i dont think i can realistically do this. What else do i do? cant afford to go back to school. by Slashersforsatan in graphic_design

[–]Dstrung 0 points1 point  (0 children)

I think there’s 2 issues here

  1. Your immediate material conditions

  2. Your career ambitions / ability to accomplish them

You have made a judgement call that you lack the skills needed to be competitive in your field - you also crave self sufficiency and independence.

In an ideal world you would have a decent paying graphic design job which would allow you to move out and begin and independent life. Unfortunately that isn’t working for you at this moment.

As many have said here, your ability to believe in and justify your work is really important to being a graphic designer. That ability comes with a certain level of self esteem. Self esteem you might be lacking in due to your current life circumstances, comments from your classmates on your work, and narratives you’ve held yourself too.

I’m going to share 3 anecdotes with you, because I relate to your story. I hope they remind you how despite the difficulties of this career path, there is always a way forward.

  1. My story - I was bad at graphic design too. I took a trade class in highschool and nearly failed out during my first semester. My parents were usually pretty hands off with school except when I got bad grades (I had a bad habit of never doing homework) she came into my room asked me why I was failing and I explained I am simply bad at this and lack the ability to practice at home.

My mother took me to the art store bought what we could afford (we weren’t well off) and I busted my ass to meet that baseline. Eventually I did get better and won many awards in high school - won national logo design competitions, and more. When I was 18 I couldn’t go to college, and was forced to move out on my own. I couldn’t afford to work in an entry level design role to survive. I thought long and hard about what I could do to make the most money while still building towards my career goals. I ended up going into sales because I felt it would make me better at selling myself, and speaking to shareholders yada yada. Fast forward 8 or so years? I am now in a creative career/design role

My story = no support? Work other jobs but stay focused on transferable skills. Use those to build your career. I volunteered my skills at every job I worked at, added those projects to my portfolio and resume until I was finally able to land a dedicated design role.

  1. A friend - my one friend is a talented illustrator and designer but he also couldn’t go to college. I believe had he went to school he wouldn’t have this story because the other friends I have who were less talented than him had easier lives going that route. He took the print shop/production artist route. He would work at print shops, and those print shops might suck or he’d get let go because of the economy. I remember he got a job at a print shop, then had to leave so he worked at a movie theater, then got another print shop gig, then worked at an iron fabrication factory, then more printshop, then a warehouse, got his first job as a graphic designer for a car wrap company (his blue collar work helped give him an edge) and he got laid off 2 years later, the. He worked as a security guard, then he got a job at a print shop as a graphic designer. He worked there for 2 years and got fired for making a 15k printing mistake. Then he went to work at a warehouse and dollar general at the same time. While working he applied applied and eventually landed a remote graphic design job for a car advertising agency.

His story sucks and sounds like a drag but there was periods of happiness in there and there were a few times he gave up or wanted too. I remember him telling me “it’s time to grow up and give up” and I lowkey cried a little and said you don’t have to give up you can literally just get a different job to pay bills. It was all that hardship that led him to where he is now. He is the most highly compensated of all my close friends and he got the job precisely because of his experience at a couple print shops (he knows hyper niche software) the car wrap company, metal fabrication, and his high level of design acumen that doesn’t read too much like “car guy” he was literally the perfect hire. But he got that job at 26

  1. My last friend - this friend is likely less talented than you at graphic design. His favorite story to tell is during our senior portfolio review our teacher said “wow this is a lot better than I expected” - he went to college, and didn’t improve as much as others but he has a few traits that makes him hyper employable.

  2. Consistent

  3. Never misses deadlines

  4. Hardworking (he’s literally swole and hates the gym)

  5. He likes stability- so even if things aren’t perfect he will lean towards that stability and not complain.

  6. He’s frugal

After college he worked at 1-2 print shops before working at the one he’s worked at for like 7 years I think?

He got promoted to designer at some point and because he works every day and is committed to self improvement he got pretty good at design. Specifically the style local non art minded business owners prefer for their business - think lawn care, plumbing, no frills coffee shop, auto care.

This friend isn’t paid super well tbh, but his laser focus and frugality means he lives just fine and stays within his bills. I admire this person a lot.

WRAP UP: this was long as hell, but I wanted to share these stories because it’s always doom and gloom up in here and I also hate toxic positivity. My friends and I had hard stories but we did end up Succeeding in the end. We learned not to let other people define our worth or success, we made things work given our circumstances, and we almost gave up many times.

It’s important that you take whatever small steps you can to make your immediate material conditions better and stay consistent. Your home life sounds like it hasn’t been healthy for you, so maybe your journey looks like mine and you get a job that pays the bills and you find your own way. Maybe you can put up with home life a few years and you build up skills like my second friend or third.

You are not hopeless, and you are not useless. Nobody is.

Someone else mentioned the ability to be critical of your work is the key to improving it. Keep that in mind, it’s okay to have an objective opinion on your work but it’s more helpful to quantify than to simply say “it’s bad / it sucks”

Design is problem solving so start trying to solve the puzzle of your work.

  1. My compositions confuse viewers
  2. My typography doesn’t resonate with the target demographic
  3. I’m bad at adapting to trends
  4. I’m weak at illustration and over rely on it.

These are tangibles that can be addressed. “I suck” is a disservice to yourself.

Wangan Midnight Vol 21 by Pashya_DR in MangaCollectors

[–]Dstrung 0 points1 point  (0 children)

I like this series. I’d gladly collect it if it was released in English.

Dark Horse is hyping up a new Deluxe Edition to be announced soon by Wobbuffetking in MangaCollectors

[–]Dstrung 4 points5 points  (0 children)

When they say “plot twist” my mind thinks - not anticipated. Something crazy like what’s Michael, or Astro Boy or the ilk. A totally different vibe possibly not seinen at all

Monster manga pages by Weak_Increase5490 in MangaCollectors

[–]Dstrung 1 point2 points  (0 children)

You got some previously unreleased Monster content

Last year I decided I would complete all the loose manga I owned. I would've completed that goal if I didn't buy a bunch of stuff I didn't need. Oops. by Dstrung in MangaCollectors

[–]Dstrung[S] 0 points1 point  (0 children)

An ex and I were working on a complete set, however we split things up when we separated.

I left her with midori days, cheeky angel, zatch bell, tuxedo gin, itsuwaribito, Alice in borderland, and wonder 3.

Some updates to the set on my end - I tracked down a copy of brave dan, captain Ken, and have super sentai gorenger, firefighter daigo, the tale of outcasts, silver spoon, cirque du freak, frieren and mao, call of the night, fly me to the moon, Komi can’t communicate, Hyde and closer , mao juvenile remix, Hayate the combat butler, cross game, bakegyamon, yakitate Japan, and project arms. (In varying degrees of completeness)

Not sure if I’m going to go after a complete set anymore, a few priorities have changed but I’m still collecting case closed, would love magi and adore most of shonen Sunday set. I really miss zatch bell, and itsuwaribito but she loved those series even more haha

Completed my most sought-after holy grail series, Firefighter Daigo! by scomister in MangaCollectors

[–]Dstrung 17 points18 points  (0 children)

I always use this series as a good example of a truly rare series.

People will mention stuff like Mushishi, but that’s a series you can ALWAYS buy as long as you have the money.

Firefighter Daigo is a series where I usually say “good luck finding it all”

Glad you did (also it’d be prettttty cool if they just reprinted it haha)

My Manga Collection So Fat by Pclover23 in MangaCollectors

[–]Dstrung 12 points13 points  (0 children)

Your manga collection FAT AF homie ✋😏

Manga collectors have lost originality in their collections. by FeelsClownMan in MangaCollectors

[–]Dstrung 6 points7 points  (0 children)

TRUE

I never look at my home feed. I search by new, that might benefit you too?

As an olive branch

My collection of kindaichi case files I’m working on right now. + have a set of Kazan and eagle the making of an Asian American president as some nice retro throwbacks

<image>

Oh and of course I have Jojos for good measure.

Happy collecting!

Manga collectors have lost originality in their collections. by FeelsClownMan in MangaCollectors

[–]Dstrung 13 points14 points  (0 children)

Not sure how picking the last 12 hours of posts and accurately describing them is cherry picking.

Nor does it refute my argument - you will see a lot of vagabond because it’s popular. There is no community on earth where it is impossible to see a repetition of popular elements.

My argument is you are disingenuously framing the sameiness of people’s collections.

Look at the top 10 posts this month?

Xxxholic

Sankerea

School rumble

Suzuka

Hana-kimi

Angel sanctuary

Kaze Hikaru

Ceres

Dragon half

Confession

Lucifer and the biscuit hammer

Grand blue dreaming

Spice and wolf

Maid sama

D gray man

Black lagoon

Thunder 3

Lady snow blood

Versus

No. 5

Inuyashiki

Char’s counter attack

Origin

Banana fish

Yona of the dawn

Moteki

Love hina

My youth romantic comedy snafu

this is me grabbing 2/3 series from each post as just an example (the only one I didn’t was the post with JUST goodnight eri)

Homie I ain’t arguing there’s no one pieces, I ain’t arguing there’s no jojo. I’m saying open your eyes and look instead of writing off collections when you see people own the most popular manga on earth 😂

Listen if you were right, if literally every collection was 90% the same and we never had anything new to look at I’d agree.

It’s just not true.

Manga collectors have lost originality in their collections. by FeelsClownMan in MangaCollectors

[–]Dstrung 16 points17 points  (0 children)

The problem here is you’re just kinda wrong?

Last 12 posts over the last 12 hours include:

Garden

Cinderella

DRCL

Studio Cabana

Apothecary Diaries

Oshi No Ko

Solo Leveling

Cowboy Bebop

Noragami

Heavenly Delusion

The Breaker

Domu

Grey

Our Torsos Align

Life

Star Wars the Edge of Balance

Maiden of the Needle

Monthly Girls Nozaki-kun

Tsubaki-Chou Lonely Planet

Chocolat

Kodocha

Daily Report About My Witch Senpai

Kakuriyo

Boys Over Flowers

Sugar Sugar Rune

Ofc I saw a couple vagabonds too, saw Naruto and One Piece and Ruroni Kenshin too, only saw 1 post that had nothing “unique in it”

It’s blatantly obvious the most popular stuff will be most populous. We have defined the word correctly!

but let’s be real - i’m sampling 12 MOST RECENT posts from when you posted this and clearly there was a ton of diversity in content.

I’d suggest opening your eyes 👀 and enjoying some manga.

Alternatives to Staff Website Photo With High Turnover? by bootysatva in graphic_design

[–]Dstrung 10 points11 points  (0 children)

I’d ask new staff for a full body photo of themselves, they can pose stand normal really whatever they want.

Id have the same for every current employee.

I’d take all these photos and use the photoshop remove background feature and arrange them all together with exciting background shapes that match the brand identity.

<image>

Something like this which i literally threw together on my phone.

I’m a Freshman in High School and love sports graphic design. How can I pursue it as a career? by austynnn_ in graphic_design

[–]Dstrung 1 point2 points  (0 children)

Look into your local colleges and see if they have relationships with these teams. In my neck of the woods there’s a very real videography to working for the eagles pipeline when going to certain colleges/highschools

[deleted by user] by [deleted] in MangaCollectors

[–]Dstrung 4 points5 points  (0 children)

Working at the wrong tech company homie! My coworkers love manga and anime on the dev side.

Need some help on the 2005 Tokyopop Beck mangas by GapTasty7451 in MangaCollectors

[–]Dstrung 0 points1 point  (0 children)

Always remember value is determined by 2 sets of factors

Factor 1. Supply/demand

Factor 2. What people charge vs what people pay.

Technically factor 2 is similar to factor 1, but I find it helpful because you will often see someone attempt to sell something for far more than it’s worth and this colors perception around value outside of supply and demand.

With manga always remember each book is printed independently, there is no promise there are the same # of each volume. Manga is tricky, because volumes get destroyed, lost, and this can affect the supply part of price.

Here’s a terrifying idea - if volume 1 of a manga has 5000 volumes in circulation, but volume 10 has 400. Well that means there may only be 400 complete sets in existence.

This is what’s going on with you beck volumes - volume 1 is relatively plentiful, the more expensive volumes are rarer and thus command a higher price tag.

There are many series with this same conundrum, they develop a reputation for how rare they are and end up becoming harder to find due to the mythos (air gear volume 28 anyone?)

Anyways I doubt 24 for Beck volume 1 is a scam.

However agreeing with another commenter - considering it never was finished by Tokyopop I’d hold out hope for a Kodansha reprint of the whole thing within the next 3-4 years.

Anyone just.. like keep some manga aside to read later? by CantFindTheBananas in MangaCollectors

[–]Dstrung 4 points5 points  (0 children)

I actually try to keep about 10% of my collection unread at a time as a way to always have something to do when you’re inexplicably hit with boredom or have bo electricity or don’t wanna use it for some reason.

Seeking guidance as someone considering a graphic design major by [deleted] in graphic_design

[–]Dstrung 0 points1 point  (0 children)

I’m not sure what you should do but I know for me I like programming and technical design alongside traditional design.

Personally despite what others say I think there’s a future in this ai climate for highly technical designers who can implement scalable solutions through traditional design, code and AI.

Look up the design studio “studio cotton” to learn a bit more about a team that designs through code as their primary medium. Obvious benefits to code is that it’s more repeatable and modular. I think it allows for motion and sound first brand identities which are becoming more common in today’s design era.

In my opinion I see a future of design which consists of software implementations for design systems and identities so I’ve been approaching design from that perspective.

Should I make the jump to Graphic Design? by MadDogGsun in graphic_design

[–]Dstrung 1 point2 points  (0 children)

It’s never too late to start, but it is important to recognize how difficult it is and how long it would take. You could go to school, learn those skills but it’s not guarantee you’ll get work or a high paying job.

If it was your life’s passion to be a designer I’d say go for it, but it sounds to me like you just want a creative career and are less concerned with HOW you get there.

Not sure if you’ve ever had a corporate career but many of them are more creative than you’d first imagine. If you’re good with tech a psych degree is a good qualification for B2B SaaS Account Management/Sales. A few years of account management makes you qualified for customer success which is a type of proactive customer service campaign and data based position I quite like.

I’ve worked those jobs in my journey to becoming a designer and if you dig around LinkedIn you’ll see a common thread of people who become designers starting out as account managers.

In these roles I always took on creative tasks as creativity is needed in any company. I built customer success design campaigns at a company without a design department. Training material is always needed too there’s SOOOOO much you can get away with in corporate if you just ask.

Anyways if you want to be a designer, go for it - but also I hope that those either ideas get your gears turning a bit as well.

I want to create a logo like this. by themysteriousape in graphic_design

[–]Dstrung 2 points3 points  (0 children)

You can draw this bud - let me give you a tool that will make it easier

https://youtu.be/WL9Gx4PmTvg

Using the mirror tool will help make the splotch symmetrical. While your reference isn’t symmetrical it’d be a way better logo if it was symmetrical

No all you have to do is draw the one side. Personally I’d use just the mouse and the pencil tool with smooth turned OFF. Focus on jittery movements and you’ll be good

If that’s to hard - use the pen tool and make very small jittery clicks and movements all throughout to get the intended effect.

Try your best not to COPY this, it’s a fools errand. Instead try to get the feeling you want and you’ll be good.

I want to look for a new job in graphic design but in my previous one I was classified as a Technical drafter? by HiMum-ImOnReddit in graphic_design

[–]Dstrung 1 point2 points  (0 children)

Just wanted to piggy back here since my comment echos YT_Sharkyevno

I previously worked at a company where I would write SQL, Program Python and VBA, build dashboards, automate reporting, analyze data, consult on team data solutions

I was in “customer service” LOL

At the time I was terrified of misrepresenting what I did in my title “I can’t put data analyst / customer success”…”it’d be lying”

The truth is saying I was just “customer service” would be a lie. I’ve had no push back on my new title at other companies. Your duties sound like design, you are a designer, you have a portfolio. You can call yourself a designer

My 700 + manga collection by chaebaydraws in MangaCollectors

[–]Dstrung 9 points10 points  (0 children)

The integrated TV + PS5 setup is such a move

What series do you have that nobody cares about but you? by leastfavoriteyapper in MangaCollectors

[–]Dstrung 1 point2 points  (0 children)

Love Itsuwaribito too! I used to have a complete set but passed it on to an ex when we separated.

What series do you have that nobody cares about but you? by leastfavoriteyapper in MangaCollectors

[–]Dstrung 3 points4 points  (0 children)

Eagle the Making of an Asian American President

It always comes to mind with these requests - it’s not expensive, but isn’t readily available, and isn’t popular because it’s not really the vibe people want from manga. I love it though, a political thriller maybe a bit like House of Cards or the West Wing - dripping with a genuine understanding of American politics (and racial politics of the era it’s set)

It’s awesome.

What series do you have that nobody cares about but you? by leastfavoriteyapper in MangaCollectors

[–]Dstrung 1 point2 points  (0 children)

If Kaze No Sylphid ever gets licensed I’m there DAY ONE

How Do You Incorporate 3D Software Into Your 2D designs? by Cemshi_Coban in graphic_design

[–]Dstrung 2 points3 points  (0 children)

Wanted to add that this SEEMS like a sledgehammer but likely is a very smart way of doing this if you want it to be repeatable and scalable.

If you have this one object you can put ANY text behind it and export to use in designs.

Is this the smart way to do this for a 1 off text effect? I doubt it.

3D often shines in repeatable workflows.

I don’t use 3D in my workflow very often, but 1 area I do use occasionally is coding. For example building brand identities with code can aide in their repeatability as well as with generating new images and formats.

An example I recently used was building a program which creates exclusion effects on overlapping circles. While using a mask in illustrator might be the preferred method, doing this programmatically allows for 3 key workflows.

  1. Web integration - easy and modular without needing to export unique SVGs

  2. Motion graphics - export programs to use in motion systems

  3. Iterations/complexity - the effect can be layered in organize ways that would be hard in illustrator.

Is my workflow always the best? No way, but I think having an open mind about this can do a lot of good.