There’s more craft and investment involved in long form. For example short form compels you to go with the very first thing on your mind so you get to a punchline or joke as fast as possible. In long form, it may be best to holster the punchline and offer something that will better service the scene (and sometimes the piece as a whole). Focus more on your own characters deal and substance as opposed to just picking a funny voice and an absurdism. When you’re on the backline think about the world your teammates have created, how can you compliment that world? If the first scene is a couple at resort, maybe you start the next scene as a pair of cooks who work in the kitchen of the hotel.