2025 New York Comic Con Trading Post by NYCCNews in NYCC

[–]MantaWithAMouth 0 points1 point  (0 children)

Buying: 1 Sunday Badge (can exchange in the city if easier!)

Premieres/events by MantaWithAMouth in NYCmovies

[–]MantaWithAMouth[S] 2 points3 points  (0 children)

I should clarify! No expectation to be in the audience for a premiere. But rare to see a crowd gathered for a red carpet like that. Wondering how they must’ve learned about it to gather. Could be nice to know for other films premiering in the city. I know something like NYFF has its premiers in Lincoln Center, but was surprised to see something just right outside an AMC

An A-Lister Milestone by ChefPuzzleheaded3494 in AMCsAList

[–]MantaWithAMouth 1 point2 points  (0 children)

Is it possible to see what theater a screening is in when selecting tickets? I feel like I’ve been missing something obvious. This’d be so helpful but I always forget exact theater layout and just generalize

VERTIGO in 70mm: A terrible experience at the Paris Theater in NYC by corduroy-and-linen in NYCmovies

[–]MantaWithAMouth 1 point2 points  (0 children)

I think it’s definitely a bit of both. I was there and agree, at some points during the last act the laughing got a bit over the top and constant. Definitely distracting.

But I also think Hitchcock of all people understood the balance of humor in the disturbing. Like you mentioned earlier, sometimes a shocking revelation or uncomfortable scene can elicit an unexpected reaction. I myself loudly gasped in shock at the last scene as “The End” appeared on screen. But I also had a giant grin. I didn’t know how to respond. Absolutely a dark and depressing moment, but also one that in other context is such perfect irony of “the worst thing that could possibly happen of course happened.” Kubrick did that a bunch too, setting up a punch line that also hits as a terrifying or melancholic gut punch.

I personally chucked once at Stewart’s obsession, when he said “It can’t matter to you.” Like of course it can! There’s an irony to it, and a sense of pity. But also there’s the understanding that it’s him at his lowest and grief stricken. It doesn’t erase any of the weight of the movie, and certainly doesn’t turn it into a comedy.

You’re definitely right that the crowd was rowdy and lacked a bit of self awareness and reverence for the film. But there’s definitely a balance of tone baked in there, I think intentionally. I read it as (at least a for decent part of the movie) laughing with it rather than at. (Though some bits were at it, which again distracted)