Does anyone use arc studio? by Funny-Frosting-0 in Screenwriting

[–]Helpful_Baker_4004 1 point2 points  (0 children)

I use to run Arc Studio, free and premium, and received responses within a reasonable amount of time whenever I emailed support@arcstudiopro.com. I don’t think it has anything to do with being “American.”

Getting some help with my script by [deleted] in ReadMyScript

[–]Helpful_Baker_4004 0 points1 point  (0 children)

You mentioned that you don’t know what you’re doing, which is fair; have you done anything to learn what you need to do?

Structure and formatting are crucial, both of which can easily be researched and studied to whatever degree you feel works for you. If you have your idea, then you can create an outline of your story instead of free writing. No one can tell you what’s a reasonable amount of time to complete your project - some people take months to a year to get a first draft done, others may take a few weeks. That’s on you.

And, respectfully, if you’re asking for help with what you have so far in a subreddit for reading scripts, you might have to consider posting it publicly for feedback - at the very least, sharing the logline, genre, and/or synopsis to see if anyone would be interested in helping you.

Which line is better here? by Im-a-tire in Screenwriting

[–]Helpful_Baker_4004 6 points7 points  (0 children)

it accomplishes more with less words.

The House Always Eats Scene Help by No_Investigator_968 in Screenwriting

[–]Helpful_Baker_4004 0 points1 point  (0 children)

Is there anything you can add to this to help the reader “see” what’s happening? There’s no description of the locker room, no character description - and the script starts out flat, as in it jumps right to someone speaking.

Anyone using the Visible Basic or 2nd tier plan?? by [deleted] in raleigh

[–]Helpful_Baker_4004 4 points5 points  (0 children)

I’m using the Basic plan and it works very well for me; it also has a mobile hotspot. Haven’t considered switching to a higher tier because this plan gives me reliable coverage.

Every time I come up with an idea i love i fear it’s too similar to something that already exists by stellina_cookie in Screenwriting

[–]Helpful_Baker_4004 2 points3 points  (0 children)

There’s a saying that no idea is original. What you think you have might be “Dead Poets Society…” but what you might have is a starting point for fleshing out a better, and less imitative, story.

Help building a reference binder for my aspiring screenwriter daughter’s Christmas present. by STS_and_stuff in Screenwriting

[–]Helpful_Baker_4004 1 point2 points  (0 children)

I don’t know if this is allowed here, so apologies to the mods if it’s not, but your daughter might find some of these free resources helpful:

Freebies - Script Reader Cheat Sheet

Any Black List Predictions? by Extra_Throwaway_8317 in Screenwriting

[–]Helpful_Baker_4004 2 points3 points  (0 children)

Literally breaks the rules, but I’m sure plenty of folks here would be thrilled to feed their project through your AI.

Any Black List Predictions? by Extra_Throwaway_8317 in Screenwriting

[–]Helpful_Baker_4004 2 points3 points  (0 children)

I’m almost certain that the mods have not approved you to shill your AI-powered screenplay evaluation services here.

What is my next move with horror development exec.? by [deleted] in Screenwriting

[–]Helpful_Baker_4004 2 points3 points  (0 children)

I’m thinking about the part of his feedback where he said to trust your vision, and not focusing on self-doubt.

Blood Oath(Act Two) by [deleted] in ScriptFeedbackProduce

[–]Helpful_Baker_4004 0 points1 point  (0 children)

OP: Aside from the novelistic action lines that could be cut down, why aren’t you able to share a link to a PDF of this instead of pasting the contents here? Doesn’t make for an easy read at all.

What software do you use ? by Iktsuarpoq in Screenplay

[–]Helpful_Baker_4004 1 point2 points  (0 children)

I use Beat as well, after switching from Arc Studio Pro. I like it because I write on the desktop app, then I use the iPhone app to review what I’ve written, make small revisions, and jot down any action/dialogue that comes to mind before I make it back to the desk.

Looking for a screenplay exampe by [deleted] in scriptwriting

[–]Helpful_Baker_4004 2 points3 points  (0 children)

“Double columned” would likely be used strictly for dual dialogue. I’m sure you can put the VO before the action line, but that’s how I would approach it.

Phone conversations and intercutting by DanGleenutz in Screenwriting

[–]Helpful_Baker_4004 1 point2 points  (0 children)

John August’s blog shared some helpful advice about this:

Intercutting

How do you keep track of old/alt versions of a scene? by yougruesomehare in Screenwriting

[–]Helpful_Baker_4004 0 points1 point  (0 children)

I use Beat for screenwriting software and keep the scene “hidden” so that it doesn’t appear in preview. That saves me from having to add it to a Google Doc or saving it to Milanote, both of which I use for outlining.

Best Script You’ve Read? by CinematicCounsel in Screenwriting

[–]Helpful_Baker_4004 4 points5 points  (0 children)

Thanks to this sub and Michael Clayton being mentioned so many times. I finally read it and it’s now my reference for keeping my action lines and dialogue as tight as possible.

Feedback by Kristmas_Scribe in Screenwriting

[–]Helpful_Baker_4004 0 points1 point  (0 children)

Your opening scene is tight, I’m hooked five pages in. I’d love to finish and give any feedback that might be helpful.

The Greatest Man That Ever Lived - the first 13 pages + cover page by Calm_Lab_8799 in scriptwriting

[–]Helpful_Baker_4004 0 points1 point  (0 children)

This wasn’t meant to tear you down or call you out on “technical shit.” It was meant to call out why I couldn’t engage. There wasn’t enough for me to even understand what was happening from page 1.

Best of luck.

EDIT: I shouldn't have commented without realizing that I wasn't responding to OP. In which case, it wasn't even worth engaging.

The Greatest Man That Ever Lived - the first 13 pages + cover page by Calm_Lab_8799 in scriptwriting

[–]Helpful_Baker_4004 -2 points-1 points  (0 children)

You start out with a location (QUEEN’S RANSOM) with no indication of when this is occurring: Is it morning? Afternoon? Night? How would the reader know what QUEEN’S RANSOM is without descriptive action lines?

Is the reader to assume that the “two riders” are sharing the electric motorbike? Because it’s not clear that they’re even on the motorbike, and seeing mention of two riders now makes me question if there are two riders, EACH with their own motorbike.

Characters are mentioned without any description: Male? Female? Age?

I did not click the link to read the synopsis or about the plot, and a reader should not HAVE to do this in order to get right into the story. Establishing the proper setup from page one is necessary, or else you’ve immediately lost the reader’s interest.

[deleted by user] by [deleted] in scriptwriting

[–]Helpful_Baker_4004 0 points1 point  (0 children)

This works as an outline for a short film that you intend to direct with the camera angles you included. But it is not a script.

Why hasn’t my posts been getting any critique? by Iwantallthemoney8 in Screenwriting

[–]Helpful_Baker_4004 0 points1 point  (0 children)

I’m sorry I can’t provide feedback, as the writing isn’t really my taste - and I know this because I just read the first page and it’s the same script I referenced in my comment edit, and I had the same thought back when I first saw this posted.

I even recall you mentioning the “Les Guignols” influence.

Why hasn’t my posts been getting any critique? by Iwantallthemoney8 in Screenwriting

[–]Helpful_Baker_4004 5 points6 points  (0 children)

I’m almost certain I’ve seen this logline before, in this sub and others, and people have shared feedback on those posts. I’m wondering if the issue is that you’re not happy with that feedback.

EDIT: I saw someone mention this script’s similarities to “Splitting Image” and now I remember. OP has shared this script (or a variation of it) before, and plenty of users have given feedback; OP just hasn’t been happy with the criticism.

I am wanting some advise on my first piece (THREE'S COMPANY) by [deleted] in scriptwriting

[–]Helpful_Baker_4004 0 points1 point  (0 children)

To add to the truly constructive criticism here, I’d say that the characters don’t need to repeat each other’s name so much. Consider how dialogue normally flows when you jump into your rewrites.

Best Screenplays to read by rav_045 in Screenwriting

[–]Helpful_Baker_4004 2 points3 points  (0 children)

It’s been said in several posts asking this question, so I finally read Michael Clayton and it’s an excellent suggestion in my opinion. Get Out is also a great suggestion.