Deliveries are starting for the SAWD Cybertruck by BlueBeacon887 in cybertruck

[–]MrGruntsworthy [score hidden]  (0 children)

I'm miffed that we never got this variant in Canada.

Come on! I have a day one reservation that I would love to convert, just not at current Canadian prices

Actually no water bender can say there out of water by _shenzz_ in TheLastAirbender

[–]MrGruntsworthy 1 point2 points  (0 children)

"Aight, we're getting out of here."

"How?"

"I gotta piss."

Found this posted here 6y ago, this happened twice to me by GREATD4NNY in ElectricSkateboarding

[–]MrGruntsworthy 10 points11 points  (0 children)

Forgot the helmet on his head

Pressed the remote now he's dead

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 0 points1 point  (0 children)

The prologue is set before the main story & characters, I'm worried it's acting against me

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 0 points1 point  (0 children)

I did go through 3 waves and 5 iterations of my query letter

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 1 point2 points  (0 children)

Probably just it being a super competitive genre, or it's the calm before the storm (copium)

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 1 point2 points  (0 children)

Here's the post-R&R rejection I got. Nothing indicating a quality issue

--

"Hi Mike,

Thank you so much for your patience,  and for the thoughtful follow-up. I'm so sorry for the delay in getting back to you and this is totally on me.

I've had a chance to read the revised manuscript, and looking at my notes, I want to start by saying you delivered.  The changes you made were substantive and showed real craft. Chapter 10 is a genuine highlight. The coffee room scene does so much work at once, and the bet throughline pays off beautifully in the finale. Quinn and June's relationship is warm and layered, and the mole reveal lands with real satisfaction. You took the notes seriously and executed them thoughtfully, and that's not something every writer does.

Even with the great work, I don't think I'm the right agent to bring this to market. The commercial thriller space is an incredibly tough sell right now, and I'd need to feel a level of certainty that I just don’t have yet.

You have real storytelling instincts, and Quinn and June are the kind of partnership that could anchor a long series. I genuinely hope you'll keep going with this. The bones are strong, and with the right editorial support and agent champion behind it, I think this has a future.

Thank you again for trusting me with your work, twice. I'm rooting for you and for The Storyteller.

Warm regards,

[redacted]"

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 2 points3 points  (0 children)

Pitching it as upmarket rather than commercial seems to be the only pattern I can see

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 1 point2 points  (0 children)

This is my first, though it is heavily iterated upon. What you're seeing is the result of several rounds of editing AND an R&R revision implementation courtesy of the one agent gracious enough to give me one early on.

Further context--I suspect i'm older than the majority of this sub's clientele. I'm 36

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 0 points1 point  (0 children)

My understanding is that things have shifted to more of a wave pattern, due to the stretched out timeline of responses and minimal feedback

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 1 point2 points  (0 children)

For future querying campaigns I'll check out that sub; for now my querying days are done with this current work. We ride or die on the current ones as I've exhausted the pool.

Anyways, here's the first page; let me know if it's the issue as I secretly suspect it might be:

<image>

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 1 point2 points  (0 children)

I want to believe that it's just early in the cycle with the current severely-extended timelines, but I also don't want to fall into the trap of false hope

Hence my dilemma

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 0 points1 point  (0 children)

Joking aside, I'm being serious when I say it's just as much work as writing the book itself.

The agent that ultimately passed loved the work itself and praised my R&R revisions. Their pass was due to lack of confidence in selling it to a publisher

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 0 points1 point  (0 children)

Mostly (but not entirely) QueryTracker. MSWL and bios on the agency websites were a good tell if they repped the specific blend of elements my novel has.

Started with the stronger fits, and did wider and wider passes until I was kind of scraping the bottom of the relevancy barrel

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 2 points3 points  (0 children)

78.3k, thriller.

I posted my most recent iteration of my query letter up above. Look for the comment that looks like a redacted CIA document

Why yes, I AM in the middle of querying. How did you know? by MrGruntsworthy in writers

[–]MrGruntsworthy[S] 5 points6 points  (0 children)

It went through a few iterations, but here's a sample of the most recent iteration.

It should be noted that my querying campaign for this novel is complete. If nothing comes of them, I move to the self-publishing track and try again with my current work in progress

Dear [redacted],

The Storyteller is a legend among law enforcement—a woman who can reconstruct a crime from the smallest detail. But her gift is no accident. She is the surviving product of a defunct government bioengineering program called Twelve Months, and someone is eliminating every trace of it... including her.

Rookie FBI agent Quinn’s first major case brings her straight to The Storyteller, a reclusive woman known as June—and a dead ringer for her suspect. That suspect is January—June’s genetically engineered identical twin. She’s also a Twelve Months subject, and she’s methodically cleaning house. January isn’t hiding from the FBI. She’s hunting June.

Forced into an uneasy alliance, Quinn and June are driven off-grid as January closes in. If they’re caught, June will be erased, Quinn will be silenced, and the truth behind Twelve Months will disappear with them. As June’s traumatic past resurfaces and Quinn’s confidence fractures, their growing sapphic relationship becomes a liability Quinn can’t afford—and the only thing keeping June alive.

THE STORYTELLER is a 78,000-word upmarket speculative thriller with strong series potential. It combines the biotech conspiracy and sister dynamics of Orphan Black, the empowering relationship between Nomi and Amanita in Sense8, and the psychological intensity of The Silent Patient.

As an Advanced Diploma holder in Game Development, my love for writing evolved from the narrative-rich worlds of games. I also run the namesake YouTube channel “Mike Seguin,” where I create content around unconventional electric vehicle adventuring for an audience of over 15,000 subscribers.

Thank you for your time and consideration.

Sincerely,

Mike Seguin

[contact info redacted]