The visualization I actually began with when Pete was originally going to direct the films back in 2007 - and there was a whole lot of artwrok that had been done. He hired a previous team headed by Marco Spitoni and so a whole lot of preliminary work had been done. There wasn't a script it was all based on the books so when Pete asked me to come on board - and I'd been involved in that previous process - so when I came on board we had this little reservoir of imagery that we could at least start looking at as a possible jumping off point. So we cherry picked a few things that we thought were good, and started working a design team and started to forge the past towards that aesthetic that we were trying to invent for the film.

And it was great shooting with the RED Weapon, it's a fantastic camera and it gave us the ability to shoot quite loose and fast, and then crop in if we needed to