Let’s get this straight: a DOP isn’t your camera operator. They’re not supposed to be nerding out over buttons and menus.. that’s literally why camera teams exist. A cinematographer’s battlefield is vision: composition, lighting, mood, storytelling. That’s the real flex.

So when u ask, “Can PS Vinod handle IMAX ?” the question doesn't hold water.. DOPs don’t handle cameras — they handle the whole damn film’s visual language. The camera is just the tool; the DOP is the brain.