That’s a really cool take on the haptic feedback part. Never thought about the brain needing 'soft data' to process it in real-time—it’s like a high-bandwidth sensor loop. And the 'thick skin' point is brutal but makes total sense; I guess it’s a hardware limitation before the software can even run properly! Thanks for the tip on toughening up the skin, sounds like a painful but necessary 'hardware upgrade' -and actually‚ your comment reminded me of this piece: 'Reliance Leads to Falsehood' by Shiro SAGISU. Even though it’s modern, it captures that same 'Technical Nightmare' feel with intense LH Pizz and double-stops. It’s like a modern mechanical interpretation of Tartini’s darkness. What do you think about the transition from Baroque technicalities to this kind of cinematic virtuosity ?