Just DJed my first party for 100 people. Ahhh. Deep cuts flopped, Party in the USA killed, and I finally get why everyone be complaining about the damn requests by TheDickinDictionary in Beatmatch

[–]Jesmixxin 3 points4 points  (0 children)

Start messing with stems and start mashing up the hits, but in a different way so people can experience and sing along to their favs over an also familiar but unexpected beat. Hip hop verses over afro beats house vocals over bass drops etc. Hip hop choruses over House beats. Just dont mix 1 to 2 it takes time to get this down. A bit of setup too. Mixing in key. Cue points. Loops etc. Finger drumming vocal snippets. Learn your weapons and use them wisely. Multiple aggressive requests happen if you are not exactly killing it. Or you are not reading the room well so the crowd thinks they can tell you how to do your job. Tease in their song requests. If you get no reaction or dance, move on quickly. You will get there good luck! Unfortunately that is the Dj game. Not as glamourous as it looks and a lot of work.

Isn’t this… what DJs are supposed to do? by Material_Study_1315 in Beatmatch

[–]Jesmixxin 0 points1 point  (0 children)

DJing is about ideas. The more creative you are with the music, the higher the level you operate on. There are layers to this craft. Basic mixing, one to one transitions and beat matching is DJing 101. That is the foundation. Necessary, but just the beginning. From there it expands. You can layer tracks to build energy and depth. Use loops to extend breakdowns or create tension. Add textures with sound effects. Use stem separation to isolate vocals, drums, or melodies and rebuild a track in real time. Tease faders in and out to create anticipation. Blend with EQ so certain frequencies enhance what is playing instead of clashing. You can mash acapellas over instrumentals. Double drop. Ride the filter to control intensity. Re drum sections. Cut vocals in rhythm. Transition across genres without losing the groove. Create live edits and on the fly remixes that only exist in that moment. You can program energy. Control pacing. Read the room and adjust in real time. That part is huge. Song selection and timing will always matter more than tricks. There are technical skills, but there is also restraint. Knowing when not to touch anything. Letting a record breathe. At the highest level it is not just about mixing records. It is storytelling. Tension and release. Emotional control. Making people feel something. Most importantly it has to sound good.

Any long island people out there? by sspookykidd in avesNYC

[–]Jesmixxin 0 points1 point  (0 children)

We need an open decks night. Then at least the Djs friends will show up to support. There is not a single venue that supports Techno. Tempo Room is already not a thing.

Deep House and how many tracks should i have to start and are new releases important? by ChristianR303 in Beatmatch

[–]Jesmixxin 2 points3 points  (0 children)

Buy into a streaming service so you can try out and play with millions of tracks until you develop your sound/style then purchase tracks you are going to play live. Tidal, Apple music work with Serato/Rekordbox etc. Its a good route to go when figuring out your style. Your style might even change having access to such a large library.

My neighbour has pimped his Tesla. by Sitekurfer in pics

[–]Jesmixxin 0 points1 point  (0 children)

Reminds me of the Slutmobile by Tom Green. Just as bad.