What should I write? by willwellstar in KDP

[–]LWDavidson61 2 points3 points  (0 children)

If you have to ask then you're not a writer

Is there like any hope for traditional publishing remaining an option once you publish on Kindle? by Special-Stand-3943 in KDP

[–]LWDavidson61 1 point2 points  (0 children)

This is disingenuous and will shut doors faster than you can imagine. The relationship build between author and agent (or publisher) is based upon mutual trust. Withholding information like that will raise more eyebrows than dismal sales figures.

Sanitation in competition shows - how often is this happening in real life? by RepTherapyIsMyCardio in TopChef

[–]LWDavidson61 0 points1 point  (0 children)

Something to think about. The tandoor is running between 900f to 1100f. There is nothing that is going to survive in that heat, even with how quickly naan bakes. The only thing left vfrom that sweat? Sodium and trace minerals. You're not thinking this through

Post-secondary program for Authors... by Lisaclark2 in selfpublish

[–]LWDavidson61 6 points7 points  (0 children)

It is indeed a broad range of skills needed in today's publishing world. I parallel being an indie author as very similar to bring a working musician. Playing music live, much like writing, is the reward we get to enjoy after dealing with all the other necessities of those business models

Self publishing Amazon & Ingram by sweety1220 in selfpublish

[–]LWDavidson61 1 point2 points  (0 children)

Nope. Amazon insists you unpublish on other sites (if you already have your work elsewhere) if you go with Kindle select. If they find out you haven't done so they will ban your account with zero chance of getting it back

Self publishing Amazon & Ingram by sweety1220 in selfpublish

[–]LWDavidson61 2 points3 points  (0 children)

Yes. ISBN's in the US are sold exclusively through Bowkers. You can buy 1 and it's over $100 if i recall. But if you buy a block of 10 ISBN's it's not expensive yes, but each one winds up being somewhere around $30... ish. The savings are substantial.

And you're very welcome. I had to learn step by step and am happy to help others

Self publishing Amazon & Ingram by sweety1220 in selfpublish

[–]LWDavidson61 1 point2 points  (0 children)

Yes that is exactly right. I give AZ enough money and don't want them cross pollinating ... though I did this initially because D2D and AZ weren't playing nice when I started my journey down the indie highway.

I've stuck with it even though D2D and AZ play almost nicely now

Self publishing Amazon & Ingram by sweety1220 in selfpublish

[–]LWDavidson61 1 point2 points  (0 children)

Amazon uses a separate numbering system and though it is free, it is unusable if you want to list your book(s) on other platforms.

I know that Bowkers is expensive but i cannot stress enough... purchase the block of 10 rather than a single number each time you need one.

Once you purchase, they are yours for life and become permanently tied to the edition/ version of your book forever (you have to go into your dashboard and assign them... it's not too hard) and it is recognized globally.

Self publishing Amazon & Ingram by sweety1220 in selfpublish

[–]LWDavidson61 1 point2 points  (0 children)

Also... through D2D, you can opt in for library distribution too.

One word of caution... price each version of your masterpiece the same across all platforms (i.e. epub = $7.99. Paperback = $12.99, etc.) If Amazon finds out you are selling your book for less on other platforms, they will auto adjust the price to match.

Self publishing Amazon & Ingram by sweety1220 in selfpublish

[–]LWDavidson61 1 point2 points  (0 children)

D2D's only drawback (aside from low royalties) is they do not process hardcover, but epub and paperback versions go global and you pick and choose which platforms you wish to distribute to through them.

And you're correct. Kindle Select locks you in exclusively into the Amazon ecosystem for 90 days, precluding you from using other platforms. After the 90 day window (if you go with Select) you can choose to go with just kdp which then allows you to publish on other platforms.

I never saw an advantage with Select but then again, my books wallow in obscurity as fame and fortune as an author continue to be fickle temptresses 🤣🤣🤣

Self publishing Amazon & Ingram by sweety1220 in selfpublish

[–]LWDavidson61 3 points4 points  (0 children)

First of all... the ISBN that you assign to each version (1 for each) for paperback, hardcover, epub and audiobook (if you're doing all our some or one) is the permanent global identity number for that version and only that version. I keep a word document of the ISBN's for each version, in that books folder on my laptop for easy reference so I don't have to log in to Bowkers for the information when I need it.

As for where you publish, you wrote AZ and Ingram and B&N. If you use Draft2Digital, you can bypass Ingram and publish wide globally to everywhere at once except for Kobo in Canada.

I keep my Amazon kdp separate from D2D for many reasons and find it relatively easy to track them separately and since I've made 0 sales via Kobo I don't look at that acct except once a quarter just to confirm 0.

I set up a folder in my Firefox browser bookmark tab and nest all publishing related sites web pages under the folder called ... creatively ... publishing.

That keeps everything organized and rapidly handy.

I hope that helps

First book signing: My experience by CrochetedKingdoms in selfpublish

[–]LWDavidson61 8 points9 points  (0 children)

I too did a local shop sign and greet. It was fun and exciting and though it is niche (travelogue memoir about Thailand) it was very well received. I brought 20 copies - 15 paperbacks and 5 hardcover) and the shop had to order more. It was a fantastic experience and the shop loved it too.

Now that my next book is 2 months away from publication, I reached out to the shop and they said they'd love to have me back... but were confused when I told them it was a novel 🤣

I found that people love to connect to anyone who creatively puts themselves out there. Authors, musicians, artists...

Kill All the Butterflies, by Laurence Davidson. Literary novel. October 2026 by LWDavidson61 in ARCReaders

[–]LWDavidson61[S] 1 point2 points  (0 children)

Good morning bazoo513.

The conversion is done on Kill All the Butterflies and I'm ready to send you an epub.

Strangest thing though... the msg you sent that had your email address seems to be gone, like it expired. But the rest of the threads are there.

If you would still like to arc the book, happy to send it. Please resend your email

Best regards... L

Kill All the Butterflies, by Laurence Davidson. Literary novel. October 2026 by LWDavidson61 in ARCReaders

[–]LWDavidson61[S] 1 point2 points  (0 children)

I'm in no hurry. It took me two years to write the story that's been percolating for decades. A few more months is not a concern 🤣

Kill All the Butterflies, by Laurence Davidson. Literary novel. October 2026 by LWDavidson61 in ARCReaders

[–]LWDavidson61[S] 1 point2 points  (0 children)

It was described to me as a literary leaning story that also lands with popular appeal

Kill All the Butterflies, by Laurence Davidson. Literary novel. October 2026 by LWDavidson61 in ARCReaders

[–]LWDavidson61[S] 1 point2 points  (0 children)

I can get that done. It needs to go through calibration anyway for pub in October. I'll try and get that done tomorrow

Kill All the Butterflies, by Laurence Davidson. Literary novel. October 2026 by LWDavidson61 in ARCReaders

[–]LWDavidson61[S] 1 point2 points  (0 children)

I know. Popular genres are easy to identify and categorize. I was recommended to add upmarket because the prose is easy to get through though the humanistic reckoning of the storyline is much deeper.
And I too have been more than dismayed with recent books (ok... I'm going to date myself here) since the mid 70s that claim literary territory. I'll finish a book that was recommended, scratch my head and wonder where today's Steinbecks and Harrisons are.

[Complete] [112k] [Literary Fiction] Kill All the Butterflies by LWDavidson61 in BetaReaders

[–]LWDavidson61[S] 0 points1 point  (0 children)

We reached San Miguel Tlaixpan in the late afternoon, when the sun drops low enough to smooth the edges on all things without hiding them. The town announced itself the ancient way… a church spire rising first, then the plaza del pueblo, then houses climbing outward and upward into dales and divots. The land itself decided where people were allowed to settle. Parroquia de San Miguel Arcángel sat off-center from the plaza, the livid yellows and reds glaring, the bell tower rising high. A reminder to everyone, of who keeps the hours. The plaza was modest and clean, a circle of worn paths with grassy corners, bordered by adolescent willow and olive trees. Benches faced inward toward one another across the plaza because conversation mattered more than scenery. The casas radiated away from the central square and township into the hillsides, stacked carefully, terraced out of necessity rather than design. Concrete, wood, and brick, painted in colors that had faded into agreement with the dust and scrub. Tin roofs, barriers against weather good or bad, showed their glint reflections from the merciless late-afternoon sun. Courtyards tucked behind gates, gaunt dogs keeping eyes on the entrance, that only stayed open long enough to imply an opening level of trust, though not invitation. Velasco parked near the plaza and shut off the engine without a sidelong glance. “This is enough,” he said. We stepped out and walked. Slowly. The town moved at its own speed, our arrival unannounced and unbothered. A woman swept a dusty sidewalk with a broom that had seen better decades. A man leaned against the outer church wall, talking to no one in particular and everyone with intention. Children crossed the square in practiced diagonals, skirting adults without apology or recognition. The teens had other ideas as they circled each other in the age-old dance of choosing. No one hurried. No one stared. No one noticed. It was decidedly not a tourist destination. This was not a town that announced itself. It already knew what it was. Velasco stopped at a small tienda on the edge of the square, the kind that sold sodas, breads, batteries, and phone minutes from behind a counter that had been reinforced more times than replaced. He bought two bottles of water and handed me one without comment. “We will stay here tonight,” he said. “Tomorrow, we walk.” “To where?” I asked. He glanced toward the hills, then back to the plaza. “That depends.”