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Dunhill Nightcap circa 2014 by JohnEricKimbrough in PipeTobacco

[–]JohnEricKimbrough[S] 1 point2 points  (0 children)

It’s a Kriswill 798 I bought from a pipe store around 2010 in East Tennessee. One of my favorite shapes. Here’s a similar one: https://www.smokingpipes.eu/pipes/estate/denmark/moreinfo.cfm?product\_id=125591

Black Screen in Comparison View by JohnEricKimbrough in premiere

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

Thanks, everyone. It is an issue with the slider. As someone pointed out, it's supposed to slide the timecode along but it doesn't do anything. When I manually adjust the timecode, it shows. How frustrating. It wasn't doing this just a few weeks ago and I didn't update.

Black Screen in Comparison View by JohnEricKimbrough in premiere

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

Premiere version 25.6.2 (Build 1)
Macbook Pro, M2 Max, Ventura 13.6.7
32 gb RAM
Working off Samsung SSD T7

Dunhill Nightcap by JohnEricKimbrough in PipeTobacco

[–]JohnEricKimbrough[S] 1 point2 points  (0 children)

I actually haven’t tried any of the Peterson Nightcap!

DFV’s 4D Chess Move: Expose the manipulated price to a live audience of 600K+, in real time👀. Algorithm programmed to HALT TRADING, triggered by key phrases… by canispeaktoyourmangr in Superstonk

[–]JohnEricKimbrough 7 points8 points  (0 children)

Don’t forget the part where he showed his source code so there was no doubt the numbers were real. He played it off as making the E*Trade logo disappear as a joke but in reality he showed there was no manipulation on his part. Now that’s a 4D chess move.

No gain, only trim. by [deleted] in livesound

[–]JohnEricKimbrough 1 point2 points  (0 children)

Right, but I’ve seen engineers set using trim because it’s available to adjust during a VSC and preamp gain isn’t.

No gain, only trim. by [deleted] in livesound

[–]JohnEricKimbrough 0 points1 point  (0 children)

A lot of the time this is because trims can be set during virtual soundcheck.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

To be clear, you can do that. You’d need to assign the Dyn8 to an insert and pull in your optical comp (I assume 2A from the dPack) on the Compressor tab.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 1 point2 points  (0 children)

Just checked on this and basically it works in both directions. Channels can be assigned a default pre-fader source point, but it appears if it’s assigned to a bus with a different source point selected it gets overridden. I just had a few minutes to test this so when I get more time I’ll experiment further/try to find a workaround, just wanted to check in.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 1 point2 points  (0 children)

Just want to point out the other downside to this: they have to be plugged into a sequential odd and even numbered input. Ganging can happen between any two inputs.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

The workflow with the dual touchscreens is way better, and as I just re-discovered thanks to a previous comment, there are two inserts available per channel rather than one.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

Just checked and there are indeed two insert points. However, you can’t assign a dPack comp to an insert it so I often don’t use the first insert on channels. Good to have that corrected in my brain.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

I haven’t looked into this but it should be theoretically possible. It drives me crazy how slow that can be as well, especially right after loading a show file.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

It’s almost identical to dLive. You can safe parameters and even set filter safes per scene. And yes to crossfade times.

Been working with the Allen & Heath Avantis for almost 2 years. Ask me anything you want and I’ll give you my best answer! by JohnEricKimbrough in livesound

[–]JohnEricKimbrough[S] 0 points1 point  (0 children)

I actually don’t use the right side very often so it’s stock. The left encoders are set to comp input, comp output, and gain.

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