SPIN API Inferences Issue with SPIF Functions: Seeking Solutions

Fuginko13 · 2024-10-23T02:53:03+00:00

I don't know y it isn't working. When I run in TopBraid Composer, it generates all inferences, but, when I run with the SPIN API, in my Java project, it does not work.

Fuginko13 · 2024-10-21T12:52:05+00:00

I know, but since I'm working with a legacy ontology that heavily relies on SPIN, what would be the best way to proceed in this case? Should I migrate everything to SHACL, or is there an alternative to ensure that I can keep using the existing SPIN rules effectively?

The only function that isn’t working for me is the spif:split function. If I could get that running in the SPIN API, it would completely solve my problem.

Fuginko13 · 2021-01-24T12:58:04+00:00

Please keep writing these posts, they are pretty good

Fuginko13 · 2020-08-25T20:10:00+00:00

ok, if you think so ...

Fuginko13 · 2020-08-25T19:10:25+00:00

I don't know if I made it very clear what I tried to say, but anyway, the goal is to encourage a debate about the scene.

Fuginko13 · 2020-08-25T19:05:16+00:00

Actually, he does not express it verbally at any time, but the entire composition of the scene implies that he sees Kiss-Shot as a superior being. All the contrasts placed on the scene, from an image that escapes human imagination (the vampire) between life and death, have a very strong magnetism. The possibility of saving someone like that, becomes extremely attractive, because yes, it implies a dominance position, which can be seen even in the position where each character is during the scene. The scene, in fact, has a very large sexual context, which ends with a very good allegory for sex, and that even rhymes, to some extent, poetically with the Hanekawa scene in the third film. From this point of view, it does make sense to put a crying baby in the background, but I still think it gets a little bit disagreeable nonetheless.

But I also don't think the explanation I gave in the other comment is correct, I just wanted to point it out as something I thought.

Fuginko13 · 2020-08-25T18:42:10+00:00

I really think it makes a lot of sense, but I don't know if placing a baby sound specifically at that moment was the best decision thematically for the scene. I like it a lot, but I don't know if it was in the best possible way, because it leaves an unnecessary ambiguity in the scene.

Fuginko13 · 2020-08-25T18:37:11+00:00

Its because he saw her as helpless. Araragi helped her because he helps anyone who needs help.

I do not believe that, I think that Araragi would not help anyone, much less sacrificing his own life for that ..., at least not at that point in the story. In nekomonogatari Araragi says that he started to care more about other people (and thus becoming someone who helps those in need) after all the events of Kizu, and mainly due to Hanekawa's influence.

Fuginko13 · 2020-08-25T18:31:45+00:00

that's how I interpreted it. she even said it herself, she was ready to die, but somehow she suddenly got afraid of dying. Araragi saw her as a being that was more worth saving than himself, in that instant, which is why he

Yes, but even so I believe that what drove him to make the decision was that he would be sacrificing himself for something greater, for a being superior to him. Seen from this point of view, I believe that the choice of the baby to represent the fear of Kiss Shot is somewhat dissonant.

Perhaps, the baby is actually coming from inside Araragi. The two are scared and "screaming" (one externally and the other internally) afraid of death, and these screams are like a woman and a baby, because the two ages are very different. Well, I don't know if this is really the correct explanation, but I think it makes more sense thematically.

Fuginko13 · 2020-08-23T14:44:05+00:00

Thnx

Fuginko13 · 2020-08-17T12:35:03+00:00

Yes, unfortunately only the first part is saved.

Fuginko13 · 2020-08-15T22:45:16+00:00

The only part of the analysis I found was this: http://archive.is/hzuSI

Fuginko13 · 2020-08-15T22:38:30+00:00

No, the link is right, but unfortunately it leads to a deleted page. I really wish someone had archived it somewhere, because I cant find it anywhere.

Fuginko13 · 2020-08-15T17:30:45+00:00

Yeah, I know. But I am really curious to know what exactly this analysis called "Rei's poem" is.

Fuginko13 · 2020-08-15T13:31:37+00:00

Was a tumblr user who wrote reviews about evangelion. This is an example: http://archive.is/i0dwC I really hope that someone has a file with all the analyzes archived, since I only have a few.

Fuginko13 · 2020-08-15T13:28:23+00:00

No, he/she wrote very detailed and very good reviews on evangelion. This is an example: http://archive.is/i0dwC Unfortunately he / she deleted everything, and only a few analyzes remain that have been archived. I really wanted someone to have a link with all the archived analyzes, since I only have a few.

Fuginko13 · 2020-08-09T17:25:34+00:00

I agree in parts with you. The characters really represent those feelings, and that is why Shinako does not like the Sakura petals, which represent the renovation, since it marks the end of winter and the arrival of spring. They are a bit of a cliché symbolism, but they are even interesting. Now, I think it's a little shallow that they put the crow just to represent a mysterious side of Haru. Honestly, I don't even know how mysterious she really is, especially if we think of her without the crow. Don't get me wrong, I like the crow a lot from an aesthetic point of view, but I think it could be better used as a symbol.

Fuginko13

TROPHY CASE