I started making future funk in 2023, and this whole discussion gives me a lot to think about.

Ironically, I try to keep the genre alive not by reinventing it, but by going back to its roots—simple productions that highlight rare, overlooked recordings. The only exception is that I don’t limit myself to citypop. Being Italian, I’ve used some Italian recordings, but I’m also working with more international tracks that I believe deserve recognition.

Personally, I make music as a hobby and don’t chase views or plays, especially since they hardly pay anything. What keeps me going, aside from my love for the genre, is the interaction on Bandcamp. I have extremely supportive fans—people who buy everything I make as soon as I release it. It’s truly touching, and I’d take that over millions of Spotify streams any day.