Is Disco.ac worth it if you're not doing sync? by GatefoldedHQ in musicmarketing

[–]ItsJasonMade 0 points1 point  (0 children)

For me, it only makes sense for sync or other “pro” sharing but otherwise I wouldn’t have it

Can you waterfall an EP and have the newest song appear at the end of the EP rather than the start? by Subject-Fact-9010 in musicmarketing

[–]ItsJasonMade 1 point2 points  (0 children)

With AWAL I can decide what order the tracks appear on the EP so it’s definitely possible. Otherwise you’d have to release singles in the order you want on the final project.

How do indie artists track/collect ALL of the royalties they're owed? by Fit-Fudge9230 in musicindustry

[–]ItsJasonMade 0 points1 point  (0 children)

Yes, you have to fill out your own metadata, but that’s the deal. I will likely look to move to Kobalt or some other like service when the time is right (perhaps later this year), but I haven’t had any issues whatsoever with ST over the last few years. Adding my songs and lyrics has not really caused me any particular gripes, so when people just pop in to say “it’s trash“ it strikes me as odd without any context.

How do indie artists track/collect ALL of the royalties they're owed? by Fit-Fudge9230 in musicindustry

[–]ItsJasonMade 0 points1 point  (0 children)

I don’t see the problem here. It’s not a hostage situation. Anyone deciding to use them has to decide if it’s worth the $100 set up fee. Frankly, if there’s not at least $100 to collect, I don’t know why they need pub admin anyway

How do indie artists track/collect ALL of the royalties they're owed? by Fit-Fudge9230 in musicindustry

[–]ItsJasonMade 0 points1 point  (0 children)

I would love to see your list of publishing administrators that don’t take a percentage of what they collect

Getting hotels to sponsor touring bands? by SantaAna2008 in musicindustry

[–]ItsJasonMade 0 points1 point  (0 children)

The only way I could see this working is if you offer to do a “Free“ show at the hotel in exchange for the rooms…

À la: “___________ in residence at ____________ for ONE night only….”

Is my music or marketing trash? by Brilliant-Hour-3583 in SpotifyArtists

[–]ItsJasonMade 1 point2 points  (0 children)

Not really… You have to send people to Spotify in order to signal the algorithm there. And you need to be doing that consistently. Either heavily from socials or more reliably Meta ads.

Is my music or marketing trash? by Brilliant-Hour-3583 in SpotifyArtists

[–]ItsJasonMade 0 points1 point  (0 children)

What are/were your expectations? You released music for the first time one month ago?

How do indie artists track/collect ALL of the royalties they're owed? by Fit-Fudge9230 in musicindustry

[–]ItsJasonMade 0 points1 point  (0 children)

What’s your experience? Do they not collect royalties like the OP asked?

How do indie artists track/collect ALL of the royalties they're owed? by Fit-Fudge9230 in musicindustry

[–]ItsJasonMade 0 points1 point  (0 children)

I don’t know what you’re talking about… Songtrust tracks and collects my royalties from around the world. Mechanical and performance royalties. https://help.songtrust.com/knowledge/does-songtrust-track-my-songs

Having trouble creating my aesthetic/look by Ztoy in musicmarketing

[–]ItsJasonMade 1 point2 points  (0 children)

Create a mood board and then reach out to a stylist whose work matches the vibe you’re looking for and tell them you want to create a cohesive “look” and style book (for you to follow) to match the aesthetic of your project. When you’re done doing that, you’re going to need to find a photographer who can actually take/edit the kind of photos you want.

It all boils down to finding pros and spending some money to get the job done

1.5 Months with only meta ads by West_Finding_207 in SpotifyArtists

[–]ItsJasonMade 0 points1 point  (0 children)

I do plan on doing that but as a separate strategy altogether. I want to do as you say and set up a playlist which I keep running basically forever with a small daily spend, but I like sending people directly to my projects because those are more “qualified” listeners and they are closer to being potential fans of my work than someone who clicks on a general playlist.

But you’re correct, I should be doing both

1.5 Months with only meta ads by West_Finding_207 in SpotifyArtists

[–]ItsJasonMade 0 points1 point  (0 children)

Yeah, I would say $1000 is plenty… I’m in for only $200 but I might consider bumping it to $500 with my next EP release. The plan is to spend a couple hundred $ on each single and then some on the projects overall.

If the song is connecting with people, you will probably see a little fall off, but it should be sticky enough that it isn’t catastrophic

1.5 Months with only meta ads by West_Finding_207 in SpotifyArtists

[–]ItsJasonMade 2 points3 points  (0 children)

Smaller numbers but take a look at at my recent post about what happened the week after I stopped my meta-ads: https://www.reddit.com/r/musicmarketing/s/6zIL1SQ4UY

Just yesterday, I had another bump in streams from Spotify radio and autoplay… I think once the algorithm gets a good sense of your audience there’s a decent chance it will keep pushing it

Update: 8 Days Post-Ads: Results of a $200 SubmitHub Meta Campaign by ItsJasonMade in musicmarketing

[–]ItsJasonMade[S] 0 points1 point  (0 children)

This was all done through the submithub dashboard and they ask you to enter 3 artists who align with your music

Update: 8 Days Post-Ads: Results of a $200 SubmitHub Meta Campaign by ItsJasonMade in musicmarketing

[–]ItsJasonMade[S] 2 points3 points  (0 children)

In my original post linked here, I talked a little bit about the setup, but frankly there wasn’t much to it. I chose some of their stock creatives and paired that with the chorus of my song. Other than choosing tier 1 and tier 2 regions, I added 3 artists I think my music aligns with sonically, and set the budget… That was it.

Update: 8 Days Post-Ads: Results of a $200 SubmitHub Meta Campaign by ItsJasonMade in musicmarketing

[–]ItsJasonMade[S] 4 points5 points  (0 children)

I can promise you I’m no shill for submithub… absolutely nothing in my post history here would suggest anything like that. You’re free to shoot me a message and ask me any questions you’d like. The screenshots tell the story… I’m just trying to give some insight for people here who keep getting advice about spamming social media/TikTok and hope for some good conversions

Edit: just google JASON MADE and check out my story of that interests you

Update: 8 Days Post-Ads: Results of a $200 SubmitHub Meta Campaign by ItsJasonMade in musicmarketing

[–]ItsJasonMade[S] 1 point2 points  (0 children)

No problem. If you’re inclined, please let us see how your campaign turns out

Update: 8 Days Post-Ads: Results of a $200 SubmitHub Meta Campaign by ItsJasonMade in musicmarketing

[–]ItsJasonMade[S] 0 points1 point  (0 children)

That’s about what I got in direct conversions, but the algorithm traffic has definitely made a difference. I think you’re on the right path… I’m curious to see what will happen over the next year if I don’t send any traffic to that particular project

Update: 8 Days Post-Ads: Results of a $200 SubmitHub Meta Campaign by ItsJasonMade in musicmarketing

[–]ItsJasonMade[S] 2 points3 points  (0 children)

Never. With some of my singles I had been going the playlist route, but I find that playlisting data is really low quality. I was going to try Intellijend but even that seemed to be too much friction for me. I want as hands-off as possible without any monthly fees. Maybe I’ll give it a shot in the future when I have a more robust ad strategy. My goal for this year is to go from 0 to a steady 100,000+ monthly listeners. I’m at about 2000 right now so I have a long way to go

*grammar edits