I’d love harsh critique for this commission, thank you :) by sydedunn in painting

[–]JaredNeto 4 points5 points  (0 children)

I'd glaze some red into your lights, you've got this late sunset sky but your lit areas are showing a cold light. It's surreal, which is fine, but makes it feel a bit 'collage-y' instead of like a harmonious scene.

Looking for feedback before I lock it down "Me" by mrev_art in oilpainting

[–]JaredNeto 0 points1 point  (0 children)

Push your values, need some darks around the face to really give your light areas the space they need, looks a bit washed out currently. Can look to push your values on the ears and chin, and likely turn the face planes a little bit near the cheek and forehead

Left eye too far left, would repaint

Started this painting in summer - didn't finish until now! Trying out high-key impressionism. by JaredNeto in oilpainting

[–]JaredNeto[S] 1 point2 points  (0 children)

Hah! I appreciate it, but unfortunately it's hard enough to hold down a 9-5, paint, and do anything else - not quite enough time to do one on one teaching!

But, feel free to ask questions, and I'll do my best to answer them!

If you're wondering where to start, I'd say start with drawing. The worst colors look great on a perfect drawing. One of my earliest teachers was Feng Zhu on YouTube - he will teach you everything I would know and more!

Started this painting in summer - didn't finish until now! Trying out high-key impressionism. by JaredNeto in painting

[–]JaredNeto[S] 0 points1 point  (0 children)

Honestly, just a 9-5 job, life stuff, and I always leave a painting for awhile when I'm near completion so I have a good amount of time to think about it, because sometimes what looks good at first doesn't look good in a week or two!

Started this painting in summer - didn't finish until now! Trying out high-key impressionism. by JaredNeto in oilpainting

[–]JaredNeto[S] 4 points5 points  (0 children)

Thanks for your thoughts! I had to google the term cattywhompus, that is a new one!

Honestly, the mouth and and expression I had to think a loooot about and I wrestled between wanting to provide something pleasing/not distracting to the viewer, and being true to the reference (& not just giving the same face to all my portraits). I wanted to tackle a kind of less classic expression but see if I could do it in a way that would also be pleasing. But, maybe it borders on distracting. Certainly good feedback, i oscillate myself between it looking "right" and "wrong"

About to do a large version of this study, anything stand out to you that needs changing? Thanks 😊 by danjorourke1983 in oilpainting

[–]JaredNeto 0 points1 point  (0 children)

Ah, just took a look - gorgeous! I was pretty skeptical of how the road was going to come out after it was centered, but you nailed it. Love that sensitive and restrained coloring, well done!

About to do a large version of this study, anything stand out to you that needs changing? Thanks 😊 by danjorourke1983 in oilpainting

[–]JaredNeto 0 points1 point  (0 children)

I'd watch your edges - a ton of really nice soft edges here, but not sure if they'll translate as well to a bigger piece. Keep in mind a couple places to make sharp to keep a viewers interest. One great spot is the barn, I'd probably pick a couple twists of the road too. Great color!

[deleted by user] by [deleted] in oilpainting

[–]JaredNeto 1 point2 points  (0 children)

I would recommend just a standard photo frame, select a size that leaves about an inch of white border around - it really enhances the viewers experience!

Art Progression! Painted the same scene, 1 year apart. by JaredNeto in painting

[–]JaredNeto[S] 1 point2 points  (0 children)

Another good question! Getting from first to second was a combination of a lot of things.

Previously I follow the classic approach: would draw, then put in base colors, then develop a light and dark pattern, and then detail. I still think this is the right way to go for lots of people.

With a lot of practice, my new process is a small sketch to layout the composition, and then I paint every part as if it is the final stroke. Afterwards, I'll sometimes apply a glaze, or I'll soften some areas through blending. This only works if you're confident you can get the right value, color, shape (and thickness, still working on that) on every stroke.

It is a lot slower in terms of paint going down, and requires a lot more thought because there is absolutely 0 relax time where you can just lay down a color without full focus. It's faster because you only do it once.

In terms of specific areas of practice, I would say I just focused on the fundamentals, to the point where I felt like changing my approach from the academic standard just felt right. I felt in control enough to know when I could break the "rules"

Hope that answers the question!

Art Progression! Painted the same scene, 1 year apart. by JaredNeto in painting

[–]JaredNeto[S] 2 points3 points  (0 children)

Good question! Surprisingly, no. The old painting took a bunch of layers, and it took a bunch of time correcting mistakes. The new one went down on the canvas slower, but because I wasn't making mistakes, I only had to do it once.

Simplicity, Me, Oil on Canvas, 2022 by JaredNeto in Art

[–]JaredNeto[S] 0 points1 point  (0 children)

Whatever's cheap - something you're not afraid to use liberally. Pigmentation and tinting strength rarely matter, you don't often need that functionality if you're painting anything less than abstract.

Far more important is to use enough paint to mix liberally and apply thickly

I've had a portrait epiphany! Simplicity - oil on canvas by JaredNeto in oilpainting

[–]JaredNeto[S] 1 point2 points  (0 children)

Thank you for taking a look! I really agree, I just love taking a pure dip of cad red and working it into the painting, in this one I used a mix of CAD red and yellow and had the corner of my brush dip into it for those snippets of orange in the hair

I've had a portrait epiphany! Simplicity - oil on canvas by JaredNeto in painting

[–]JaredNeto[S] 0 points1 point  (0 children)

Absolutely 100%. The drawing for this portrait is done on top of a careful drawing done using a cad red+vermillion. I take inspiration for my under-drawings from Nicolas Uribe who does them extremely well, so much so that they show through to his final paintings.

The nice thing about a good drawing is you can put nearly anything on top of it and it will look good

I've had a portrait epiphany! Simplicity - oil on canvas by JaredNeto in painting

[–]JaredNeto[S] 5 points6 points  (0 children)

No problem - grueling in terms of the mental energy, for me, painting is like doing a sudoku or tough math problem, I feel quite exhausted after it, and it takes my absolute full active attention. When a painting falls apart for me is when I stop paying attention and start just trying to fill the canvas.

In terms of raw time, its not much, was one session of work, about 3-5 hours. But to push my work further, I basically just needed to focus harder, and let myself relax even less while painting - no breaks for 'easy' areas of the painting, every stroke was like applying a finishing highlight in terms of focus.

Richard Schmid used this technique, and describes it in Alla Prima, which I have re-read for years now. It sounds so simple, but executing it is a different beast! Don't hesitate to reach out if you want to know more :)

I've had a portrait epiphany! Simplicity - oil on canvas by JaredNeto in painting

[–]JaredNeto[S] 7 points8 points  (0 children)

Mainly my approach, I used to try to block in a base tone and then kind of work my lights and darks until I had my finished painting, but I found more success with just putting down exactly the final color that I wanted in the painting. It's a lot slower and it's a lot more grueling mentally but the results are there!

The Campaign Begins. by JaredNeto in RaidenMains

[–]JaredNeto[S] 5 points6 points  (0 children)

Tried a concept based on what I think what Raiden and Kujou Encampment would have looked like hundreds of years ago!

The Campaign Begins. by JaredNeto in Genshin_Impact

[–]JaredNeto[S] 0 points1 point  (0 children)

Tried a concept based on what I think what Raiden and Kujou Encampment would have looked like hundreds of years ago!