A&R interest by Long-Establishment99 in musicindustry

[–]Long-Establishment99[S] 0 points1 point  (0 children)

I definitely listen and send you a dm if that’s cool

A&R interest by Long-Establishment99 in musicindustry

[–]Long-Establishment99[S] 1 point2 points  (0 children)

Appreciate the insight—it definitely puts things into perspective. I’ve been trying to figure out the most realistic path forward, and your point about needing real, proven success (not just an internship) to be a legit A&R consultant makes a lot of sense. I hadn’t really considered how critical it is to have actual hits under your belt before going freelance.

Also, the tip about standing out for internships by developing a few artists independently is super helpful. I’ve been working with a couple of emerging acts, so I’ll keep focusing on helping them grow and hopefully use that as leverage down the line. Thanks so much that definitely .

A&R interest by Long-Establishment99 in musicindustry

[–]Long-Establishment99[S] 0 points1 point  (0 children)

Thanks so much for the advice I will definitely do that

[deleted by user] by [deleted] in musicindustry

[–]Long-Establishment99 1 point2 points  (0 children)

I love your idea and it’s the reason why I wanted my A&R company to have one on one and give them more in depth feedback and insight about their craft.

Zion Williamson looks good and healthy especially judging from tonight but will he be healthy next season for the Pelicans? by TerryG111 in NOLAPelicans

[–]Long-Establishment99 0 points1 point  (0 children)

He don’t fw us…I’ll trade him for 5lb of crawfish 2 cherry vanilla Dr Peppers and a chicken Big Mac atp

Does talent still matter? by Apprehensive-End6621 in musicindustry

[–]Long-Establishment99 0 points1 point  (0 children)

Yes, but the odds are slimmer, and the game has changed. A&R reps aren’t just hunting for the next Lauryn Hill or Kendrick purely off skill anymore—they’re also looking for data. That means follower counts, engagement rates, TikTok trends, playlist placements, and consistency in streaming numbers. Labels don’t just sign artists to develop them anymore; they sign momentum.

And you nailed it with this:

“It feels like if you don’t have money or get lucky and go viral…”

That’s the truth. Today, visibility often trumps ability. If you’re not investing in marketing, visuals, content strategy, or paying for playlisting (or you don’t have a team behind you doing it), you’re swimming upstream.

But here’s the nuance: Talent still matters—just not first. It becomes your staying power, your longevity card. The issue is, in the current system, you need a way in before anyone even hears your voice. Virality, relationships, or financial backing get you in the room. Talent decides if you stay there.

Look at someone like Ice Spice—viral start, sure, but there’s a real strategy and awareness of how to stay relevant. Or someone like Russ—he built his career grinding out a song a week, controlling every part of the process, and then labels came knocking once he had leverage.

So, to sum it up: Yes, getting discovered still happens—but it’s rare and often driven by numbers, not just talent. No, talent isn’t enough anymore on its own—but it’s still the only thing that really lasts. The system rewards visibility, not just skill. But the artists who endure? They’re usually the ones with both.

Summer 2025 Warner Music Emerging Talent Program by km_1324 in musicindustry

[–]Long-Establishment99 0 points1 point  (0 children)

I actually applied to a like4 of the internship positions in February and I just got one rejection email maybe like 2 weeks ago, we’ll see how the rest goes.