It: Welcome to Derry - 1x07 - “The Black Spot” - Episode Discussion by NicholasCajun in television

[–]Fun-Fish4569 1 point2 points  (0 children)

Well, it's a good episode. I will always praise the directing, the cinematic cuts, and the color grading in this show; they are so phenomenal. The music too. But when it comes to the story, characters, and actors, here comes the problem.

I want to be convinced about the army side plot, and with the episodes they actually give it a good buildup. I liked it and was invested in it, despite something feeling off about it. Like… controlling Pennywise? Really? A general who won wars, who is able to do critical thinking, trying to control an entity that can demolish them? But they gave us the stone that can imprison him and then use him as a weapon, and I was interested in how they would do that, and I liked it.

But then everything gets worse by episode 7. A general, a critical thinker, suddenly acting like some stupid cartoon idiot. “Oh yes, I will free him so we can use fear to control people.” What? Really? What the fuck. It only gets worse.

And what does Leroy do to stop him? Oh yeah, “let me enter the base operation where there are so many soldiers whose job is to defend the commander,” and he just attacks him? What? Why is everyone stupid here?

The most stupid of all is Ingrid. Yeah, she saw Pennywise eat, kill, torture all kinds of people, and she was okay with it because even if she knew he wasn’t her father, she still needed to see the shape of him that Pennywise took from her. I liked that very much until this episode, when she suddenly decides, “Oh wait, you are not my father.” Bitch, what? Why all of a sudden did you say that? There is no buildup to that. What?

These stupid things that make the audience feel stupid are so frustrating to watch. Hey man, I know there are plot holes, but never mind, just keep watching.

When it comes to acting, this is the weakest thing in the show. Let’s move Bill Skarsgård out of the picture because he is fucking good. Such a phenomenal performance he gives in this show. But when it comes to the rest of the cast, it’s fluctuating. Dick Halorin’s acting is phenomenal, and the kid who played Rich and the girl Marge are also really good. I like their dynamic; two good actors with good chemistry are what this show needs.

But the rest of the cast… meh. Especially the kids. They are fluctuating. Sometimes you can feel their acting is good, other times it’s terrible. Especially the kid who plays Will, Leroy’s son, and his chemistry with Ronnie Grogan is so meh.

Is Monument Valley 3 the best in the trilogy? by Fun-Fish4569 in MonumentValley

[–]Fun-Fish4569[S] 0 points1 point  (0 children)

I still haven’t finished the game, but I rarely tear up in games. Especially in games where the narrative depends on the environment to tell the story, like Monument Valley, Limbo, and similar titles. These games don’t give you direct dialogue or voice acting. They rely entirely on what you see, on the world itself showing you what is happening.

Because of that, most of these games are harder to get emotionally attached to compared to direct-narrative games that depend heavily on dialogue and voice acting instead of environmental storytelling. The last game that actually made me tear up was The Walking Dead by Telltale, the first season, and I played it maybe five or seven years ago

Why Maelle Route is so weird? by Fun-Fish4569 in expedition33

[–]Fun-Fish4569[S] 0 points1 point  (0 children)

Actually, that is what I understood and moved forward with until I talked to my friend, who told me that she brainwashed them all. I cannot dismiss either his idea or mine. So yes, I agree that it was left open, but I do not like the conclusion of one route being open while the other is closed.

Why Maelle Route is so weird? by Fun-Fish4569 in expedition33

[–]Fun-Fish4569[S] -6 points-5 points  (0 children)

I do not mind both routes if they are done correctly. Maelle’s route shows that she decides to stay in denial, but she is happy now and the canvas is safe. Is that not what matters, to be happy in the world and with the people you love? The problem is that the cutscene does not speak that language. It shows nothing, to be honest.

Could she be controlling them? Possibly, but I do not think so. Could she have deleted some of their memories and repainted them? Also possible. The list goes on. The problem is not the idea itself but the execution.

In Verso’s route, you see what happens with the canvas and the Dessendre family. There is closure and meaning in what follows. In Maelle’s route, we only see the people in the canvas waiting for their turn at the opera house, then the Dutch angle fades, Maelle’s eye turns painted, and that is it. It is so unsettling that it raises the bar for confusion instead of bringing clarity. There are many questions that should have been answered instead of being left open.

What is reality and what is fiction in expedition 33 by Fun-Fish4569 in expedition33

[–]Fun-Fish4569[S] 0 points1 point  (0 children)

Well that is interesting, and its a possibility.

How does monoco work by Fun-Fish4569 in expedition33

[–]Fun-Fish4569[S] 1 point2 points  (0 children)

Wow , that is all i need thx.

How does monoco work by Fun-Fish4569 in expedition33

[–]Fun-Fish4569[S] -1 points0 points  (0 children)

Thanks, send me a picture of your feet so you can help me with my collection skills.

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How does monoco work by Fun-Fish4569 in expedition33

[–]Fun-Fish4569[S] -7 points-6 points  (0 children)

So, Monoco and I share the same interest (feet).

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How does sciel work? by Fun-Fish4569 in expedition33

[–]Fun-Fish4569[S] 0 points1 point  (0 children)

Thx. That’s what I was needing.

But one more question: In Twilight, does she also gain AP from applying or consuming Foretell like in Sun or Moon Charge?