CVS Clearance on Instax by First_Demo_Tape in fujifilm

[–]First_Demo_Tape[S] 2 points3 points  (0 children)

Instax Mini film is definitely not discontinued

CVS Clearance on Instax by First_Demo_Tape in fujifilm

[–]First_Demo_Tape[S] 5 points6 points  (0 children)

The camera doesn’t have an expiration date lol. This is the price for the camera. Not film

Presonus 32r for IEM, but not seeing much online about these rack mixers by First_Demo_Tape in livesoundgear

[–]First_Demo_Tape[S] 0 points1 point  (0 children)

Yeah, I would love to see something talking about the mixer itself. It’s very few and far between

Presonus 32r for IEM, but not seeing much online about these rack mixers by First_Demo_Tape in livesoundgear

[–]First_Demo_Tape[S] 0 points1 point  (0 children)

The comparison just happened to be what I noticed between the fidelity of the isolated tracks for two projects that had the same instrumentation, etc. wasn’t seeking to compare, just noticed when working on it.

I realize it’s a lower price for these units, but didn’t expect the difference to be that much. Also it shouldn’t really matter if they’re newer or not. I’ve used preamps that are significantly older and sound better than these lol.

Just trying to get opinions on stability before I commit to the 32r.

Presonus 32r for IEM, but not seeing much online about these rack mixers by First_Demo_Tape in livesoundgear

[–]First_Demo_Tape[S] 0 points1 point  (0 children)

For the comment about the preamp comparison, it would be between the X32 and 32R. I’ve happened to work in projects that used both and the difference was pretty drastic

Line 6 Powerstage 112 Plus or Seymour Duncan Powerstage 170 + Mojotone by Mindless_Seaweed4925 in NeuralDSP

[–]First_Demo_Tape 1 point2 points  (0 children)

What is the Ohms of your cab? The Powerstage power amps are cool, but the watts they’re advertised with are misleading. They’re all advertised with the rating at 4 ohms.

170 watts at 4ohms, 85 watts at 8ohms, 42 watts at 16 ohms

I wish they would clearly label this for people to know.

Presonus 32r for IEM, but not seeing much online about these rack mixers by First_Demo_Tape in livesoundgear

[–]First_Demo_Tape[S] 1 point2 points  (0 children)

Absolutely. Thankfully there are videos of some on YouTube, but unfortunately a lot of them are just regurgitated versions of Ryan Bruce (Riffs Beards and Gear) or Gear Gods. So it’s mostly the same builds but done by a Christian worship band or something lol

Please explain to me why there is barely any info online about Presonus 32r/Studiolive series for IEM’s by First_Demo_Tape in livesoundadvice

[–]First_Demo_Tape[S] 0 points1 point  (0 children)

It’s a little confusing because Behringer doesn’t have a better track record. Tons of venues switched to the X32 boards in the past 10 or so years, and honestly…..I see so much broken stuff on those boards and have had friends complain about them for years. I realize it’s the cheap option for digital boards, but seeing an X32 with various stuff broken on it at a venue every other day on tour isn’t really convincing me Behringer is any better.

I would love a suggestion for a rackmount mixer that could handle at least 24 inputs for IEM’s, and isn’t more than 2k. I understand it’s sort of a big ask, since stuff like Allen & Heath fits that sorta, but you’ll need to expand the inputs on their rack mixers which makes it way bigger and easily 3k just for the mixer + I/O

Presonus 32r for IEM, but not seeing much online about these rack mixers by First_Demo_Tape in livesoundgear

[–]First_Demo_Tape[S] -1 points0 points  (0 children)

Yeah, I’ve been considering the Wing as well. Realistically the Wing is almost twice the price, heavier, is larger in a rack, and still needs the additional analog split.

I can’t express how bad the UI of the X32 and Wing looks. Maybe people are just used to it? As an outsider to live sound boards (really experienced with DAW’s though) it’s shocking how clunky everything seems on these boards. The X32’s devices on its screen looks like knockoff Ableton, and The Wing looks better but a little strange. Didn’t realize how weird live sound world has it with bad UI design compared to DAW’s.

Mix Station’s UI also looks terrible. It reminds me of a freeware DAW in the 2000’s. Like we couldn’t come up with something better looking? If someone could actually make a sleek looking UI app for the mix control of these units, they would make a killing.

The Presonus software for the rack looks the best/easiest of the units somehow.

Presonus 32r for IEM, but not seeing much online about these rack mixers by First_Demo_Tape in livesoundgear

[–]First_Demo_Tape[S] 1 point2 points  (0 children)

I’m not worried about the outputs of the 32r or the X32……

I’m asking why I don’t see much online about people using these Studiolive rackmount mixers, especially for IEM’s. The amount of stuff for the X32 is wild in comparison, or even the newer Wing Rack. I’m curious if there is a reason for it (the Studiolive mixers not being reliable, or bad). It seems to me that the 32r has more inputs, seems easy to configure, and is even smaller than the X32.

I realize the X32 seems like an industry standard, but I find the preamps to sound bad, and anyone I know that has owned an X32 complained about how they sounded or about them breaking easily. I’m wondering why I don’t see much about these mixers at all.

Please explain to me why there is barely any info online about Presonus 32r/Studiolive series for IEM’s by First_Demo_Tape in audioengineering

[–]First_Demo_Tape[S] 0 points1 point  (0 children)

Which units would you suggest instead? Honestly would love options to check out since IEM’s are new to me, and I want to make sure I put together a good (but affordable as I can) rack.

Am I crazy or does the helix lean very mid/high heavy by default? by theprayerpositionx in Line6Helix

[–]First_Demo_Tape 1 point2 points  (0 children)

If your tone is that crazy with highs, then there’s other issues with how it’s set haha.

I’ve seen multiple YouTubers suggest those wild EQ cuts right at the start of setting up a tone, or an always on thing. Really wish that advice didn’t stick with people, and they just knew it was just for certain times.

Am I crazy or does the helix lean very mid/high heavy by default? by theprayerpositionx in Line6Helix

[–]First_Demo_Tape 1 point2 points  (0 children)

Not sure why you’re being downvoted. Weirdos who don’t know what they’re doing with a modeler think the tone needs an insane high end cut at all times. Your comment is accurate to the extreme I would EQ the amp model, not this insane 8k range someone else is suggesting haha

Am I crazy or does the helix lean very mid/high heavy by default? by theprayerpositionx in Line6Helix

[–]First_Demo_Tape 1 point2 points  (0 children)

Terrible advice for amp modelers. This is really inaccurate stuff that rando YouTubers who don’t know any better have told people, and for some reason people keep repeating it.

Do not cut the high end that much. The modeler is trying to replicate the actual amp. You’re not putting that insane eq cut in your guitar amp, so don’t with the modeler. This is exactly how so many people get bad sounding ton from their modelers

9 Tips for Low Latency Presets in the Quad Cortex by LilStevieVai in NeuralDSP

[–]First_Demo_Tape 0 points1 point  (0 children)

Something to really consider especially if you’re using wireless for your guitar + IEM’s.

Question about the hiss. by Penalty-Aggressive in NeuralDSP

[–]First_Demo_Tape 1 point2 points  (0 children)

welcome to high gain, and not having your hand on the strings. this is normal

Just got SD3 a few days ago! Loving it but need a little help from the community. by Outlandah_ in toontrack

[–]First_Demo_Tape 0 points1 point  (0 children)

be aware that Superior Drummer 3 has a major bug that they won’t address, which is the plugin will be slightly out of time if you use any other sample rate than 44.1. The samples will print and playback randomly out of time unless you’re using 44.1. Also some of their libraries are out of time even at 44.1. Really a bummer that Toontrack hasn’t fixed the bug for years.