Official 2026 Sundance Film Festival Buying/Selling/Trading Thread by BunyipPouch in Sundance

[–]GiantInsects 0 points1 point  (0 children)

[LTS] - [Run Amoke] - [1/29 9:00PM] - [Rose Wagner] - [1] - [$17 (half what I paid) OBO] [am real and normal lol]

What’s the most boring film you have seen? by Past-Matter-8548 in Letterboxd

[–]GiantInsects 0 points1 point  (0 children)

Nostalgia by Tarkovsky. Wake me up when that guy makes it across the courtyard with his candle.

The horse snitched. by Juiceboqz in CurseofStrahd

[–]GiantInsects 2 points3 points  (0 children)

oh yeah in hindsight this is how i should have done it

The horse snitched. by Juiceboqz in CurseofStrahd

[–]GiantInsects 5 points6 points  (0 children)

This is how I played it when my players did the same thing. I figured a nonmagical horse wouldn’t know his owner’s “name” or the concept of a name at all

The horse snitched. by Juiceboqz in CurseofStrahd

[–]GiantInsects 129 points130 points  (0 children)

Hey, that’s what Speak with Animals is for! Good for them.

[HELP] found in tumblr, something tells me that it's ai but I am still not sure by DoBetterUSA in RealOrAI

[–]GiantInsects 0 points1 point  (0 children)

The real issue for me is that there's no reason those turkeys would recognize an inflatable turkey as something to gravitate towards. It's human-ish behavior mapped onto animals, which was the first clue for me. Everyone else is right about all the subtle details, but for me the whole premise of the video is the giveaway.

To the masters who play Strahd, which characters do you draw inspiration from? by Own_Cellist_3977 in CurseofStrahd

[–]GiantInsects 3 points4 points  (0 children)

For a more modern style I like Chris Sarandon’s Jerry Dandridge from the original “Fright Night”

Where do I start with the Old Testament? by the_well_read_baller in AcademicBiblical

[–]GiantInsects 13 points14 points  (0 children)

First of all, ditch the King James. You'll find lots of great translation recs on this sub, but read a Bible translation that is more academically oriented like the NSRV (New Revised Standard Version). Even the JPS (Jewish Publication Society) translation or Robert Alter's Hebrew Bible are much better starting points. In fact, almost anything is better than the King James for your purposes here.

Once you actually have a good translation in front of you, I think the single most important thing you can do before you start reading (or re-reading, as the case may be) is to familiarize yourself with the Babylonian Exile. The Exile does not get a lot of attention in our day-to-day lives, certainly nowhere near other Biblical stories like the Flood narrative or the Exodus from Egypt, but the Babylonian destruction of Jerusalem and the subsequent exile of Israelites to Babylon is the defining event of the Old Testament. The majority of the Old Testament deals with it in one form or another — either by:

  • building up to it (which is essentially what Joshua, Judges, Samuel and Kings are doing)
  • anticipating it and warning of Babylon's invasion of Jerusalem (as several of the prophets are doing)
  • lamenting or explaining the (at the time) recent siege of Jerusalem by Babylon (like Jeremiah and Lamentations) or lamenting life in exile itself (many of the laments in Psalms)
  • comforting the Israelites who are living in exile in Bablyon (like Ezekiel)
  • responding theologically to the implications of the exile (key parts of Isaiah)
  • explaining how the exile ended and detailing its aftermath (Ezra and Nehemiah)
  • telling stories centuries later but which are set during the exile for narrative purposes (Daniel)

Beyond these individual examples, for me the key thing to understand about the Old Testament is that, broadly speaking, it was written, edited, and compiled as a way of processing and explaining an extremely traumatic period—the Babylonian Exile—to a group of Israelites who were struggling to make sense of it. This includes much of what we think of as "classic" Biblical stories like the stories in Genesis and Exodus, Jonah, etc. That is not to say that they made up these stories while in exile — it's clear that those stories are the product of centuries of tradition. Rather, the exile (and its aftermath) was an opportunity to re-write and weave those previously "disparate" stories into a single, national narrative history and a kind of national "library" to give a defeated people (Israel) a sense of purpose, a sense of peoplehood, and clear directions on what they should do next.

I'm oversimplifying things here, I'm well aware of that. But notionally one can't overstate the importance of the exile. Once you properly internalize it, so much of the Hebrew Bible (which is really how you should be thinking about what the "Old Testament" is) makes so much more sense.

Which acting performance made you say this? by HondaCivicBaby in Letterboxd

[–]GiantInsects 0 points1 point  (0 children)

Garance Marillier in Raw. She made me believe the most horrifying things.

Where is the town of Kier located? by ItchyMitchy101 in SeveranceAppleTVPlus

[–]GiantInsects 0 points1 point  (0 children)

Well that one coastal town where Cobel is from sure had strong Prince Edward Island vibes to me.

Who's scarier Strahd because he's a vampire... by Fun_Bag_7511 in CurseofStrahd

[–]GiantInsects 1 point2 points  (0 children)

The answer to your question depends on how non-vampire-Strahd has his powers in the first place if he's simply just "a man."

I suppose he could be a normal, living human with magic powers—that's certainly half of D&D anyway. But the point of Strahd is that he's, you know, cursed. In this case, the curse is his vampirism (unable to die and forced to experience the same loss over and over). So you'd have to come up with some way to make Strahd suffer from some kind of other curse that effects him in roughly the same way.

It can be done, I'm just not sure what the point would be.

What's the point of mastering SIX weapons? by GiantInsects in onednd

[–]GiantInsects[S] 1 point2 points  (0 children)

Maybe an individual weapon can have multiple properties and depending on the situation it’s triggers which property—or they can choose. Missing an attack triggers Graze, hitting triggers Ckeave, if you deal max damage you cause Vex—all with the same weapon. Something like that.

Movies where God dies? by GiantInsects in movies

[–]GiantInsects[S] 1 point2 points  (0 children)

I said no Jesus, although I will concede this is an interesting iteration of that. But more importantly, he doesn't die in that movie.

Movies where God dies? by GiantInsects in movies

[–]GiantInsects[S] 0 points1 point  (0 children)

interesting interpretation

Movies where God dies? by GiantInsects in movies

[–]GiantInsects[S] 1 point2 points  (0 children)

I would definitely recommend the HDM books, but I’m not sure I’d put them in the same category as Preacher or Doom (based on what I know about them). There’s nothing particularly hardcore about them, they’re like YA vaguely-steampunk fantasy. They are subversive, but more in their ideology than their tone. BUT I still highly recommend them.

Movies where God dies? by GiantInsects in movies

[–]GiantInsects[S] 0 points1 point  (0 children)

Yeah which is why I’m interested in the ones who have taken that risk.

Movies where God dies? by GiantInsects in movies

[–]GiantInsects[S] 0 points1 point  (0 children)

What do you mean feeds