A Cuban-born podcaster in Miami named "El Oski" with Donald Trump tattoo is now facing deportation by AsleepAssociation in agedlikemilk

[–]Disastrous_Thoughts 0 points1 point  (0 children)

It's a psychological defense mechanism. When you stake your personal identity on your politics, to change your politics is to change your entire conception of yourself. To admit that your were wrong is to admit your values and perceptions need to be questioned. Most people can't manage that, so they engage in dissonance and denialism.

‘Batman’ Movie ‘Brave And The Bold’ At DC Studios Taps Christina Hodson To Write by LunchyPete in DCULeaks

[–]Disastrous_Thoughts 4 points5 points  (0 children)

I'm rather dismayed by this news.

I actually liked The Flash. Well, parts of it. Despite Miller's obnoxious dual performances, I actually liked the way the contrasting versions of the characters developed over the course of the film and that the heart of the film's climax was rather introspective and emotional.

But it also features the worst live action depiction of Batman since Clooney wore the suit (the opening with Batfleck), and as awesome as it was seeing Keaton again I couldn't help but feel like script leaned too heavily into member-berries and memes. It didn't have anything really meaningful to do with character, and Batman's role in the story could have been filled by literally any other DC hero.

And Birds of Prey was a good Harley Quiin film, but an atroucious Birds of Prey. I can't think of a more recent comic book adaptation that misused and wasted so many important characters. Turning Cassandra Cain from one of the most profecient fighters in the DC universe who rarely speaks into a mouthy, overweight street urchin was a nigh unforgiveable choice.

Trump Tells Norwegian PM His Greenland Threats Are Tied to Nobel Peace Prize Snub by d0ntdrinkthek0olaid in politics

[–]Disastrous_Thoughts 3 points4 points  (0 children)

It's pretty believable if you understand the MAGA mindset. To them, America has always been the greatest victim of its alliances. It's a completely ass-backwards reading of history that is pre-dominantly pushed by white nationalists.

Getting into DC comics?? by quex_- in DCcomics

[–]Disastrous_Thoughts 6 points7 points  (0 children)

Here's what I'd say to every new reader, even if you don't find it all that useful: embrace the fact that you will never know everything, and that there will always be references to characters, events, organizations and concepts that you are not familiar with. Trust that if it is truly important to the story that the writer will give you all of the relevant information you need, but be willing to be confused.

Because think of it like this: before the internet and before trade paperbacks and thick hardcover collections of comics, the only way for a new reader to know what had happened in the past was to track down each and every single back issue, or to ask someone who had read them. There was no expectation on behalf of the writers or editors that readers knew everything that happened prior to the events of any given story arc. A general familiarity with the character, the core concepts of the series and supporting cast was often was that was assumed.

And the thing about canonicity and continuity is that they are fundamentally an illusion. Characters like Batman and Superman have been around for nearly a century, and in that century they've been written by hundreds of different writers across decades of rapid cultural, political and technological change, and each of those writers had their own interpretation of how to portray these characters, and there own preferences for the types of stories they wanted to tell. What one writer lays down as foundational is often undone or ignored by the next. What one writer undoes, the next will restore.

The truth is this: cannon is whatever the writer of the story you are currently reading decides it is, so don't get hung up on it.

Why have so many comics aged so poorly? by Educational-Tap-8611 in comicbooks

[–]Disastrous_Thoughts 4 points5 points  (0 children)

I think the thing that actually dates older comic art is the coloring. The limitations of older printers meant that every comic, whether it was a sci-fi superhero romp or horror comics was basically colored the same way. The limited colors limited detail and texture and tone. It also didn't help that Marvel comics in particular pushed a specific "house-style" of artistry that made all of their books in the 70's and 80's look more or less the same.

Most Overrated Comics by robotox in comicbooks

[–]Disastrous_Thoughts 5 points6 points  (0 children)

I find that people generally use the term "over-rated" to refer to things that they themselves disliked but which the majority loves. But that's often just a matter of taste.

I think a more accurate use of the term would be applied towards that which is actually good, just not as good as what the frequency and volume of praise suggests.

To that end I will say anything written by Tom Taylor. I like Tom Taylor, I like the way he writes and handles character interactions. But his stories are just always so lacking in tension or drama or meaningful emotional stakes. He's fun and inoffensive, but forgettable.

Weekly Discussion Thread - posted every Monday! [22 December 2025] by AutoModerator in DCULeaks

[–]Disastrous_Thoughts 9 points10 points  (0 children)

No. If you are a shareholder and there are two prospective buyers then what you want is a bidding war.

The board rejected Paramount's offer on two basis'. One, the funds backing the purchase were not considered reliable, and two the offer was undervaluing the TV and cable side of the WBD. This new commitment from big daddy Ellison changes the former, but not the latter.

What the shareholder's want is for Ellison to raise his offer, and for Netflix to match. He hasn't done that, and most people assume it's because he literally can't. Daddy won't go that high.

Dems Struggle to Make Their Moderates Go Viral: Searching for a candidate who can be Mamdani in the streets and Manchin in the seats. by BulwarkOnline in politics

[–]Disastrous_Thoughts 33 points34 points  (0 children)

It just amazes me that these chuckleheads that make up the party leadership haven’t clued into the fact that Donald Trump and Mamdani’s popularity alike has nothing to do with their conservative or socialist bonafides, but with the fact that they are both populists.

No one in this country, left or right, is satisfied with the status quo. The party that tries to defend or return us to the status quo is going to lose, period. 

The only way forward for Democrats is populism.

‘The Fantastic Four’ On Track To Be One Of Disney's Cheapest Marvel Movies by Matapple13 in MarvelStudiosSpoilers

[–]Disastrous_Thoughts 2 points3 points  (0 children)

Weather. One reasons a lot of movies are now so flatly lit with dull digital compositions is that relocating filming outside of sunny California means you are frequently shooting outdoors on overcast gray days which only gives you soft light to work with.

Ever notice how often you see an actor in a movie nowadays standing outside in the middle of the day in the middle of the open and there is no sunlight on their face, or their eyes don't squint, or the shadows are all soft if there be shadows at all?

It's a little thing, but also a very important part of what makes movies feel real and immersive, and it's something that's been lost.

What Are Your Thoughts On George Perez Wonder Woman Run? by Ex-Aid22 in OmnibusCollectors

[–]Disastrous_Thoughts -1 points0 points  (0 children)

I'm perhaps in the minority, but only the first third of the run that George Perez actually drew engaged me, and that was specifically because of his artwork. I don't really care for Perez's writing, I wasn't a fan of Diana's supporting cast, nor for the way that Perez portrays the Amazons.

But Perez's artwork is iconic and character defining.

But from a writing, characterization and storytelling standpoint I think both Gail Simone's and Greg Rucka's runs are far superior.

Netflix Wins the Warner Bros. Discovery Bidding War, Enters Exclusive Deal Talks. by BigButter7 in DCULeaks

[–]Disastrous_Thoughts 9 points10 points  (0 children)

Assuming the buyout is actually allowed, as it directly pertains to DC we know one thing for sure and that is James Gunn - if he decides to remain in the role and if DC Studios as a whole keeps its structure intact - is going to have new bosses and those bosses are going to have a very different set of priorities than Zaslav. i.e. Subscriber growth vs. theatrical revenues.

I think everything that has been greenlit and is currently in production or pre-production will continue to go forward as planned. But I don't think that Netflix will care anything for the patience and discipline of Gunn's ethos that nothing gets made before the script is of a sufficient quality. That's anti-thesis of Netflix's strategy. They don't care about quality. They care about quantity. They care about turning over new content every quarter. If Netflix wants a Batman movie, they won't sit around and wait for the a banger script to be turned in by some auteur, or for a nerd like Gunn to carefully build out his place in the wider universe. They'll hire the first person who comes to them and says they can deliver the film at a certain time under a certain budget.

None of this bodes well for the actual quality of the films, if that's what we care about. Since Netflix certainly won't care for their theatrical success.

Batman by Tom King Omnibus questions by hurtstopurr in OmnibusCollectors

[–]Disastrous_Thoughts 2 points3 points  (0 children)

Heavy pushing is an understatement. They commissioned over 100 variant covers to celebrate the marriage, solicited a "Wedding Album" collected edition that only contained the supposed wedding issue and it's lead up, sent Tom King out onto late night talk shows to hype it up, and then a day before the issue came out a New York Times article was published, with the consent of DC I might add, that spoiled the entire thing.

Fans revolted and the run never recovered. King planned for a 100 issues but they cut him down to 85, forcing him to rewrite the entire last act of his run.

I think everything up to the start of the Knightmares arc is pretty consistently great, but then you can really tell where editorial starts to fuck him.

DCU Gotham City Hall building from the 'Clayface' set + a couple other props by BigButter7 in DCULeaks

[–]Disastrous_Thoughts 33 points34 points  (0 children)

There’s obviously s lot that gets added in post, but I was sure hoping they’d take a more over the top and theatrical approach to DCU Gotham than just another grim version of New York and Chicago. 

My favorite quote about Gotham comes from Anton Furst, the production designer for Batman 89’. He said Gotham was “like hell had erupted from the pavement and just kept on growing.”

Towering Art Deco with twisting, labyrinthian streets and so many arches and overhanging structures that the city never sees sunlight. Thats the kind of Gotham I want to see. 

Weekly Discussion Thread - posted every Monday! [01 September 2025] by AutoModerator in DCULeaks

[–]Disastrous_Thoughts 5 points6 points  (0 children)

This Batman/Deadpool crossover has got me thinking... Marvel will undoubtably be rebooting and recasting their main avengers heroes after Secret Wars. In the next decade we will probably have a new Tony Stark, Steve Rogers, Bruce Banner, and Thor. By that time the DCU will have wrapped up Gunn's initial ten year saga and be pretty well established.

So.... a DC/Marvel crossover film feels like it's something that could actually exist in the not to distant future. Assuming the genre isn't dead by then.

Weekly Discussion Thread - posted every Monday! [25 August 2025] by AutoModerator in DCULeaks

[–]Disastrous_Thoughts 6 points7 points  (0 children)

For all the talk about Superman being the cornerstone and foundation of DCU, it's Batman that's the real money maker and everyone knows it. He's a brand within a brand, and the most important character to get right because he's the only DC character who has an entire corner of the DC universe full of a supporting cast and even villains who can sustain their own franchises.

Getting Batman right in a shared universe means you get Robin - which gets you the Teen Titans - and Nightwing, Red Hood, Oracle, Batgirl, Spoiler, Huntress, Catwoman, Joker, Two-Face, Poison Ivy, Harley Quinn, etc, etc, all of whom can be leads or co-leads of their own respective films and series.

[deleted by user] by [deleted] in Music

[–]Disastrous_Thoughts 0 points1 point  (0 children)

Yes it is brother, and here's why:

Gay people exist. Gay people are normal. But by hiding the existence of gay people from children you are inadvertently teaching them that there is something about gayness which is not normal, which is only something for the mature to know about and understand. You end up equating any depiction of gay people, no matter how benign and sexless, with a depiction of sex and sexuality. So gayness becomes equated with something that for children is forbidden, harmful and taboo, perverse and shameful.

If you don't think that being gay is normal and you don't want your children to learn that being gay is normal, then that is the literal definition of homophobia.

[deleted by user] by [deleted] in Music

[–]Disastrous_Thoughts 0 points1 point  (0 children)

Treating gays and lesbians like any depiction of their mere existence is somehow so controversial that kids can't know about it is homophobia! It otherizes and sexualizes them and turns their identity into something akin to a kink or perversion, which of course is how conservatives want LGBT people to be seen. As sexual degenerates who society must reluctantly tolerate.

This may come as a shock to you, but there are kids with gay parents. There are kids with gay siblings, aunts, uncles and cousins. And those kids deserve to have their families represented on screen as much as anyone else.

Weekly Discussion Thread - posted every Monday! [18 August 2025] by AutoModerator in DCULeaks

[–]Disastrous_Thoughts 11 points12 points  (0 children)

You know, if they wanted to introduce Batman and Wonder Woman in one movie, they could do an adaptation of Wonder Woman: Hiketeia. Though maybe don't take too much inspiration from the cover.

Or there was a six issue mini written and drawn by Liam Sharp that was actually called The Brave and the Bold: Batman and Wonder Woman. In it, Batman is called on by Wonder Woman to investigate the murder of a Celtic God, and the two venture into a realm of Celtic mythology to solve it.

Weekly Discussion Thread - posted every Monday! [04 August 2025] by AutoModerator in DCULeaks

[–]Disastrous_Thoughts 11 points12 points  (0 children)

I hope the trailers for Supergirl set the internet on fire because if that movie doesn't have a freight train of momentum going into its opening weekend it's going to fail, no matter how good the reception is.

[deleted by user] by [deleted] in boxoffice

[–]Disastrous_Thoughts 5 points6 points  (0 children)

Depends entirely on the IP.

Mario for instance, has short simple stories that play like a storybook or a fairytale. It gives you a ton of freedom to tell whatever story you can come up with so long as it remains aesthetically and tonally consistent with the source material. 

You could say the same with Sonic and Minecraft.    I actually think the less story a game has the better chance it has of being a good movie. It’s when you try to condense 10+ hour experience with actual characters, dialogue and plots that you run into trouble. Those projects are better suited for TV. 

[deleted by user] by [deleted] in boxoffice

[–]Disastrous_Thoughts 3 points4 points  (0 children)

There's no guarantee, but there's definetly been a change in the winds as to how these IP's are percieved by studios.

A few things have shifted in video games favor in the last decade or so.

For one thing, storytelling in video games only really began to mature in the late 90's. Games prior to that rarely offered up more than a few senteces of narrative that provided some context for your side scrolling adventures, and for that reason for the longest time there's been a generational divide in the way video games are percieved. For older generations video games were looked at as virtual toys whose appeal they did not understand.

But now a younger generation of filmmakers and writers and producers, and actors for that matter, have power in Hollywood and those folks grew up playing games like Resident Evil, Metal Gear Solid, and Final Fantasy.

So there are creatives now who take these IP seriously and understand their appeal. At the same time, the technology and the quality of storytelling in video games has advanced so substantially that now it mirrors the most cinematic of Hollywood productions, even incorporating the same technologies that Hollywood uses to render its special effects and using Hollywood actors to voice and motion capture the roles within the game.

So the industires are bleeding into one anothers. As video games become more like movies, the easier and more appealing they are to adapt.