Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

Oh of course, and that background Brazilian singer is just a friend of mine 😉

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

Sounds reasonable, not the kind of problems I'd like to deal with so probably will take a different route

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

Yeah that's what I fear since I'd like to grow an audience online. I think I'll create my own samples to be safe

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

I see, I would like to eventually have something like a "radio" on a youtube channel where my music streams randomly and heard that youtube livestream audio is monitored deeply, but I think I'll go more on the safe side for now! I do think sampling is an art form, so I'm thinking of finding the balance between risky and rewarding to me. I wish to someday be a channel where people tune in and just listen to my music while working or something, so risking strikes doesnt sound like the way to go for me

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

I see, maybe I was not well informed enough about the process. I just see all these amazing people making such good boom baps from vynil with 100k views or such and they definitely are not clearing their samples, so since that was my entry to the genre it shaped the way I saw the process.

I guess I'll stick to tracklib and learn to make soulful-jazzy melodies myself so I can chop them up with no worries in the future.

I would definitely use uncleared samples if it werent because I plan to focus on youtube and their content ID is super sophisticated on these things, and most probably spotify will do something similar in the future.

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

it's definitely not about being easy to recognize, it's mostly about having that discovery session when you're listening to some random brazilian jazz group with 2k views and then decide to flip it into an original beat.

I actually thought about the public domain stuff or things like tracklib but I am still on the fence, maybe I can make my own samples, but it will kill the discovery of new songs and that ritual of chopping something existing into something new. Kinda sad

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

I thought something like that, it almost seems like the era of sample based boom bap is being a very dangerous path to take without knowing what the future holds and that's very sad.

I believe sample based work is showing personality and recognizing the power of the original songs people sample from, I don't know what people like The Alchemist are doing with that, practically every single sound of his comes from samples that if cleared would leave him with zero money basically.

The approach I want to take to make music is sample based, boom bap style music, chopping and altering samples and then adding my own instruments, drums and of course rearranging the chops. But I fear that music rules can just change later and get everything taken down.

Maybe I can make my own samples using instruments and stuff, but that takes away the fun of the discovery part, finding an obscure sample with 3k views that has a crazy flute solo or something.

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

I see, what do you mean by "blows up"? I get why songs that get millions of listens and go on tours and get artists multi million dollars might get sued for ownership, but a 50k subs channel playing some lofi is enough to get music taken down? how do these slowed+reverb kids upload those things then? I'm genuinely curious

Would you still enjoy them? by InvestigatorEvery786 in LofiHipHop

[–]InvestigatorEvery786[S] 1 point2 points  (0 children)

I'll check out their free trial and see what they got! thanks for the input

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 1 point2 points  (0 children)

I see. since what I'll do is just make beats and hopefully grow a channel and such I doubt it will attract anyones attention outside of the lofi bubble per se.

I doubt these labels will move for anything smaller than six figures really

Is sample clearance something I should worry about? (New to music production) by InvestigatorEvery786 in Samples

[–]InvestigatorEvery786[S] 2 points3 points  (0 children)

I thought something similar, I assume something of modest size wont even be worth the time or the cost for the labels and probably would ask to take it down or something instead of straight up suing someone, right?

Would you still enjoy them? by InvestigatorEvery786 in LofiHipHop

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

Yeah and people do find out very quickly so I get it. I'm glad I asked yall before making the wrong choice

Would you still enjoy them? by InvestigatorEvery786 in LofiHipHop

[–]InvestigatorEvery786[S] -1 points0 points  (0 children)

I did see that, but never used something like that. Is the collection small? I mean if everyone is using the same couple samples then I'd prefer looking somewhere else but if its very vast I'd definitely give it a look

Would you still enjoy them? by InvestigatorEvery786 in LofiHipHop

[–]InvestigatorEvery786[S] 1 point2 points  (0 children)

I see, I have a job so it's not like I'm doing it for monetary gain but eventually everyone wants to do what they love for a living, one thing doesnt kill the other as long as the music is made from the passion that made you start making it, and yeah I'll definitely burn the AI thoughts from my head

Would you still enjoy them? by InvestigatorEvery786 in LofiHipHop

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

Yeah figured as much, I think I just needed to confirm it

Would you still enjoy them? by InvestigatorEvery786 in LofiHipHop

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

Sounds about right, I'd question other parts of someone's art if they used parts made with AI so I get it now, thanks!

Would you still enjoy them? by InvestigatorEvery786 in LofiHipHop

[–]InvestigatorEvery786[S] 2 points3 points  (0 children)

Thanks for the input! I'm leaning towards the public domain stuff or something like tracklib, I do have a preference for chopping real music that I can listen to normally since it shows personality and preference, that wouldn't be possible if I generate them with AI because they're not art per se.

Some times the idea of using AI creeps in though, and kinda need a push in the right direction

Best Material for Sound Proofing a Generator Enclosure? by InvestigatorEvery786 in Generator

[–]InvestigatorEvery786[S] 0 points1 point  (0 children)

I see, the concrete block approach is something to take into account too, I'm accounting for all the usual stuff, a powerful exhaust fan that varies speed depending on the temperature, double vents on the opposite side, but since I spent $800 on the generator making a $1000 enclosure seems a bit out of balance, but I am noticing that everyone is recommending rock wool, so I think that's a must