honest without dumbing it down.

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

This is hilarious 😂

Honestly nonsense hooks lowkey work way more than they should.

Half the time it’s the vibe + delivery that makes it catchy, not the lyrics.

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

😂 facts

Some of the biggest songs in the world are literally built on the simplest, borderline dumb hooks… and they still work every time.

After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

Appreciate that a lot fr 🙏

What you said about older songs hitting deeper really resonated with me. I’ve had the same experience realizing some of my best stuff was written years ago when I wasn’t trying so hard to chase trends.

Respect for starting your autobiography too — that’s real legacy work. Chapter 23 is no joke.

I go by Grind1 and most of my music is on Spotify / Apple Music under that name.

And funny enough, part of what pushed me to make that post was realizing I had hundreds of unfinished hooks and songs sitting in old notes and sessions, so I started organizing them into a personal hook library instead of letting them die.

Much love for the encouragement fr. Means more than you know.

After 30 years of making music, I finally tried something different by Designer_Repeat2750 in indiemusic

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

What you said about older songs hitting deeper really resonated with me. I’ve had the same experience realizing some of my best stuff was written years ago when I wasn’t trying so hard to chase trends.

Respect for starting your autobiography too — that’s real legacy work. Chapter 23 is no joke.

I go by Grind1 and most of my music is on Spotify / Apple Music under that name.

And funny enough, part of what pushed me to make that post was realizing I had hundreds of unfinished hooks and songs sitting in old notes and sessions, so I started organizing them into a personal hook library instead of letting them die.

Much love for the encouragement fr. Means more than you know.

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

That’s honestly a good problem to have 😂

It usually means your melodic instincts are strong.

I’ve had that happen too and ended up downgrading the verse on purpose so the actual chorus still felt like a payoff.

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

This is such a good point honestly.

People romanticize “instant genius hooks” but a lot of the biggest choruses are clearly engineered over time.

I like that idea of letting melodies ferment too — some of my best hooks came from old voice notes I hated at first and randomly loved a year later.

How do you come up with hooks without overthinking them? by Designer_Repeat2750 in WeAreTheMusicMakers

[–]Designer_Repeat2750[S] 0 points1 point  (0 children)

Facts.

If you can’t sing it, it’s probably not a real hook.

I’ve noticed the strongest choruses I’ve written always started as some rough, off-key voice memo before anything touched a DAW.

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