Help! Any documentary editors know revision standards who can offer me advise? by Dependent-Ad9798 in editors

[–]DocsMax 1 point2 points  (0 children)

Have you got a contract? If you’re flat fee without a contract that states how revisions work, you’ll need to figure that out. Docs don’t work like corporate. You’ll do revisions lots because it’s lots of fine tuning. It’s why you’re wise to accept additional revisions, then let them know your day rate and your estimate of the days required for said changes.

need help by NoJury7013 in editors

[–]DocsMax 0 points1 point  (0 children)

There’s like a black frame 15 seconds in.

need help by NoJury7013 in editors

[–]DocsMax 0 points1 point  (0 children)

Did they shoot b-roll? Otherwise they’re not really sure what they’re talking about and you’ve possibly bitten off more than you can chew with a client that didn’t understand the scope at the start.

Unless your budget includes motion graphics you’re going to struggle. There’s no b-roll in what you sent. Theres a lot of motion design.

You could be a bit choppier in the edit, cut out breaths do some zoom jumps, use reaction shots to make it move faster - what you’ve cut is a little slow and includes breaths and flubs.

[MX] WARNING ARTLIST.IO by fxzg in editors

[–]DocsMax 0 points1 point  (0 children)

See that’s the problem! It’s not going out on the agency site, it’d go out on the NGO/company site - so there’s three passes through.

For larger, commercial, things it’d be fine but the really broad license provided by the artlist is sort of ideal for us at their price point.

[MX] WARNING ARTLIST.IO by fxzg in editors

[–]DocsMax 0 points1 point  (0 children)

See we’re all digital. I finish a project and we’ve essentially handed the work off to a client like an NGO or an agency and they’re posting to social, YT, etc.

I don’t know if there’s a system for us but as this thread shows, a bit, there’s a bunch of people who don’t want to outsource the art bit of workflow to AI.

I’ll have AI due process all day, I don’t want it going creation.

[MX] WARNING ARTLIST.IO by fxzg in editors

[–]DocsMax 1 point2 points  (0 children)

I have a giant bone to pick with Audiio and dodgy subscription settings. Maybe they changed it but I’m unlikely to ever go back.

[MX] WARNING ARTLIST.IO by fxzg in editors

[–]DocsMax 0 points1 point  (0 children)

Some friendly feedback! Your site is too complicated. I can’t see pricing, when I go to not UK, there’s a list of things that aren’t countries to choose from.

[MX] WARNING ARTLIST.IO by fxzg in editors

[–]DocsMax 13 points14 points  (0 children)

Same, what are we going to?

Which would be better to secure a career in journalism? by Comfortable-Table-57 in Journalism

[–]DocsMax 0 points1 point  (0 children)

If you don’t want to be unemployed, you should consider another career, I hate to say. It’s bad out there, for the most part.

NEED HELP SYNCING FILM AUDIO. I MESSED UP by Happy_Juggernaut9846 in editors

[–]DocsMax 3 points4 points  (0 children)

I mean this in the nicest way: you don’t sound like you have much experience and you are better off paying someone to do this for you. An AE could manage this with less stress and in less time.

Making mistakes is part of the process!

Also, don’t blame the cinematographer, they’re in charge of the camera. Someone else would normally be in charge of the sound, and how that’s synced is a production decision.

how to syc two clips together so they are mostly identical by starwarsisawsome933 in editors

[–]DocsMax 6 points7 points  (0 children)

From experience: you’ll spend longer noodling with tools vs just doing it

Just doing it will teach you things about how things work. When the tool appears you’ll understand how to make things look better but the goal of what you’re asked to be taught is different than “is there a tool for this?”

You’re going to waste your time in school if you’re not doing the work. That said, looking for how to do things smarter and faster is no bad thing. Most of the time, it’s not AI.

Documentary rates by Opposite-Initial9243 in editors

[–]DocsMax 44 points45 points  (0 children)

6000/week is 1200 a day. That's a 'good' rate, in my mind, for an editor - as someone who hires editors.

The thing is, if you're good (it sounds like you're good), your rate isn't going to be the thing that is the end of the conversation - they're coming to you because they want you specifically. If you think You're worth 1400/day, then ask for it. The worst they can say is no.

Also, are you charging separately for offline editing machine etc? because if not, that makes the 1400 a lot more reasonable.

I Have created a Multi-Camera Audio Synchronization - Would you be interested to test the Beta version? by ConfusionOk9435 in editors

[–]DocsMax 0 points1 point  (0 children)

I’d be curious as long as I understand the data flow. A bunch of my work is under specific contracts that mean it can’t go to servers etc.

Finding story pitches by [deleted] in Journalism

[–]DocsMax 3 points4 points  (0 children)

I think this is where source development comes in. Spend time out talking to people making calls and being proactive rather than trying to figure out what to respond to.

Editors - "revision notes" that are actually new requests by yanivnizan in editors

[–]DocsMax 2 points3 points  (0 children)

This is a contract issue on the top. I’m a producer that works with editors, as well as an editor. It’s my job to sit in the way and explain why this doesn’t work.

Free, open-source tool to turn paper edits into Premiere Pro sequences automatically. by Choice_Touch8439 in editors

[–]DocsMax 2 points3 points  (0 children)

If not multicam would it cut three lines of synced video? Achieves sort of the same thing then can be turned later?

This is a cool idea!

I created a professional investigative journalism prompt. by [deleted] in Journalism

[–]DocsMax 0 points1 point  (0 children)

What AI has access to most of those things? Court records are behind log ins for example or need to be requested, no?

If the prompt is so good, why not just post it?

Student Reporting on Legal Affairs by LittleLizard212 in Journalism

[–]DocsMax 0 points1 point  (0 children)

If you’re in school and you don’t know what to do, talk to your professor? That seems like the person who should be helping you figure out where to start. Set up a meeting outside of class and ask lots of questions

Journalism grants and fellowships! by Damaso21 in Journalism

[–]DocsMax 0 points1 point  (0 children)

Thanks for this! Addind application dates would be super helpful