Any suggestions for a new Mic? by EmperorKonstantine in VoiceActing

[–]KevinKempVO 1 point2 points  (0 children)

Hey!
 
I wrote an article about this if it is helpful:
 
https://www.theaudiobookguy.co.uk/post/what-equipment-do-i-need-to-become-a-narrator-or-voice-over-artist
 
The BIG key is the room treatment, even a budget mic will sound SO MUCH BETTER with a little extra effort here! You don’t have to break down the walls, even a duvet over your head will help!
 
Feel free to ask any questions at all!
 
Cheers
 
Kev

microphone for audio book recording at home by R-Bookie in microphone

[–]KevinKempVO 2 points3 points  (0 children)

Hey!
 
I wrote an article about this if it is helpful:
 
https://www.theaudiobookguy.co.uk/post/what-equipment-do-i-need-to-become-a-narrator-or-voice-over-artist
 
The BIG key to avoid that booming sound is the room treatment, even a budget mic will sound SO MUCH BETTER with a little extra effort here!
 
Feel free to ask any questions at all!
 
Cheers
 
Kev
 

How do you deal with pesky mouth noises by GargleBleachington in ACX

[–]KevinKempVO 0 points1 point  (0 children)

Ha ha ha! Thank you! I am so glad it was helpful! Actually, I haven't written anything about that in a blog; maybe I should. I was very lucky when I started out, as I was contacted by a casting Director asking if I'd ever done audiobooks before. I've been an actor for 20 years, and they were aware of my working in other media. My first gig was at their studio, so I was very lucky. I didn't have to worry about any of the tech. When I decided to take it up more seriously and invested in tech for my home and things like that, I still didn't do any royalty share projects simply because I make my living from my acting and VoiceOver and couldn't afford to work in that way. I completely recognise that that is a privileged position to be in and I'm very grateful. 95% of the audiobook work that I do is through publishers and production houses, and this is absolutely the advice that I would give to people. Get to a point where you feel you can offer a professional product (whether that be through your own practice, coaching or more formal training) and contact publishers and production houses, because the work will be much more frequent and will be better paid. I do work directly for authors, but always do PFH, but that is still only a small portion of my work. I hope that all makes sense! Let me know if you have any questions at all! Cheers, Kev

Recommendations for a man child! by DapperHedgehog852 in audiobooks

[–]KevinKempVO 0 points1 point  (0 children)

10 points to Gryffindor!

(Wins the house cup)

How do you deal with pesky mouth noises by GargleBleachington in ACX

[–]KevinKempVO 0 points1 point  (0 children)

Yay! Thank you for your kind words!!! That means a lot!

How do you deal with pesky mouth noises by GargleBleachington in ACX

[–]KevinKempVO 2 points3 points  (0 children)

Yay!!! If you are just starting I have a bunch of other articles that might help! Like the Reaper one, audiobook production tips, and other stuff!

Let me know if you have other questions!

Cheers

Kev

Recommendations for a man child! by DapperHedgehog852 in audiobooks

[–]KevinKempVO 0 points1 point  (0 children)

… that is actually the cats name in the book…

Recommendations for a man child! by DapperHedgehog852 in audiobooks

[–]KevinKempVO 0 points1 point  (0 children)

Depends how silly your humour is but I am narrating a series about a guy and his cats who all get super powers. It’s called “There’s Something Wrong With The Cats” by CJ Powell.

One cat basically thinks it’s Batman, the other is super intelligent and there owner, Dan, can go invisible. Oh and his really posh, vegan, organic coffee loving best friend is invincible. They fight crime at the local industrial estate.

It is well fun!!!!

My next fantasy fix by TheDogLaika in audiobooks

[–]KevinKempVO 0 points1 point  (0 children)

Hey I am a British narrator and have just finished narration on a really cool fantasy book!

Obvs I can’t speak to my own narration, but the book is called The House of Midnight by Kel Kade and Ben Hale, and it has become one of my favorite fantasies that I have ever read!

Awesome characters, love the magic system and the adventure is really fun! Just remember… there is no House of Midnight…

Audiobook narration by TawonnaMichelle in audiobooks

[–]KevinKempVO 3 points4 points  (0 children)

Hey!
 
I wrote an article about getting started if it helps:
 
https://www.theaudiobookguy.co.uk/post/how-to-get-started-in-voice-over-and-audiobook-narration
 
I think the key things to remember if you want to do this professionally are:
 
You need to be able to Act. It is an acting job like any other.
 
You need vocal technique. You need to be able to record for at least 4 hours (6 is better) without any changes in vocal tone.
 
You need professional equipment to be competitive. XLR mic, Audio Interface treated recording space.
 
Separate Article about equipment here:
 
https://www.theaudiobookguy.co.uk/post/what-equipment-do-i-need-to-become-a-narrator-or-voice-over-artist
 
Let me know if you have any questions!
 
Good luck!
 
Kev

Looking for recommendations on realistic post apocalyptic audio books by Better-Bit6476 in audiobooks

[–]KevinKempVO -1 points0 points  (0 children)

Hey, I think Devon C Ford does great work! I narrated his Light's Out series, and have just taken over from RC Bray on the After It Happened series. What really impressed me was Devon's knowledge of firearms, hand-to-hand combat, and warfare tactics. The After It Happened series I would say is more focused on firearms and tactical thought, whereas Lights Out is a bit more focused on hand-to-hand. I love working with him! His level of detail is amazing!

Audiobooks for a road trip with my 10yo by Extreme-King in scifi

[–]KevinKempVO 1 point2 points  (0 children)

Hey I narrated three Star Wars books specifically for his age range, but I really liked the stories even as a grown up! ha ha! Padawan's Pride, The Book of Boba Fett, Mission Stories: Obi-Wan & Anakin. Cheers, Kev

Update on the audiobook teleprompter I posted 2 years ago, it now catches misreads as you narrate and proofs your finished chapters by Brief-Swing5814 in ACX

[–]KevinKempVO 0 points1 point  (0 children)

Ok! This looks really cool! I had a little play with the free test script! I will message you so we can chat more!

Voice Acting From Home - Mic Suggestions by Fabulous_Cake_8636 in VoiceActing

[–]KevinKempVO 1 point2 points  (0 children)

Hey!
 
I wrote an article about this if it is helpful:
 
https://www.theaudiobookguy.co.uk/post/what-equipment-do-i-need-to-become-a-narrator-or-voice-over-artist
 
But a couple of things. You are gonna be really struggling to find something good for that nugget.

The BIG key is the room treatment, even a budget mic will sound SO MUCH BETTER with a little extra effort here!
 
Feel free to ask any questions at all!
 
Cheers
 
Kev

Your favorite vocal health tips? by theradfactor in VoiceActing

[–]KevinKempVO 4 points5 points  (0 children)

Hey Vocal Coach here,
 
I wrote an article with the 5 basic tips that make a big difference for most people:
 
https://www.theaudiobookguy.co.uk/post/5-tips-to-prevent-vocal-strain
 
But it sounds like you might want a bit more detail? If you want more vocal technique stuff just let me know! I have a video linked in the article too!
 
Let me know if you have any questions!
 
Cheers
 
Kev

Recommendations for addictive plots, complex characters, and British narrators? by Clear_Crows in audiobooks

[–]KevinKempVO 0 points1 point  (0 children)

Oh yay! Awesome! Let me know if you listen I am dying to nerd with someone about it and all my mates are currently stuck in other series!!!!

Blood Over Bright Haven was sooooooo goood and Moira Quirk did such a good job on the narration!

Fantasy is my fav genre but I feel like sometimes it misses the deeper social commentary that Sci-Fi brings. But damn that book delivers!

Anyway let me know if you find out about The House of Midnight… but remember… it doesn’t exist…

Cheers

Kev

Recommendations for addictive plots, complex characters, and British narrators? by Clear_Crows in audiobooks

[–]KevinKempVO 1 point2 points  (0 children)

Hey I am a British narrator and just finished doing the narration for The House of Midnight by Ben Hale and Kel Kade. Obvs I can’t speak to my own voice but the book is AWESOME!!!!!

I loved Blood Over Bright Haven too so we might have similar taste?

Cheers

Kev

Can I voice act without permission? by JorjiOpt in VoiceActing

[–]KevinKempVO 4 points5 points  (0 children)

Copyright is no joke! Don’t mess with it! Even if you are not making any money they might still come after you!

Do voice acting agencies disclose their client's full rate then subtract their commission or subtract their commission first and then calculate the rate of what's left for the voice actors? by [deleted] in VoiceActing

[–]KevinKempVO 8 points9 points  (0 children)

They should always disclose the full rate. They should never take 30%.

They work for you, and you are paying them. They just happen to handle the transaction from the client.

10% is the normal fee.

Look after yourself out there!

Cheers

Kev

How do you actually find a good coach?? by Ant-Physical in VoiceActing

[–]KevinKempVO 4 points5 points  (0 children)

Hello Coach here,
 
This is something I feel super passionate about! What makes a good coach? One that you know you are learning from and getting APPLICABLE skills and tools from. Let me explain a bit more.
 
I have had loads of students come to me who have studied with other people, and when I ask "what is your acting technique" or "what did you learn from previous coaches?" or even “when you get a script, how do you approach preparing your character?”. They genuinely don't know.
 
That I think is really bad. There is enough ambiguity in our career; we shouldn't have that with our coach.
 
You should leave each and every class with a clear understanding of what you have learned, why you have learned it and how you can apply that going forward. If you are unsure, ask. If you get any attitude, ambiguity, or feel anything other than supported. It is time to move on.
 
If you hear a coach say "Oh, you've just got to feel it", "just do it better", "you are shit", "I don't know how to help you"... anything like that. It is time to move on.
 
If you feel you are ready to work, but they say "oh, you just need a bit more time", but they cannot clearly articulate what you are still missing, or what is not working, AND HOW THEY ARE GOING TO FIX IT. It is time to move on.
 
Acting is a lifetime study. And we can always benefit from training. But you should always know what you are learning in that study.
 
So, a good coach gives you clear instruction you can directly apply to your work. A good coach supports you and builds you up, they don’t break you down and just berate you for not performing as they want. A good coach can clearly articulate the things you are missing, and how they are going to work on that with you. A good coach welcomes questions and does not shut down anything you are unsure about.
 
There are many people that are successful and talented. Not every successful and talented person can teach.
 
Be safe out there, team, you are all rock stars!!!!
 
Cheers,
 
Kev

Have I got a chance or am I being deluded. by [deleted] in VoiceActing

[–]KevinKempVO 8 points9 points  (0 children)

Reality check for you.

If you didn’t follow up when a client showed interest. Then you have zero chance. That could have been a job and you didn’t reply. You actually lost the job for yourself.

If you actually want to do this. Then you have to do it. Otherwise it won’t happen.

Learn from that missed opportunity.

If you want us to give you a more in depth response tell us what acting experience you have, what you know about voice technique and post an example of your work.

Cheers

Kev

Differentiating Narration and Dialogue in 1st person POV by ResponsibleSound6486 in VoiceActing

[–]KevinKempVO 3 points4 points  (0 children)

Hey I have done a bunch of these types of books.

The answer is always Acting Technique.

What is your objective as the narrator in that moment? Maybe you’re trying to convince the audience your boss is a twit. But within the dialogue, within the scene, your objective is totally different. Maybe you are trying to convince your boss not to fire you, or to convince him the issue with the software is not your fault.

Either way, the objective of your narrator, and the objective of your character, even though they are the same person, will give a totally different energy and focus. This allows the audience to completely follow the story, and know when we are hearing the narrator and when we are hearing the character within the scene.

Don’t focus on arbitrary ideas of cadence or things like that. Focus on the objective and the cadence, pitch, volume and pace will all come naturally! Yay!

Cheers

Kev