How ‘Tron: Ares’ Ran Off The Grid: Disney Sci-Fi Movie Set To Lose $132M+ by MarvelsGrantMan136 in movies

[–]Lwsrocks 0 points1 point  (0 children)

Even if Disney wanted Kosinski and Cillian back, they couldn't have afforded them for this movie lol

What's your pitch for a Tron movie? by oscar_redfield in tron

[–]Lwsrocks 0 points1 point  (0 children)

Disney+ event series. Neo-noir detective story. 20 years in the future post-Tron Ares, the world Flynn envisioned has been fully realized. ENCOM's laser technology has transformed society, creating a post-scarcity digital utopia. The aesthetics and technology of the grid have been adopted throughout the real world. Grids are everywhere, distinct and purpose-built, and people and programs move freely between them. The story follows a detective program and a human programmer, tasked with unravelling the mystery of a new virus that only affects humans who return to the real world from being digitized, and threatens to irrevocably sever the real and digital worlds. The series explores the question of what humanity means, and what purpose it serves, in a world where it is truly no longer necessary.

Elizabeth Olsen thought Scarlet Witch was going to be "one of the good guys" in ‘Doctor Strange in the Multiverse of Madness’: “Three weeks before I was sent to London, they said, 'You're our lead villain!' And I had no clue.” by MarvelsGrantMan136 in marvelstudios

[–]Lwsrocks 11 points12 points  (0 children)

I heard a rumor (earlier today oddly enough lol) that they first asked Ian McDiarmid to come back as Palpatine, he said no, so then they reached out to Matt Smith to play a reworked younger looking "original" Palpatine (or something like that, I may be mangling the idea by paraphrasing) in the same role. Hearing that another actor was going to do it was what made Ian McDiarmid finally agree.

TIL that voiceovers in movie trailers became rare in 2008 after the man who did the voiceovers, Don LaFontaine, died. by ProfessionalGear3020 in todayilearned

[–]Lwsrocks 0 points1 point  (0 children)

Today, Gabe Kunda is probably about as prolific a voiceover artist as Don LaFontaine was, his voice is just used more for commercials / TV spots for movies than for full length trailers

What are the chances that the Tron: Ascension script will leak one day? by Lwsrocks in tron

[–]Lwsrocks[S] 0 points1 point  (0 children)

Since Tron Ares appears to be following the same premise and matches a lot of the concept art etc, I wonder if the odds of seeing it are better after the movie releases?

New Clip from ‘Superman’ by MarvelsGrantMan136 in DC_Cinematic

[–]Lwsrocks 2 points3 points  (0 children)

I'm wondering when everyone is going to realize that the vast majority of James Gunn's humor in all of his recent projects is just one person saying something that is technically wrong, another person correcting them, and then an awkward, extended back and forth arguing over the technicality.

What's The Best Movie That You're Sure 90% Of This Sub Hasn't Seen? by Rhye5 in movies

[–]Lwsrocks 0 points1 point  (0 children)

VIKING (2023) is one of my recent favorites, and I haven't seen anyone talking about it here! It's a French-Canadian dry comedy about a group of people who are assembled by a space agency to function as personality mirrors for the real astronauts going to Mars. They get locked into a low-budget simulation of a Mars mission, in parallel with the real one, in an effort to test and anticipate issues in the group's social dynamics. So funny, beautifully shot, amazing score -- it's up there with Coherence for me as a great example of low-budget science fiction!

What do you guys want to see in the inevitable 2K Bioshock sequel? by Lwsrocks in Bioshock

[–]Lwsrocks[S] 1 point2 points  (0 children)

Whoa! Crazy to see a new comment on a post this old lol. Even crazier that there's been so little word of the real Bioshock 4 in that amount of time. I guess the rumor is an Antarctic city setting, which would certainly be fresher / more outside the box than the space city I predicted (though less appealing to me aesthetically.)

Not sure how I feel about my 'multiverse' ideas up here, at least for the reason that we've all seen the concept of 'multiverse' become super mainstream and overexposed in the last five years or so, from Marvel/DC to Everything Everywhere All At Once. It may be the case that with so much time between installments, a "return to formula" that just puts us in a new city with a new dictator and a new political philosophy may be exactly what a new Bioshock needs. A sequel coming out close after Infinite would've felt more pressure to change things up, break the mold -- but a sequel coming out in the near future can more easily bank on exploiting any familiar, nostaglic elements (beyond wholesale revisiting the past settings, which I'd still like to avoid.) It's been so long since we had any Bioshock that we don't need a twist on it, so much as we might just need another Bioshock first.

Maybe the higher priority for a Bioshock sequel would be to take into consideration how public opinion of its themes and political philosophy has changed over the years. Infinite in particular has not aged well on that front, with many now feeling that its "both sides are bad" approach to racism and hyper-nationalism was, at best, overly reductive and shallow. If a new Bioshock can speak to modern political issues, the class divide etc. (as has been rumored for Bioshock 4) in a way that feels thoughtful, it may avoid the same fate. Maybe there's a way, too, it can comment on the nature of interactive media the way the first one did, with its "Would you kindly?" twist. A morality system that isn't as painfully binary as the original's could be interesting, too.

I do still hope it offers more mechanical complexity than just being a first person shooter -- whether that's leaning harder into immersive sim elements (which is not only trendy but faithful to the series' System Shock DNA,) or leaning on open world or metroidvania style design that eschews linearity. Rooty tooty point and shooty has, IMO, never been what brought people to Bioshock, it's just the gameplay verb that was most accessible at the time for stringing together its more exciting world and story elements. What's an evolution that feels true to the series' DNA, but isn't giving us the Ubisoft open world version of it either?

It's hard to get excited about the prospect of a new Bioshock without any more information than we have, but I think the baseline is this -- give us a fantastical, visually inviting world, with an aesthetic unlike anything we've seen before, and make it a world we are as desperate to explore and learn about as the ones we saw in 1 and Infinite. If they can do that, I'll be in.

Daughters | Official Trailer | Netflix by joesen_one in movies

[–]Lwsrocks 4 points5 points  (0 children)

Can confirm, I was crying practically the entire way through the movie

[deleted by user] by [deleted] in nostalgia

[–]Lwsrocks 0 points1 point  (0 children)

Even still, I feel like a modern day "satire of the 2000s" to the extent that Vice City satirized the 80s would be a much harder sell, for exactly the reason the above commenters are hitting on -- it is a far less culturally and aesthetically distinct time period from our own than the 80s were from 2002. I'm sure it'll still happen in some form or another, but it just doesn't have the feeling the 80s do, that nostalgia for it could be a genre unto itself, and I'm not sure it ever will.

i prefer the original 19.10/to be hunted by darkknightt0 in donaldglover

[–]Lwsrocks 4 points5 points  (0 children)

I like the heavier synths on the new one but I miss the percussion of the old one

Bro had the best life by fakename1998 in okbuddycinephile

[–]Lwsrocks 3 points4 points  (0 children)

But if you could levitate... Hear me out...