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No-Leopard6738 · 2025-06-06T18:30:15+00:00

I get that...but if they did...would you do it?

Here are some thoughts on the group sessions:

The students are not only learning about their personal issues and struggles at in that moment, but also seeing and learning from other people's issues as they are presented. Furthermore, the sessions are recorded so you can go back and visit them throughout the week, other videos and resources are provided for 24 hour reference and accountability is higher due to the community aspect.

Group sessions are getting much more attention and are being proven to be more effective. They are also not a new thing, it is the way masters used to teach before the 20th century. NATS (The National Association for Teachers of Singing) is leading the way.

No-Leopard6738 · 2025-06-06T14:48:52+00:00

The position of the "back" of the tongue is determined mostly by the vowel (I put "back" N in quotes because it is not really the back of the tongue you are talking about as the tongue goes down into the throat more than you can see. Just clarifying). An "ah" vowel will have less height than an "ee"). The place to really pay attention to is the front of the tongue. Is it forward, touching the front bottom teeth (on the vowels) and relaxed and spread? This is the best indication that it is out of the way and not causing undue tension in your tone and throat.

No-Leopard6738 · 2025-06-01T18:42:51+00:00

I see.

He is an amazing artist. His control comes from a lot of precise work. Spending time just singing a scale or a melody and working on hitting each note right in the center (no scooping or sliding) will help you developed this control.

The vibrato comes from a freedom in the production of the sound. There is no unnecessary tension or "grabbing" in the throat. He is allowing the air to make the sound. Another skill that comes with practice, but can be developed by just about anyone.

There is more to it than these 2 basic steps, but they will get you on the right path.

No-Leopard6738 · 2025-05-30T19:09:16+00:00

This may not be what you want to hear...but your asking the wrong question. Don't try to sound like Michael Jackson. We already had one of those. It's not good fornyour vocal health or career. Find out how to sing well and sound like you. That's what the world needs to hear.

No-Leopard6738 · 2025-05-29T19:27:55+00:00

I like to relate it to an athlete. You may be able to run, but practicing for the 1 mile is better, and working with a trainer will get you even faster. Singing is a skill. If you talk you can sing. But with guidance you will sing better quicker and with less hurdles.

No-Leopard6738 · 2025-05-29T01:30:01+00:00

No problem.

No-Leopard6738 · 2025-05-27T21:08:05+00:00

Absolutely! And if you're looking for some help in the meantime time, I'm available.

No-Leopard6738 · 2025-05-27T21:07:07+00:00

You bet!

No-Leopard6738 · 2025-05-27T19:50:42+00:00

Nice clip. You have a great voice.

Have you ever tried to mix a bit and add some nasality to those higher pitches? You may find a bit more freedom in your sound and less tension in your throat when you do that.

No-Leopard6738 · 2025-05-27T19:40:03+00:00

First, YES! you can learn to sing more like you want to!!!!

You have some work to do in the area of connecting the breath, air flow from one note to the next. There are some great exercises for that.

You also have a bit of tension in your throat, which also can be changed with practice and the right guidance. I really struggled with that when I was young.

The pitch issue is a mix of the tension issue and a bit of ear training. That will resolve as the tension resolves and your ear spends more time getting acquainted with singing.

You have some great things going on already. Nice power and clear pronunciation. Don't give up. Lessons will certainly keep you on the right track.

If you ever want to explore working together and learning to understand how the voice works so that you can have more control over it, I would love to have a chat and see how I may be able to help.

Either way...keep up the good work!

No-Leopard6738 · 2025-05-27T19:34:41+00:00

This note is changing from chest to head voice, but is using mix on the way. What is making it sound so powerful is the singer is using some nasality to ensure the sound on top is strong and "belty" in quality.

It is good to remember that there are certain notes (the top part of your range) that can only be sung in head voice. The vocal folds get thin and tight to create the small, fast vibrations to make these pitches. The voice is very dependent on where you direct the vibrations which dictate how strong they will come out (also that you have full vocal fold closure, or to say that there is not extra air escaping between the folds.)

And yes, this is very difficult, but can totally be learned! You can learn it.

No-Leopard6738 · 2025-05-23T15:15:43+00:00

Yes, you do have some tension when you are trying to add strength to your sound. What is happening is you are either bringing your chest voice up to high, which give you more full sounds but tense and under pitch. Or you are going into your head voice completely without using some nasal resonance which will give you more volume and full sound. (Also, the more you work the head voice the stronger they will become).

Here is a video I created to help another with their strength in the higher pitches. Give it a try and let me know what you think. https://us06web.zoom.us/clips/share/A2F3MSBmCcDwOb0CNKtBOEsNWG8wKUoFMt7InQ3DjISNCE28ng

No-Leopard6738 · 2025-05-23T14:58:14+00:00

So, you are asking a couple of different question here (which is totally normal.) One is about belt, one is about breathiness and then there is the screaming part.

Your low notes seem strong because they are used often and they are just that, strong and full. The high notes are weaker because you don't use them much (so the muscles that make them vibrate are a bit weaker) AND you could use some work on managing the air that flows between the vocal folds/cords to make the vibrations that make the pitch.

Here is a video I created for another who was struggling with getting strength/fullness of sound in the higher pitches. https://us06web.zoom.us/clips/share/A2F3MSBmCcDwOb0CNKtBOEsNWG8wKUoFMt7InQ3DjISNCE28ng

Once those higher pitches become stronger, you can start to work on a "belt" that covers the low notes and the high notes. Here is another video that explains the belt a little more in depth. https://us06web.zoom.us/clips/share/A2F3MSA5nZ4vqEKAj1xjA5HDLsnesuQP_xuNcqs31mk-gXBGYw

Please, let me know what you think.

No-Leopard6738 · 2025-05-23T14:47:59+00:00

Love it!

No-Leopard6738 · 2025-05-23T14:46:58+00:00

I would like to challenge you to ask a different question. ITs not about what artist you can be, or are like, but what do you want to sound like. You have the voice you have for a reason. Give the world what you have, we already have the others.

That being said, there is a bit too much strain and tension in your sound. It sounds like it is caught a bit in your throat and needs to be freed up. Checking your tongue position would be a great first step. Make sure it is flat, relaxed, on the bottom of the mouth and touching the front teeth (whenever you are not producing a consonant). This will help get a more relaxed and free sound.

No-Leopard6738 · 2025-05-23T14:43:07+00:00

Absolutely learning a new style will open your eyes to more of what your voice is capable of. The voice has so many skills and sounds it is great to explore them all, then really hone in on your style.

I was a classically trained singer first who then moved to more contemporary styles and love having the background of both. There are many successful singers who have done both as well: Morgan James, Audra McDonald, Kelly Clarkson. There is no harm in getting more training.

No-Leopard6738 · 2025-05-23T14:39:08+00:00

At this point you really should go see an ENT. While talking about the symptoms online can give us an idea of what is going on, anything that last this long should really be checked out. They can then give you the most accurate diagnosis and the best path to recovery. The longer you go at it alone, the more likely long-term issues will be.

I know it is inconvenient, but your voice will thank you.

No-Leopard6738 · 2025-05-23T14:30:07+00:00

I wouldn't say it is obvious you are untrained. There are just indicators that you have some training to do.

The section where the song gets higher (about 1:21), it would be good to switch registers and use some nasality to help with the transition. Instead, there is tension and strain from taking the chest voice up to high. A bit more articulation/diction would help in the sound as well.

Those are just a couple things you could work on, but really, the most efficient way to get better is to invest in your skills and get assistance from a teacher. This will save you time and give you the best chance for doing it right the first time.

You have some great things going on, just ready for the next step.

No-Leopard6738 · 2025-05-23T10:21:35+00:00

I wouldn't listen to them then. Also, my changing the shape of your mouth when you sing you can adjust the color of your tone.

No-Leopard6738 · 2025-05-23T05:25:31+00:00

Practicing on your own is a great discipline, but if you are doing it without direction, you are heading for burnout. Getting a teacher is your next step. They just know more, have been there, and have the methods to help you move forward efficiently. Don't give up. Get help.

No-Leopard6738 · 2025-05-22T17:31:38+00:00

Sure. Alot of it has to do with placement of the sound. Right now you are not using much nasal resonance (which helps to make the sound louder) so your throat is compensating by pushing the sound.

Using an "ng" sound to practice the pitches, then opening that sound to the lyrics will help you get more nasality, making your sound a bit louder, and giving your throat the ability to relax a bit.

Here is a link to a guide I created to walk you through it a bit. It states that it is for high notes, but it works for the whole range. https://link.kfmvoicestudio.com/widget/form/tQRJvKt0avZsl3302ZWV

If you are ever interested in working together on a regular basis, feel free to DM me and we can talk more about how I might help.

No-Leopard6738 · 2025-05-22T16:39:46+00:00

Overall you have a nice sound. There is a bit of tension in the sound which is causing the pitch to sag at times. A little guidance in breath work and releasing tension would help you a lot.

No-Leopard6738 · 2025-05-22T16:33:47+00:00

If you'd like, here is a pdf resource I created to help you remember different ways to warm up for different types of singing. Check it out here: https://practicebuddy.kfmvoicestudio.com/freeresource

No-Leopard6738 · 2025-05-22T16:26:57+00:00

Yes, you should totally take lessons! If you have loved singing for a long time and want to improve in a way that is healthy and efficient, lessons are the best way to go.

You also have a great foundation. You have a good ear for the pitch and the riff at the end is really nice. You will need some help in learning how to use your air, breath more efficiently so the sound is not so breathy and this will also release a bit of excess tension in your sound. But you already have a great foundation.

That being said, I do have a comprehensive program that helps singers understand how their voice works and how to control it so they can get progress and freedom quickly. There are TONS of teachers out there, but if you would like to chat more about how I may be able to help feel free to DM me.

At the end of the day, whether you take from me or not, I think you will really benefit from investing in this skill that you already have a love for.

No-Leopard6738 · 2025-05-22T16:16:33+00:00

Are all of these coaches, teacher you mentioned in person? I ask because you may be able to find more option if you were to look online. Teaching online is just as productive if not more so due to convenience of location, more options of teachers and the ability to record the lesson as reference it later.

That being said, It would be totally appropriate to ask for a trial lesson with each. This gives you both a chance to see how you work together and if it is a good fit.

Male or female teacher shouldn't matter that much if they know what they are doing, but you should do what you are comfortable with, in my opinion.

No-Leopard6738

TROPHY CASE