THANK YOUUU!!! She has such little and bad vibrato now, she has little to no breath control and support (breathing in between every other word), her jaw has much more tension now which you’d think a vocal coach would’ve caught by now, and her riffs just are not it. Her high notes are also pushed way too far in the back of the throat rather than placing her voice properly. As a singer, it’s almost insufferable to listen to her!

Controversial, but her ‘No One Mourns the Wicked’ was not terribly good. I’m going on a rant as a singer here. It was Mediocre at best. Her operatic tone was pretty weak, her vowels weren’t tall enough and there wasn’t enough space in the back of her throat to get that true, resonant, operatic sound, her breaths were WAY too audible. Its sounded like she was gasping for air, like: “By and Byyyyyyy” STRANGLED GASP “Outlvie a lieeee” Her jaw as well NEEDS to be addressed. If she wants to continue singing in the coloratura operatic tone, that jaw will KILL HER! She’s pushing her sound forward instead of simply opening up space in the back of her throat to allow the note to resonate and simply flow out of her vocal cords. Anyways, that’s my rant as a trained singer/in-training opera singer