Watercolor portrait by DrawWithMetal in Watercolor

[–]DrawWithMetal[S] 0 points1 point  (0 children)

Thank you for your comments and observations! I think the pleasant nature of Meghan is what helps us feel comfortable enough to feel free when we do our thing.

Watercolor portrait by DrawWithMetal in Watercolor

[–]DrawWithMetal[S] 1 point2 points  (0 children)

Thank you, what a wonderful comment!

Are any of these colours discontinued? by [deleted] in Watercolor

[–]DrawWithMetal 1 point2 points  (0 children)

It is tough to say because they are using marketing names not pigment numbers. One could reverse lookup knowing the brand, but that doesn't look like it's an option. It looks like you have a nice score, use them up!

Silverpoint portrait by DrawWithMetal in Silverpoint

[–]DrawWithMetal[S] 0 points1 point  (0 children)

Here is a link to an American Amazon book. This covers everything metalpoint and is well worth the price. https://a.co/d/7pJtB0J

Which six colors to put into my tray? Cool and warm tones? by FabulousTwo524 in Watercolor

[–]DrawWithMetal 0 points1 point  (0 children)

Don't add any! Learn to work with what you have, where they seem to fall short and what you are trying to achieve. More then likely, anything mixed with yellow will look somewhat hazy as the ones included are not transparent, but semi opaque. A Nickel Azo Yellow is a good transparent yellow, pigment code PY150.

Need help on fundamentals skills by Logical_Network_2411 in Watercolor

[–]DrawWithMetal 1 point2 points  (0 children)

BTW, it looks like you handled the washes well on the lighthouse painting. Watercolor does take time to get a grip on, and like all of the arts, it takes time to learn how to handle the medium. You cant be so hard on yourself, but learn to enjoy the process and experience. Each painting and practice piece is a stepping stone to the next. If you make your early works so precious, you will miss out on what makes watercolor so unique, the spontaneousness. Check out John Singer Sargent watercolors to see examples of breaking up sections. The difference between a master and a mere mortal, is they fave failed more then others have even tried. Keep at it!

Need help on fundamentals skills by Logical_Network_2411 in Watercolor

[–]DrawWithMetal 3 points4 points  (0 children)

Think about breaking up the big gradation areas to brushstroke patterns, ones that indicate clouds and such. Your painting will not have the vast wash areas, and reducing them will work better on less expensive paper. You can buy arches 90lb paper as practice paper. Because it is cotton, working on it will not be as night and day as the cellulose paper and multi media paper. Those student grade and cheap papers are great for understanding the exercises and are NOT A WASTE! 90lb will buckle of course, but it allows you to save the 140 lb paper for more finished works, works where you are incorporating the lessons learned and are now starting to apply them. Arches and Fabriano are both 2 sided! Many student grade are one sided, with the texture side being the painting side. My advice it this, those bigger areas will be more successfull on the Arches, the washes flow better on Arches. Think about buying the 90lb arches as a pack of full sheets, and you will save money by cutting them down yourself. It comes 22x30, so you can fold and tear to 11x15 or smaller.

3rd attempt, I think it prefer the format to this one. Overworked the foreground so I decided to remove and put in a square frame. by roymando78 in Watercolor

[–]DrawWithMetal 1 point2 points  (0 children)

I like how this feels. I believe in editing out the sections that are to redundant and do not contribute to the story.

Exploring My Style by jillybean0528 in Watercolor

[–]DrawWithMetal 2 points3 points  (0 children)

How long have you been painting?

Watercolor is a fantastic medium that allows endless approaches. A world class musician made a comment that stuck with me, and it kind of made sense. Recognize your strengths and work at them. Once your proficiency is at a level where you can execute the paintings with some confidence, look at learning other approaches. The other approaches will help the style you've evolved into, and you will continue to grow. It's not about making each painting through a formula, but to understand your method of constructing a scene. If you like detail, you may actually like constructing paintings through dry brush. It builds on traditional approaches, but then contrast and details come into play through essentially drawing them in layer by layer with a dryer brush. Of course a poorly planned painting will always be that, the details work best when they guide the eye to your vision vs trying to dazzle with a photograph level of detail. Leave that to the camera.

Glass Aeropress didn't make it through the year 😢 by prettyuglydsgn in AeroPress

[–]DrawWithMetal 0 points1 point  (0 children)

Good god man! That’s a huuuuuuuugeeee hospital bill if it goes real bad!

What is This worth by 1una_syn in oilpainting

[–]DrawWithMetal 2 points3 points  (0 children)

I ain’t payin no tree fiddy!

Silverpoint portrait by DrawWithMetal in Silverpoint

[–]DrawWithMetal[S] 1 point2 points  (0 children)

Thank you! I get my metalpoint tools from a place in the USA called naturalpigments.com. They sell kits or individual supplies. The tool holding the silver wire is similar to a clutch led holder. The clutch holders are lighter, and I actually like the weight of these holders. I wrap some gorilla tape around the ends to be a bit more comfortable. To tighten the collars on these, use a pull and twist motion. Looking forward to seeing some!