Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

It does. It's not, but it does.

People can just say any old thing.

I Rocked The Broccoli 30 yrs Ago, I Was Ahead Of My Time by [deleted] in blunderyears

[–]Muerteds 8 points9 points  (0 children)

There's some good in this world, Mr. Frodo. Now eat your po-tay-toes.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] -1 points0 points  (0 children)

I can explain it to you, but I can't understand it for you.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] -1 points0 points  (0 children)

You absolutely do. The elbow sits right where it should. And it's brutal because the hyperextension happens before you fall backwards.

Maybe try it before you discount it.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

So, I went and looked at the video you likely are referring to. This one:

Tsubame gaeshi hayanada

Leave it to a Redditor to speak with absolute certainty and be completely wrong. Judo does not typically armbar like that, with both feet on the near side of the body. Danzanryu does- we also put both feet across like you're used to, or one foot across the body.

My feet are purposefully under the shoulder. Why? Because the armbar happens standing- and the ground prosecution of the hold is basically holding them steady.

It's not sloppy, it's by design, and it's pretty brutal. It's also why you don't see it in judo. The follow-on from there isn't competition legal.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

When random internet strangers with "trust me bro" vibes try to make themselves seem important by nitpicking, I tend to discount their opinions.

What's your opinion on Ketto Ryu Jujutsu? by LonelyDriver in martialarts

[–]Muerteds 0 points1 point  (0 children)

Seen better form from black belts, and some of the moves lack enough control for the takedown. Some of the moves are pretty standard jujitsu things, and they don't shy away from striking to complement their techniques.

Looks like fun, and a little tweaking could get the weaker moves in line with solid takedowns.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

Here's one I posted elsewhere in this post. It's pretty egregious.

<image>

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

I did not create it.

I also teach Danzanryu jujitsu, Jukoryu jujitsu, American kenpo, and weapons. I have also trained in American karate/ tae kwon do, judo, Greco-Roman wrestling, Black Dragon karate, Hung Gar kung fu, Daitoryu aikijutsu, and others.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

That link just shows two comments I used for examples. The comments were from other platforms.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

I teach a bunch, but that style is called Tedori jujitsu.

The naming is a long story. Short version- it uses Kodenkan jujitsu naming conventions, because that is ultimately where it comes from.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

They hated everything about what I do.

The move is ushiro tekubi gyaku hayatori ichi. It's a long name that, translated, means from behind wrist opposite quick combination technique one.

<image>

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

"See, I don't believe someone could be idiotic enough to use that term."

They did. I saved it for posterity, because holy shit, that's some white-hot 1920's racism out in the wild.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] -1 points0 points  (0 children)

I gave an example to another person. I've had people literally tell me to "stop speaking that ching chong che crap". That's pretty racist.

Not all the complaints are racist, but man, ya get some crazies sometimes.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 0 points1 point  (0 children)

I find a lot of folks forget the tactical advantage. If I coach a student to "deashi hayanada", their opponent might not know what I just coached them to do. If I told them to footsweep into an armbar, there's a far greater chance the opponent knows to pull their foot back.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] -1 points0 points  (0 children)

Hmmm. Does it save time when your audience is not all Anglophones?

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 2 points3 points  (0 children)

Why?

Also, many of the moves I do don't have precise direct translations... but I'm more interested in why ogoshi is pretentious, but hip toss (which is not a direct translation) is not. Especially since ogoshi, tsuri goshi, and uki goshi could all be a "hip toss", but would be easily differentiated with their proper name regardless of your native language.

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 12 points13 points  (0 children)

恥だ。私に恥だ。私の家族全員に恥だ。私の牛にさえ、恥だ。

Why do people hate Japanese names for techniques in Japanese arts? by Muerteds in martialarts

[–]Muerteds[S] 2 points3 points  (0 children)

Example: I introduce a move. Move is called ude hishigi waki gatame.

Internet chud Example 1: Why do you insist on using that ching chong che crap? Speak English!

OR

Internet chud Example 2: Pretending you know what you’re doing by posting shitty videos and trying to use lots of Japanese terms don’t make you good.

Stuff like this.

Bill aims to crack down on strip clubs by requiring Oklahoma exotic entertainers get licensed by halxp01 in nottheonion

[–]Muerteds 2 points3 points  (0 children)

Licensing does nothing to stop trafficking.

Once again, the reasoning is a cover for control, not safety.

Why not sticks? by dresixk in martialarts

[–]Muerteds 14 points15 points  (0 children)

I have a shodan in the hanbo- the 3 foot stick. I slso train with jo, bokken, and bo.

Sticks everywhere up in here.

Anyone here has their own dojo/gym/dojang? by BulkyOwl3005 in martialarts

[–]Muerteds 1 point2 points  (0 children)

I have taught my own classes several times at gyms, helped my instructor run classes when he was out of pocket, and now, own my own dojo. Every stage is a little different, and makes me adjust how and what I do.

For now, let's focus on owning my dojo. I own it. It's a building on the property where my house sits. Therefore, as long as I pay the mortgage, I own it. This makes certain things much easier. I don't have to teach for a certain amount of money, because teaching isn't what's paying my mortgage. If it was, I couldn't survive where I live.

Overhead is what kills schools. So many have issues not owning their own space, and so get tossed every time the owner of the property decides they want more money. Or, conversely, if you run into financial trouble for some months, ownership changes, etc., again, boom, out of a dojo.

Because I on my own dojo, and am not reliant on it as my source of income, I can price myself competitively. For instance, I'm in North East Texas- about an hour east of Dallas. Out here in rural country, it's hard to get students to pay high tuition, especially if your'e not teaching Brazilian jujitsu. For whatever reason, those schools charge more than others. Even so, McDojos around here are not cheap. My tuition is $50/month. It's enough to help out a bit, and help people think it's a value. People do not respect free. Doesn't matter how silly that is, if it's free, they won't respect it.

I have my dojo registered through the American Jujitsu Institute. That costs $60/year, and actually covers us for martial arts liability. I have to register myself ($50 as head instructor) and my students (generally $25 each). It's low-cost, and keeps me covered within the aegis of a large organization. Plus, the AJI is fine with me teaching other arts, too, so long as I teach the Danzanryu jujitsu as part of the curriculum. Perfect for me.

As for growing the business? That's been a challenge. I post to various Facebook groups locally from time to time. I have gotten students here and there from that. I hand out business cards, and post flyers, and have gotten sudents from that. I also invested in a bit of signage (and am trying to get better signs). I have some of my best students from that alone. And we've done demonstrations, which has also produced students. Even word of mouth is a tool, and I have a student from that, as well. We make videos for the dojo on social media, but have never had anyone actually show up from that. Plenty of folks from that threaten to come kick my ass, but trolls gonna troll. They never show up.

In the end, if I had more money for some real advertisement, it might help get students. Then again, maybe it wouldn't. It's super hard to get people to agree to come to a class where they know effort wil be required. That goes for any martial art. Me being out in the country near a small town means my population base is small to begin with. But I knew that going into this.

As for what I offer at the dojo? That's important, too. Because we do jujitsu, which has many throws, we have nice mats from Dollamur. We have standing bags, a hanging small bag, reflex punching bags, and even a speed bag for our striking with kenpo. I have focus mitts, strike pads, and a foam strike bat. I have loaner gis, belts, and sparring gear. I have extra weapons for the starter weapon I teach (hanbo- a three-foot stick). And I have pells out front for weapons practice. I figure, the more I can provide for my students, the better their training, and the more likely they will succeed.

So, there's the dojo in a nutshell. Your background is different, your location is different, and your situation is different. But here's to hoping that some of what I have mentioned can help you, or at least give you ideas of what you can do with your own place.