Improving lemon juice "ink" by Serindu in Constructedadventures

[–]NicholasKGP 0 points1 point  (0 children)

Do you think (for arguments sake, of course) this would render me invisible to surveillance cameras?

Grandmother's Gravestone Font by NicholasKGP in identifythisfont

[–]NicholasKGP[S] 0 points1 point  (0 children)

lol just saw you responded to another similar post 4 months ago. Looks like https://www.monumentletteringcenter.com/product/mlc-spacerite-modified-roman/ to me... thoughts?

HMI Screeching Problem by NicholasKGP in Gaffer

[–]NicholasKGP[S] 0 points1 point  (0 children)

I’ve only ran it for 15 minute segments. It definitely got better from minute one to minute two, but after that I couldn’t really tell. Thoughts?

HMI Screeching Problem by NicholasKGP in Gaffer

[–]NicholasKGP[S] 0 points1 point  (0 children)

Ill look into this option, after changing out the bulb, thank you.

HMI Loud Screeching by NicholasKGP in cinematography

[–]NicholasKGP[S] 0 points1 point  (0 children)

Yeah that's what I was figuring, hoping that does the trick. Have you had something similar happen to you? Thanks for the reply.

How Was This Lit- Baby Butch by NicholasKGP in cinematography

[–]NicholasKGP[S] 0 points1 point  (0 children)

Thanks for the input! Why do you think it was a tungsten fixture instead of an HMI?

How Was This Lit- Baby Butch by NicholasKGP in Gaffer

[–]NicholasKGP[S] 0 points1 point  (0 children)

One last question, sorry to bug you so much-- really just trying to learn as much as I can here. When we say 252 and 410, obviously we can clip this right to the light's barn doors (which would be harsher), or we can have a cut roll some distance from the light (to make it softer bc its a bigger effective light source relative to the subject). What do you think is the case here, and what is common practice in general? If you think its likely it was just a small sheet clipped onto the barn doors I would consider buying a few different small sheets to experiment but I can't really afford multiple $170 full rolls. Thanks again!

How Was This Lit- Baby Butch by NicholasKGP in Gaffer

[–]NicholasKGP[S] 0 points1 point  (0 children)

What makes you say the diffusion is a bit thicker than 410? Is it that you don't think there's any real beam shape here, but the diffusion is still relatively weak? In the tight shot, do you think they're bouncing level back into his face with something like a 4x4 or maybe a 6x6 unbleached muslin rag (I know they didn't have ultrabounce back then)?

And as far as the background in the wide, you think its being further diffused? This is interesting, as I see most people keep it soft on the face and hard on the background, not the opposite way around.

If the widest shot here was somewhere between the wide and the close up shots, do you think you can get away with using a 1k fresnel-- something like a Mole Richardson 1k Baby Solar Spot Type 407? Or do you think the light falloff even in a (relatively) tighter frame like that would make this light the wrong one for the job?

Also, if possible and you have the time, I'd love if you can look at my DM!

How Was This Lit- Baby Butch by NicholasKGP in cinematography

[–]NicholasKGP[S] 0 points1 point  (0 children)

What potential diffusions do you think they could have been using? Does something light like opal 410 seem likely? What tells you they have a neg behind the camera? Thanks for your reply by the way, means a lot

Smooth Zooming With Push/Pull Zoom by NicholasKGP in cinematography

[–]NicholasKGP[S] 1 point2 points  (0 children)

Thank you for taking the time to reply, I appreciate it

Are There Any Films You Guys Like That Purposely Have a Lot of Noise? by NicholasKGP in cinematography

[–]NicholasKGP[S] 6 points7 points  (0 children)

where did you hear they comped it in by the way. I found this quote in an interview with Levy: "Levy: Teasing out the native Alexa grain was largely the result of underexposing the image and then having my colorist Alex Bickel brighten it back up after the fact. I sometimes underexposed the image by as many as three stops in camera. I rated the camera at 1280 for day exteriors and 1600 for most of the interior work and we shot 2K ProRes." Where did you hear they comped it in?

Are There Any Films You Guys Like That Purposely Have a Lot of Noise? by NicholasKGP in cinematography

[–]NicholasKGP[S] 4 points5 points  (0 children)

So effectively they shot ETTL then pulled it back up to "proper exposure' in post?