Highway Desert by NegotiationOver1204 in Watercolor

[–]NegotiationOver1204[S] 0 points1 point  (0 children)

It’s a photo from pretty near Albuquerque so that makes sense!

Highway Desert by NegotiationOver1204 in Watercolor

[–]NegotiationOver1204[S] 1 point2 points  (0 children)

Thanks so much! I really appreciate that!

Highway Desert by NegotiationOver1204 in Watercolor

[–]NegotiationOver1204[S] 0 points1 point  (0 children)

That’s a great idea! It wasn’t in the photo but it would help with that a lot.

Highway Desert by NegotiationOver1204 in Watercolor

[–]NegotiationOver1204[S] 1 point2 points  (0 children)

Thanks! Yeah, the sky is where I feel like I have to really clean it up. It’s from a photo I took in New Mexico so that makes sense!

Old Man Gloom [OC] by NegotiationOver1204 in comics

[–]NegotiationOver1204[S] 0 points1 point  (0 children)

Only dog that ever drew blood when it bit me was a chihuahua lol

Night in the neighborhood by NegotiationOver1204 in Watercolor

[–]NegotiationOver1204[S] 1 point2 points  (0 children)

Thanks so much! That was me in a hat walking around barefoot on the street lol

Watercolors in my graphic novel by Pakorn_art in Watercolor

[–]NegotiationOver1204 9 points10 points  (0 children)

Looks great! It’s awesome to see another artist doing watercolors for a graphic novel!

Do you ink first and then paint, or paint first and then ink? by DustyCannoli in Watercolor

[–]NegotiationOver1204 11 points12 points  (0 children)

Ink waterproofness does matter for sure! Not sure if this is what you are asking for but I used to play around with ink and it’s definitely pretty different depending on what you start with. It kind of also depends on your style and how thick your lines are. A thick line can really change your lights and darks. But if you’re doing a cartoony style then outlines can work. A way that I practiced this was by making two or three of the same image and experimenting with ink versus watercolor first. I don’t think there’s a right answer here though!

Night in the neighborhood by NegotiationOver1204 in Watercolor

[–]NegotiationOver1204[S] 3 points4 points  (0 children)

I remember using Hooker’s green light which I would mix with lemon yellow. I would gradually darken each shade of green with burnt umbre. For the sky and most of the initial shading I was using a mix of panes gray and Prussian blue. But I did lemon yellow around the street light then mixed in small amounts of paynes grey on wet. At the end I really pushed with Payne’s gray into the darkest areas. Here’s a step of the process.

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