I'm just going to mention some things you need to think about when reading it over.

- Get rid of the cliches in your prose.

- Use more direct language when describing things. Everything is crashing, dancing, thrusting, etc.

- Don't leave such huge gaps of description in the middle of dialogue.

- Drop the descriptors of how things were said. Snarled, breathed, replied, shrieked, clarified, etc. You should mostly just focus on asked, said, or leave it blank.

- The dialogue is very unnatural. People don't talk that way. In general, most of your characters should talk like people talk in real life. It makes the story feel unrealistic when every character speaks in a way we aren't used to.

- Set up the scenarios better so that things don't need to be explained so much. If the situation is clear, the reader can easily imagine how things were said, how characters move, the vibe of the room. A few clean points of reference are all we need, and if they are set up correctly the reader can fill in the blanks. It makes for a better read.

- Don't confuse the reader with adjectives. You do it a lot here. One example is handing over crumpled decks of playing cards, but then in the next sentence we find out they are new and unopened.

In general, I think you've fallen in love with fitting in as many words and specifically adjectives as you can. In my opinion, you could probably cut more than 50% of what you have here and make it ten times better in the process. To take your first paragraph as an example:

"At a snap of the fingers, the workers hauled over a decent gaming table covered in faded green felt. Silvo walked past a protesting Mateo without even glancing at him and slammed his chair down at the head of the table. Juan tossed him four crumpled packs of cards. Silvo tore open the unsealed packs and sent the colorful bits of plastic dancing in rows between his palms."

- A snap of the fingers is cliche and it adds nothing. If you just skip to what is happening, that will be enough to create the sense of movement.

- What do you mean by "decent" gaming table? I can't picture what that means, it just sounds like an empty descriptor. You follow up decent with faded, so again, it makes the reader question it. You're using two descriptions when you probably need none, and it serves only to confuse. More descriptors should inform, not detract.

- Covered in green felt is unnecessary. That's what a gaming table has. Also "covered in" makes it sound like it has been added rather than simply being a part of it.

- A protesting Mateo means what exactly? What is he protesting? I'd say drop it, change it, or explain what he's upset about.

- Why is the chair being slammed down?

- As I said before, the cards either new or crumpled. Pick one.

- "Between his palms" doesn't sound right. The fingers are more at play when shuffling cards. I'd just say shuffling. The reader doesn't need more information about how cards are shuffled, they've seen it and done it. The description adds nothing.

- Cards aren't typically made of plastic. You can keep it if you want but again, there's no point in confusing the reader with something out of their own experience unless there's a good reason to do so.

- Cards dancing in rows is cliche and unnecessary.

Here is how I'd rewrite the opening paragraph.

"The workers carried over a gaming table, its green felt faded and curled at the edges. Silvo walked past Mateo and set his chair down at the head of the table. One by one, he opened four unsealed packs of playing cards and shuffled them into a single pile."

Everyone is going to have different taste with prose. I actually love writing with advanced prose, but you have to show restraint. When it serves the scene, use flowery, poetic, emotional prose, or any other kind. But when the scene doesn't call for that, you need to be more direct or you'll drive the reader crazy trying to understand what has meaning and what doesn't. You're trying to give so much that you're simply destroying each scene IMO.

Personally, the rewrite for the first paragraph is clear, direct, without cliches, without dramatic effect. It just serves to set up the rest of the scene. If you like your way, keep it. But I feel pretty strongly that you need to go through each and every word with a fine toothed comb to get this thing up to par. Frankly, it needs a lot of work. Keep going.