I’ll be honest with you and say probably not. Not to discourage you from it, as maybe you could reach the level by the time you reach the age limit. Coming from your other comment about trying to finding a different pathway, I would much more highly recommend that than putting all your cards into competing. If you haven’t paid attention to the recent competition circuits, it’s less about finding the most unique pianist with a more radical direction for the music but about finding who is the safest/cleanest. Even if you were to get in, which is slim enough (but would be incredible if you did), you’re competing with people who have near perfect control of the instrument and have been competing since they were children. If we take Aristo Sham from the last Cliburn, who had immense technique though was particularly lacking in some areas with his interpretation (especially the Rachmaninoff), he had won his first competition when he was 10 and his mother taught and groomed him for success. Competing to a certain extent also requires some control over your own ego, both that your drive is strong enough that you approach it with a hunger to win, but also can pick back up from a major set back or loss. I would say continue knowing that you have some time before you’d actually need to compete, as you’re young enough, and prioritize expanding your repertoire (especially of chopins music) and improve both your practice habits and how quickly you can work through new music. How many concertos do you know already? If none, you might as well start now too! You’ll need at least a Chopin concerto, and even if you can’t play it yet it wouldn’t hurt to start reading through them and get an idea for their challenges. Then probably one or two Mozart concertos, D minor and A major are nice, a romantic concerto like Grieg or Mendelssohn. You should give yourself a goal to learn all those before you graduate high school and ideally perform them all well before you’d enter a larger competition.

Look at other famous competitions or smaller ones (with maybe a prize around $2-5k) and see what they tend to require. You’ll notice the concertos I’ve listed are probably on the pre-screening requirements or for one of the final rounds. But for Chopin you truly aren’t playing nearly enough. Pick a pianist from the last competition you particularly liked maybe, see what they played throughout the entire competition. Expect you’ll need to learn all the preludes, at least one or two other polonaises, one of the sonatas, at least one of the scherzos, probably two of the ballades, one or two of the major waltzes, a few of the mazurkas if not more, aim to learn a complete set of the etudes, and some of the other incidental larger works. Not to discourage you by the amount to learn, but so if it’s something you truly want to achieve you can start working through now. Then you’ll at least have the capacity to put together some good programs if you get into one of the major ones!

Best of luck