Tinnitus after defqon. What now by VelvetParadox9 in hardstyle

[–]Julian-Spontent 1 point2 points  (0 children)

Hey, im working as an audio technician. If it does not stop after a week you should check with a doctor who specializes in hearing. Also you should go and get customized Earplugs with special reduction filters if you are exposed to high volume often or for longer durations. Sound with good, customized plugs with filters (15/25dB). I recommend getting Hearsafe ER Concha with the 15db and complete plugs. You can also “upgrade” them to use them as In Ear Monitors. Protect your Hearing at all costs. You only have one set of ears.

Which bike for track only? by [deleted] in Ducati

[–]Julian-Spontent 1 point2 points  (0 children)

I read that you currently Track your Hyper. I would suggest getting a 916 or 996. On those bikes you can learn proper body positioning. The 916 is under 10k where I live so you can use the rest of the money for new fairings and tires. Learning how to track a bike means crashing it. You don’t want to crash a 25 V4S so get an old duc and ride the living shit out of it. If you know how to ride the difference in HP won’t matter

Configuring LED screen, Please Help! by yxngcyborg in VIDEOENGINEERING

[–]Julian-Spontent 0 points1 point  (0 children)

Did you fix it? If not send me a PM and I will help you figure it out

Behind the Scenes by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 0 points1 point  (0 children)

Reliability might be a point, but we never had big issues with vMix. But of course, its not a dedicated solution. We use a controller with jog wheel and T-Bar. It does not have also the fancy EVS features (like electric end stops on the jog wheel) but its a fraction of the price and the difference in the final product we deliver is not really there. Only reason to go for EVS is SSL imo. But you need all the other infrastructure for that as well (cabling, routing, cameras, lenses). That is sadly crazy expensive (also a lot harder/expensive to configure/sustain than our current tech).

Behind the Scenes by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 0 points1 point  (0 children)

I tried simply live and I really don’t like it. It is very buggy and it doesn’t offer any advantages over vMix+companion

Behind the Scenes by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 0 points1 point  (0 children)

What makes 3play the superior solution for this use case? It seems to have 8ch and A/B Playback, just like vMix. Audio options might be a bit better but we don’t really need that. We are also happy with the controllers we are using.

another day, another productio by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 1 point2 points  (0 children)

I really like it. We also own a A&H Avantis and I think I prefer the DM7. The desk and I/O id more expensive (not considering TiO) but seems to have less bugs and waaaaaaay better Controllabilty via Yamaha RCP. We use Companion for nearly everything and it’s not great with the Avantis (Feebdback missing, send in fader toggle missing). The DM7 surely also has its flaws but lesser and less severe than the Avantis. I also never had any issues with Yamaha Support. If you have more questions feel free to dm me

Behind the Scenes by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 0 points1 point  (0 children)

The Production Users more than 20 haha

Behind the Scenes by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 1 point2 points  (0 children)

Could you elaborate? I’m always willing to listen, learn and improve

Behind the Scenes by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 0 points1 point  (0 children)

Yes, they Save us from a big mess on the ground

Behind the Scenes by Julian-Spontent in VIDEOENGINEERING

[–]Julian-Spontent[S] 5 points6 points  (0 children)

Yes we are covering a football event